By Michael Rubinkam
WERNERSVILLE, Pa. (AP) --Jon, Kate and their eight have attracted a huge TV audience, screaming tabloid headlines and, now, a state labor investigation.
In a possible wake-up call to reality TV, the Pennsylvania Department of Labor says it’s looking into whether the hit show “Jon & Kate Plus 8” is complying with the state’s child labor law. TLC said Friday it “fully complies” with state laws and regulations.
The TLC series follows Jon and Kate Gosselin as they raise their eight young children, including 8-year-old twins and sextuplets who just turned 5.
The show drew nearly 10 million viewers for its fifth-season premiere Monday – more than double the audience for its fourth-season finale several weeks ago – following media reports that the couple had cheated on each other. They denied it, but conceded their marriage is in trouble.
The Labor Department received a complaint against the show and is “gathering information” from its re presentatives, department spokesman Justin Fleming told The Associated Press. Fleming would not say when the complaint was filed or who filed it.
The fact a complaint is being investigated doesn’t necessarily mean the department believes the show did anything wrong.
“Any complaint we get, we investigate,” Fleming said.
Child actors and other young performers are protected by Pennsylvania labor law, but it’s not clear whether the law applies to reality TV. Investigators will have to decide whether the Gosselins’ house in southeastern Pennsylvania is essentially a TV set where producers direct much of the action – in which case the law may apply – or a home where the kids aren’t really working but are simply living their lives, albeit in front of the cameras.
Kate’s brother and sister-in-law made waves this week by saying the Gosselins are exploiting their children for financial gain. Jon and Kate Gosselin are reportedly paid tens of thousands of dollar s per episode.
“Unfortunately, I think it has come down to all about the ratings,” sister-in-law Jodi Kreider told CBS’ “The Early Show.” ”And no one is looking at these children as what they are going through and the life consequences they are going to have as they get older.”
Kreider said the children have told her they don’t like the cameras.
Her husband and Kate’s brother, Kevin Kreider, said in the same interview: “You can’t imagine as a child realizing that my birthday party, that all the outings that my parents took me on were … for ratings, and all organized by production companies.”
TLC spokeswoman Laurie Goldberg said in a statement Friday that the network “fully complies with all applicable laws and regulations” for all of its shows.
“For an extended period of time, we have been engaged in cooperative discussions and supplied all requested information to the Pennsylvania Department of Labor,” Goldberg said.
Child labor laws v ary by state. Other reality shows featuring children include TLC’s “18 Kids and Counting,” set in Arkansas, and “Table for 12,” set in New Jersey.
The Pennsylvania investigation recalls a 2007 controversy surrounding “Kid Nation,” a CBS reality show about 40 children given the task of organizing and running their own lives in New Mexico.
The Screen Actors Guild and others suggested the children were being exploited and one trade magazine said the show was skirting New Mexico labor laws by declaring the production a “summer camp.” Producers denied the accusations; the show lasted 13 episodes.
Seeking more space for their brood, the Gosselins moved in October into a $1.1 million house on nearly 24 acres with a white picket fence and gated, tree-lined driveway. The show tapes year-round, three or four days a week.
A few miles away, in the small town of Wernersville, everyone seems to have an opinion about the sharp-tongued Kate and her long-suffering hus band.
Amanda Baez, 32, an assistant at her mother’s Wernersville hair salon and an avid watcher of the show, said she’s not concerned about the children’s welfare.
“This is all the children know, especially the sextuplets since they were babies. They grew up with cameras in their faces. They grew up with the production. … It’s probably like having their aunt and uncle with the family video camera just watching you,” she said.
State law permits kids who are at least 7 to work in the entertainment industry, as long as a permit is obtained and certain rules are followed. The law also allows performers younger than 7 to have “temporary employment … in the production of a motion picture.”
George Voegele, a labor lawyer at Cozen O’Connor in Philadelphia, said the Labor Department might well decide it doesn’t have jurisdiction over the show, especially if investigators determine the cameras are there to document the kids, not direct them.
“The fund amental question I see here is whether or not they’re employees, whether they’re working, and whether the Pennsylvania child labor law provisions would even apply to this situation,” he said.
AP Television Writer Frazier Moore contributed to this story from New York.
Oscar and Emmy-Winning Composer Kris Bowers Joins Barking Owl For Advertising, Branded Content
Music, audio post and sonic branding house Barking Owl has taken on exclusive representation of Oscar and Emmy-winning composer Kris Bowers for advertising and branded content.
Bowers’ recent film scores include The Wild Robot and Bob Marley: One Love, alongside acclaimed past works such as The Color Purple (2023), King Richard and Green Book. His contributions to television are equally impressive, with scores for hit series like Bridgerton, When They See Us, Dear White People, and his Daytime Emmy Award-winning score for The Snowy Day.
In addition to his work as a composer, Bowers is a visionary director. He recently took home the Academy Award for Best Documentary Short Subject for his directorial work on The Last Repair Shop. The emotionally touching short film spotlights four of the people responsible for repairing the musical instruments used by students in the Los Angeles Unified School District (LAUSD). The Last Repair Shop reflects the positive influence that musical instruments have on the youngsters who play them, and the adults in the LAUSD free repair service who keep them working and in tune.
Barking Owl CEO Kirkland Alexander Lynch said of Bowers, “His artistry, diversity of style and depth of storytelling bring an unparalleled edge to the work we create for global brands. His presence on our roster reflects our continued commitment to pushing the boundaries of sound and music in advertising.”
Johanna Cranitch, creative director, Barking Owl, added, “Kris first caught my attention when he released his record ‘Heroes + Misfits’ where he fused together his jazz sensibility with a deeply ingrained aptitude for melody, so beautifully.... Read More