Following one of the most successful NAB shows in the company’s history, PlayBox Technology Limited heads to BroadcastAsia 2016 where PlayBox Neo and CloudAir will make their first APAC show appearance on stand 5D3-03. Senior PlayBox Technology Limited representatives attending will include CEO Pavlin Rahnev and PlayBox Asia Pacific general manager Desmon Goh.
“We set ourselves the ambitious goal of designing the future of broadcast playout,” Rahnev commented. “That required a dual-strategy approach to meet the demand both from traditional broadcasters who like to retain full control over their technical infrastructure and from channel managers keen to employ third-party services. The results were PlayBox Neo and CloudAir respectively.
“PlayBox Neo is an evolutionary software upgrade building on the outstanding popularity of our AirBox modular playout server. Neo retains all the standard features of AirBox including the ability to preschedule programmes, interstitials and commercials or switch from automated to live transmission. PlayBox Neo adds UHD compatibility, enabling broadcasters to schedule and transmit content in UHD, HD or SD from a single easy-to-use graphic interface.”
Core element of the PlayBox Neo suite is the AirBox Neo playout server. Designed for 24/7 unattended operation, it can also be operated manually – including the ability to handle live-to-air throughput. AirBox Neo supports UHD, HD and SD in single server.
TitleBox Neo provides a wide range of interactive on-air graphics and titling capabilities which can be manipulated live. It includes substantial improvements for dealing with UHD projects as well as supporting HD and SD operation.
CaptureBox Neo allows HD or SD content to be captured from up to four video sources simultaneously. These can be monitored on a single screen and controlled via a streamlined user interface with enhanced multichannel control and operability.
SafeBox Neo replicates remote content to local playout server folders for safe transmission. It implements a new graphic interface plus significantly faster processing for moving primary or copied content to the playout and central storage servers. A new workflow routine protects content agains unauthorised deletion.
“CloudAir is at first sight revolutionary and has taken the broadcast market by storm,” Rahnev said. “In reality it builds on the long experience we have had in allowing customers to control remote playout servers via IP from wherever they choose to locate their headquarters. We pioneered IP control years ago, enabling channels to run from city centre headquarters without having to find space for on-site technical infrastructure. CloudAir carries this concept further, offering established broadcasters or new-start entrepreneurs unsurpassed freedom in the style and scale of their operation and in the way they fund their business.”
“The Asia Pacific area has long been one of our core markets thanks to our very strong sales and support team in Malaysia,” adds Don Ash, President of PlayBox Technology Limited. “We have an excellent relationship with leading systems integrators throughout the region, strengthened by our ability to provide local technical support when needed plus very fast online remote system inspection. All our products are based on standard IT components, protected where necessary by RAID storage architecture and optional system redundancy. These concepts were revolutionary when we introduced them but are now standard practice throughout the broadcasting and telecommunications business. Neo and CloudAir are proof of our continued ability to develop and deliver the products broadcasters need, on time and at sensible prices.”
CloudAir allows a new television channel to be set up in matter of seconds. It is designed for anyone who wants to broadcast TV content, be it on a real-time 24/7 basis, a catch-up facility, the red button element of a reality show or a short-running series such as a sports event. CloudAir can also be deployed as the basis of a highly secure disaster-recovery system. It can empower new or existing programme streams wherever and whenever they are needed, in any standard from SD to UHD. Available on a software-as-a-service basis, CloudAir offers established broadcasters or new-start entrepreneurs unsurpassed freedom in the style and scale of their operation and in the way they fund their business. It is able to provide true playout with graphics on any enterprise-class blade, rack or tower server. Once CloudAir is installed, no auxiliary hardware is required
After 20 Years of Acting, Megan Park Finds Her Groove In The Director’s Chair On “My Old Ass”
Megan Park feels a little bad that her movie is making so many people cry. It's not just a single tear either — more like full body sobs.
She didn't set out to make a tearjerker with "My Old Ass," now streaming on Prime Video. She just wanted to tell a story about a young woman in conversation with her older self. The film is quite funny (the dialogue between 18-year-old and almost 40-year-old Elliott happens because of a mushroom trip that includes a Justin Bieber cover), but it packs an emotional punch, too.
Writing, Park said, is often her way of working through things. When she put pen to paper on "My Old Ass," she was a new mom and staying in her childhood bedroom during the pandemic. One night, she and her whole nuclear family slept under the same roof. She didn't know it then, but it would be the last time, and she started wondering what it would be like to have known that.
In the film, older Elliott ( Aubrey Plaza ) advises younger Elliott ( Maisy Stella ) to not be so eager to leave her provincial town, her younger brothers and her parents and to slow down and appreciate things as they are. She also tells her to stay away from a guy named Chad who she meets the next day and discovers that, unfortunately, he's quite cute.
At 38, Park is just getting started as a filmmaker. Her first, "The Fallout," in which Jenna Ortega plays a teen in the aftermath of a school shooting, had one of those pandemic releases that didn't even feel real. But it did get the attention of Margot Robbie 's production company LuckyChap Entertainment, who reached out to Park to see what other ideas she had brewing.
"They were very instrumental in encouraging me to go with it," Park said. "They're just really even-keeled, good people, which makes... Read More