Naresh Ramchandani, Pentagram partner and one-time founder of both St Luke’s and Karmarama, will succeed Kate Stanners, Saatchi and Saatchi Worldwide CCO, as president of D&AD for 2020-’21.
The D&AD President is elected annually from the Board of Trustees to champion the organization’s mission and shape the conversations for the year ahead. Ramchandani’s commitment to creativity, diversity and environmental activism–expressed in part through the environmental non-profit he helps to run, Do the Green Thing–is well known and chimes with D&AD’s overall mission to stimulate and celebrate excellence in commercial creativity and, as part of that, campaign for a fairer, more diverse industry.
Ramchandani will focus his efforts as president on addressing the challenges currently being faced by the creative industries. In his new role, he will amplify and advocate existing programs as well as champion new routes into the industry for emerging creatives and underrepresented voices at a time when it is needed more than ever.
During his tenure, Ramchandani will work with D&AD and the board of trustees to investigate how creativity can tackle global issues, and will explore how the sector can help combat climate change by amplifying environmental protest and sustainable practice.
Ramchandani commented: “I’m very honored to be offered this position, and I’m excited to be working with D&AD and its trustees to help the creative industry engage with the many challenges it faces today. I’m looking forward to exploring how creatives and their agencies can engage with their social impact and do so with the highest standards of creativity.”
D&AD further announced that Rebecca Wright, dean of academic programs at Central St Martins/UAL, will become deputy president, automatically succeeding to the presidency in ‘21/’22.
D&AD observers will notice that Ben Terrett, founder of Public Digital and Kate’s Deputy this year, has chosen to step aside from the presidency.
Terrett commented: “I love D&AD and I’m a passionate supporter. I’ve wanted to be D&AD president for as long as I can remember. But now that the time has come for me to take up the presidency, I feel strongly that I must step aside to allow Naresh and then Rebecca to take on the role a year earlier.
“I feel there is an absolute need for more diversity in symbolic leadership positions to help drive our sector forward and I think it is my responsibility to do what I can to help make that possible. I hope this sets an example for other people like me.”
Tim Lindsay, D&AD chairman, commented, “Firstly, I’d like to thank Kate Stanners for a wonderful presidency in, to put it mildly, challenging circumstances. She has given us the enormous benefit of her time, experience, wisdom and judgment and been central to us delivering the key parts of our program successfully. And all done with enormous good humor and immense style. Naresh’s appointment speaks for itself. He is an industry legend, a positive provocateur and a strong believer in making the right ethical choices for our industry. Rebecca’s appointment–which is a break with tradition for D&AD–means she will be our first deputy/president from the academic world, at a time when finding, nurturing and supporting young talent has never been more important. And finally can I say we respect Ben’s decision and the statement he’s making and are thankful that he will stay on as a trustee.”
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More