Post-Its
Editor Grant MacDowell, formerly of Brass Knuckles, Venice, Calif., has joined Optimus, which maintains offices in Chicago and Santa Monica. The Santa Monica shop, which had been known as CO-OP Editorial, has been re-branded as Optimus. Grant will be based at the Santa Monica site. During his three years at Brass Knuckles, MacDowell cut a mix of work, including humor spots for T-Mobile, automotive fare for the likes of Mazda, Ford and Lincoln and lifestyle ads for Las Vegas Tourism. Also coming aboard Optimus is junior editor Justin Amore who has primarily freelanced over the years at Spot Welders, Venice, and now defunct Superior Assembly. Amore served as a long-time assistant to noted editor James Haygood. Optimus, which is under the aegis of president Tom Duff, has an editors’ roster that includes MacDowell, Amore, Tim Kloehn, Craig Lewandowski, Steve Mach, Jan Maitland, Randy Palmer, Dana Phillips, Katherine Pryor, Deb Schimmel, Jim Staskauskas and Kate Wrobel….Editorial houses Blue Rock, New York, and Rex Edit, Venice, Calif., have entered into a reciprocal alliance. Per the arrangement, Blue Rock gains a foothold on the West Coast while Rex Edit now has a home base in the Big Apple. Rex’s clients can also access the extensive postproduction resources at Blue Rock, as needed. Blue Rock executive VP Joanne Ferraro related, “Our partnership with Rex gives our talent access to an L.A. client base, which will allow them an even greater opportunity to pursue more avenues of creativity.” Conversely, the deal is in line with Rex owner/editor Bill Marmor’s business model of maintaining a boutique shop yet still being able to tap into other markets and resources without adding to company overhead. Some five months ago, for example, Rex Edit entered into a reciprocal alliance with Sydney-based Guillotine, garnering U.S. representation for editors Drew Thompson and Alexandre de Francheschi who are both Down Under (SHOOT, 9/24, p. 7). “In some respects,” observed Marmor, “the business is becoming more localized with agencies keeping work in their home cities. So if we can establish relationships in different markets, we can be better positioned to access work.”….Meanwhile, Blue Rock has added to its talent lineup through the signing of editor Don Kleszy, formerly of The Well, New York. Kleszy’s other prior roosts include Crew Cuts, New York, and 89 Greene, New York. He is also experienced as a musician, enabling him to serve as sound designer and/or music director on projects….Editor David Checel has joined bicoastal/international Cut + Run. Checel recently completed a new spot for Gatorade via Element 79, is currently cutting the music sequences for a new Outkast film, as well as a Brothers Strause-directed music video starring the band A Perfect Circle for the movie Constantine. He arrives from Filmcore, Santa Monica, where he edited spots for such clients as MasterCard, ESPN Sportscenter, Nike, Diet Coke, Target, Budweiser, Lexus, Lincoln, Mitsubishi, Honda and Ford–Northern Lights Post, New York, has added editor/visual effects artist Christopher Harrison. He comes over from Broadway Video, New York…. Creative editorial house Greybox, Richmond, Va., has brought on board editors Ben Layman and Nick Wurz, both of whom also have extensive design experience….Steve Meyer has joined The Napoleon Group, New York, as executive producer. His experience includes serving as an exec producer, production executive and visual effects, animation and post supervisor on a wide range of projects, including commercials, broadcast promos/graphics, TV program and feature films. He was visual effects supervisor on Game 6, an ’05 Sundance feature, and on The History Channel’s Troy, on-air graphics director/post supervisor for NBC’s 9/11 benefit Concert for America, and HD producer/post supervisor on feature film The Believer, which copped a dramatic grand jury prize at Sundance in ’01. As the visual effects supervisor/producer for Image Design/Blink.fx, New York, Meyer worked on commercials for Endust, Aquafresh, Ford Escort, Quaker Oats, Jif Peanut Butter and Prestone, among others. The Napoleon Group consists of: Napoleon Art for art and illustration; Napoleon Post for multi-format editing; Ultra-Sound for voice recording, audio mixing, music and sound design; Code Films for live-action production; and Code f/x for visual effects planning, pre-visualization, computer animation, compositing and finishing….Marlee Matlin Is “Not Alone Anymore” At Sundance, Opens Up In A New Documentary
Marlee Matlin gives an unflinchingly honest account of her experiences as a deaf actor in the funny and revelatory documentary "Marlee Matlin: Not Alone Anymore." The film kicked off the 41st Sundance Film Festival Thursday, as the first major premiere in the Eccles Theater in Park City, Utah.
After the screening audiences in the theater, some wiping tears away, greeted Matlin with a standing ovation when she took the stage.
The film delves into all aspects of her life, personal and professional: Her childhood and how her family handled learning she had become deaf at 18 months; her experience winning the best actress Oscar for her first movie role in "Children of a Lesser God" and her allegedly abusive romantic relationship with her co-star, the late William Hurt, which he denied; and her experiences in an industry not equipped to accommodate deaf actors.
The film was directed by Shoshanna Stern, who also is deaf. Matlin specifically requested that Stern take on the project when American Masters approached her about doing a documentary.
Matlin has written about her experiences before, including her volatile relationship with Hurt and drugs, in a memoir, "I'll Scream Later." But before the #MeToo movement, she felt her allegations were largely dismissed or glossed over.
Interviews from the book's press tour show journalists were more interested in the "amazing sex" she said she had with Hurt than the stories of the alleged physical and verbal abuse. One interviewer asked her why she waited "so long" to come forward with the claims.
The documentary isn't just a portrait of Matlin, but a broader look at deaf culture and how Matlin was thrust into the spotlight at a young age as a de facto spokesperson for all deaf... Read More