By Jake Coyle, Film Writer
NEW YORK (AP) --The Oscars have tweaked a few rules, but not any that would limit the eligibility of Netflix films at the Academy Awards.
The Academy of Motion Pictures’ board of governors early Wednesday announced a handful of changes passed during its annual April rules meeting. But the biggest news was what the 54-person board elected not to alter: the one-week theatrical release required for an Oscar nomination.
Many in Hollywood, including some academy board members, have argued that a more substantial release should be required than what the academy’s Rule Two stipulates: a seven-day run in a commercial Los Angeles County theater with at least three screenings a day.
Netflix premieres most of its movies directly on its streaming platform, but last year made exceptions for a handful of titles, most notably Alfonso Cuaron’s “Roma.” The film was nominated for 10 awards and won three. Major theater chains have refused to screen movies that don’t adhere to the traditional 90-day theatrical window.
In a statement, academy president John Bailey said the issue “weighed heavily” in the board’s discussions. But for now, a brief theatrical release remains the bar for entry.
“We support the theatrical experience as integral to the art of motion pictures, and this weighed heavily in our discussions,” said Bailey. “Our rules currently require theatrical exhibition, and also allow for a broad selection of films to be submitted for Oscars consideration. We plan to further study the profound changes occurring in our industry and continue discussions with our members about these issues.”
Among those reportedly interested in expanding the academy’s eligibility rule was Steven Spielberg, who has previously said streaming films ought to win Emmys, not Oscars. But Spielberg has also said initial reports mischaracterized his attitudes. In a New York Times story published Tuesday, Spielberg said he advocates for the survival of the theatrical experience but believes that, big screen or small screen, “everyone should have access to great stories.”
The board did elect to rename the best foreign language film award the best international feature film award. Larry Karaszewski and Diane Weyermann, co-chairs of the category’s committee, said the term “foreign” is “outdated within the global filmmaking community.” The category’s shortlist will also be expanded from nine to 10.
“We believe that ‘international feature film’ better represents this category, and promotes a positive and inclusive view of filmmaking, and the art of film as a universal experience,” they said in a statement.
The category name change does not change any other existing category rules, the submission process, or eligibility requirements. An international feature film is defined as a feature-length motion picture produced outside the United States of America with a predominantly non-English dialogue track. Animated and documentary feature films are permitted. Only one film is accepted from each country as the official selection.
The makeup and hairstyling category will also grow from three nominees to five.
In the animated feature category, the theatrical release of eight eligible animated features in the calendar year is no longer required for the awards category to be activated. In addition, nominations voting will be automatically open to all active members of the Short Films and Feature Animation Branch. Other active voting members of the Academy must opt-in to participate in the nominations round.
And in the short film categories, animated and live action short films now have the option to qualify theatrically in either the City of New York or Los Angeles County to be eligible for submission.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More