By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --It was smooth sailing to the top spot at the box office for "Pirates of the Caribbean: Dead Men Tell No Tales," but the waters were choppier for the Dwayne Johnson comedy "Baywatch."
Studio estimates on Sunday say the fifth installment of the "Pirates of the Caribbean" franchise commandeered $62.2 million in its first three days in theaters.
The Johnny Depp-starrer is projected to take in $76.6 million over the four-day holiday weekend.
It was the second-lowest domestic opening for the nearly $4 billion franchise, but the latest film, which cost a reported $230 million to produce, has massive international appeal. Its four-day global total is expected to hit $300 million.
Having the majority of profits come from international receipts is not worrying Walt Disney Studios.
"This is a trend that we've seen play out over the course of these films," said Dave Hollis, executive vice president of distribution for Disney. "'Pirates' is a huge spectacle film of the kind that international audiences continue to be drawn toward … but the domestic response also shows that the audience for this film is clearly there."
The R-rated "Baywatch," meanwhile, is sinking like a rock. The critically derided update of the 1990s TV show earned only $18.1 million over the weekend against a nearly $70 million price tag. Including Thursday earnings, the film is projected to collect $26.6 million by the close of Memorial Day.
Even "Guardians of the Galaxy Vol. 2" did better in its fourth weekend. The space opera added $19.9 million to take second place ahead of "Baywatch" at the box office.
The "Baywatch" miss could be attributable to a couple of factors. Even with the star power of Johnson, R-rated Hollywood updates to family friendly television shows have a dubious track record, ComScore senior media analyst Paul Dergarabedian said.
Earlier this year, Dax Shepard's R-rated update of "CHiPs" tanked, netting only $18.6 million domestically against a $25 million budget.
This month's box office has also been tough on nearly every film except "Guardians of the Galaxy."
"'Baywatch' doesn't stand alone as a casualty in this marketplace," Dergarabedian said. "It's joining a cadre of other films that have underperformed."
Even the decently reviewed "Alien: Covenant" dropped an uncommonly steep 71 percent in its second weekend in theaters to take fourth place with $10.5 million. The teen romance "Everything, Everything" rounded out the top five with $6.2 million.
"Hollywood needs June to save the box office world," Dergarabedian said.
First up to that challenge: "Wonder Woman."
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
1."Pirates of the Caribbean: Dead Men Tell No Tales," $62.2 million ($208.4 million international).
2."Guardians of the Galaxy Vol. 2," $19.9 million ($8.6 million international).
3."Baywatch," $18.1 million.
4."Alien: Covenant," $10.5 million ($10.8 million international).
5."Everything, Everything," $6.2 million.
6."Diary of a Wimpy Kid: The Long Haul," $4.4 million ($2.4 million international).
7."Snatched," $3.9 million ($1.4 million international).
8."King Arthur: Legend of the Sword," $3.2 million ($10 million international).
9."The Boss Baby," $1.7 million ($2.9 million international).
10."Beauty and the Beast," $1.6 million ($3.8 million international).
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Pirates of the Caribbean: Dead Men Tell No Tales," $208.4 million.
2. "Alien: Covenant," $10.8 million.
3. "Dangal," $10.6 million.
4. "King Arthur: Legend of the Sword," $10 million.
5. "Guardians of the Galaxy Vol. 2," $8.6 million.
6. "Get Out," $7.3 million.
7. "Our President," $4.3 million.
8. "God of War," $4.2 million.
9. "Beauty and the Beast," $3.8 million.
10. "The Fate of the Furious," $3.3 million.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More