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    Pink Noise Shops For AFLAC

    By SHOOT StaffUpdated:No Comments1420 Views
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    CLIENT

    AFLAC.

    PRODUCTION CO.

    Headquarters, bicoastal.

    Joe Public, director; Jo Molitoris, DP; Tom Mooney, president; Shelly Townsend, managing director; Scott Flor, executive producer; Cyn Guzman, head of production; Paul Ure, producer. Shot on location in Los Angeles.

    AGENCY

    The Kaplan Thaler Group,

    New York.

    Linda Kaplan Thaler, executive creative director; Lisa Bifulco, director of broadcast production; Tom Amico, creative director/art director; Eric David, creative director/copywriter; Cherrie Devereaux, executive producer; Erin Slattery, producer.

    EDITORIAL

    Red Car, New York.

    Jerry Fried, editor; Andrea Richman, executive producer.

    POST/VISUAL EFFECTS

    Company 3, New York.

    Tim Masick, colorist; Luana Ayres, producer.

    The Mill, New York.

    Wendy Garfinkle, visual effects producer; Dadi Einarsson, visual effects supervisor/3-D artist; Angus Kneale, online editor/Flame artist; Yann Mabille and Aron Hjartson, 3-D artists.

    AUDIO POST

    The Anx, New York.

    Carl Mandelbaum, mixer.

    MUSIC

    Pink Noise, New York.

    Michael Maxwell, creative director/composer; Keith Foley, composer; Steve Shirk, executive producer.

    SOUND DESIGN

    ripe sound, San Rafael, Calif.

    Andy Newell, sound designer.

    THE SPOT

    In "Supermarket" (:30), Chevy Chase is shown shopping for groceries. As he picks out an orange, the entire pile of fruit rolls to the ground. Two ladies notice him and say, "It’s the guy who falls." After Chase explains that he doesn’t do that anymore because "It’s not like I got that insurance," he somehow causes the shelves of items to begin toppling over, causing a domino-like effect throughout the store. The duck pops up in various places—in front of a cereal box and on the checkout belt—to shout out his usual "AFLAC!"

    Spot broke in May.

    Category:ScreenWork



    Daniel Craig Embraced Openness For Role In Director Luca Guadagnino’s “Queer”

    Tuesday, November 26, 2024

    Daniel Craig is sitting in the restaurant of the Carlyle Hotel talking about how easy it can be to close yourself off to new experiences.

    "We get older and maybe out of fear, we want to control the way we are in our lives. And I think it's sort of the enemy of art," Craig says. "You have to push against it. Whether you have success or not is irrelevant, but you have to try to push against it."

    Craig, relaxed and unshaven, has the look of someone who has freed himself of a too snug tuxedo. Part of the abiding tension of his tenure as James Bond was this evident wrestling with the constraints that came along with it. Any such strains, though, would seem now to be completely out the window.

    Since exiting that role, Craig, 56, has seemed eager to push himself in new directions. He performed "Macbeth" on Broadway. His drawling detective Benoit Blanc ("Halle Berry!") stole the show in "Glass Onion: A Knives Out Mystery." And now, Craig gives arguably his most transformative performance as the William S. Burroughs avatar Lee in Luca Guadagnino's tender tale of love and longing in postwar Mexico City, "Queer."

    Since the movie's Venice Film Festival premiere, it's been one of the fall's most talked about performances — for its explicit sex scenes, for its vulnerability and for its extremely un-007-ness.

    "The role, they say, must have been a challenge or 'You're so brave to do this,'" Craig said in a recent interview alongside Guadagnino. "I kind of go, 'Eh, not really.' It's why I get up in the morning."

    In "Queer," which A24 releases Wednesday in theaters, Craig again plays a well-traveled, sharply dressed, cocktail-drinking man. But the similarities with his most famous role stop there. Lee is an American expat living in 1950s... Read More

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