“The Great,” “The Last of Us,” “Succession,” “Beef,” “Reservation Dogs” and “Frasier” lead the way in TV
The Art Directors Guild (ADG, IATSE Local 800) presented the winners of the 28th Annual Excellence in Production Design Awards on Saturday evening (2/10) in a ceremony at the Ray Dolby Ballroom, Ovation Hollywood.
For Excellence in Production Design in a Feature Film awards categories, Ruth De Jong won the Period Feature Film award for “Oppenheimer,” James Price and Shona Heath took home the Fantasy Feature Film award for “Poor Things,” and Suzie Davies won the Contemporary Feature Film award for “Saltburn.”
In the Excellence in Production Design in Television categories, Francesca di Mottola won the One-Hour Period Single-Camera Series award for “The Great,” John Paino won the One-Hour Fantasy Single-Camera Series award for “The Last of Us,” Stephen Carter earned the One-Hour Contemporary Single-Camera Series award for “Succession,” Grace Yun won the Television Movie or Limited Series award for “Beef,” Brandon Tonner-Connolly received the Half-Hour Single-Camera Series award for “Reservation Dogs,” and Glenda Rovello won the Multi-Camera Series award for “Frasier.” A full list of winners can be found below.
Presented to an audience of more than 950 guild members, filmmakers and industry executives, guild members gathered to honor the best work in art departments over the past year of cinema and television. The ceremony was hosted by Emmy®-nominated actor and comedian Max Greenfield (“The Neighborhood,” “New Girl”) and awards presenters included Rhys Darby, Kevin Sussman, Zoe Lister-Jones, Lily Rabe, Jodi Balfour, Olivia Thirlby, Karen Gillan, Robin Thede, David Oyelowo, Rob Corddry and Kevin Pollak.
Actor and presenter Karen Pittman (“The Morning Show”) led a standing ovation for director, producer and showrunner Mimi Leder, who accepted the 2024 Cinematic Imagery Award. Leder currently serves as the executive producer and director of the hit AppleTV+ series, “The Morning Show.” During her acceptance speech, she emphasized her rich history of collaboration with art departments on her award-winning series and motion pictures. “I imagine scenes and worlds. Then, my production designer and their team build the damn thing. Production designers turn lead into gold, glass into diamonds,” said Leder. “I want to thank the Art Directors Guild for this honor. I am truly humbled to receive this from you.”
The late, legendary production designer Lawrence G. Paull was inducted into the ADG Hall of Fame, honoring his work on classic films such as “Blade Runner,” “Back to the Future,” “Romancing the Stone,” “City Slickers,” “Harlem Nights” and “Escape from L.A.”
The ADG Lifetime Achievement Awards were presented to four guild members. Production designer Wynn P. Thomas (“Hidden Figures,” “Malcolm X,” “Do the Right Thing”) received the Art Directors Council Lifetime Achievement Award. Thomas is the first African-American person to work as a production designer. Scenic artist Francine West (“Three’s Company,” “The Carol Burnett Show”) received the Scenic, Title, and Graphic Artists Council Lifetime Achievement Award. She was the first female scenic artist hired by both MGM and NBC. Set designer and art director Greg Papalia (“Air,” “Coming to America”) received the Set Designers and Model Makers Council Lifetime Achievement Award. And Illustrator and storyboard artist David Lowery (“The Mandalorian,” “Jurassic Park”) took home the Illustrators and Matte Artists Council Lifetime Achievement Award.
Here’s a category-by-category rundown of winners:
FEATURE FILM WINNERS
PERIOD FEATURE FILM
Oppenheimer
Production Designer: Ruth De Jong
FANTASY FEATURE FILM
Poor Things
Production Designers: James Price, Shona Heath
CONTEMPORARY FEATURE FILM
Saltburn
Production Designer: Suzie Davies
ANIMATED FEATURE FILM
Spider-Man: Across the Spider-Verse
Production Designer: Patrick O’Keefe
TELEVISION WINNERS
ONE-HOUR PERIOD SINGLE-CAMERA SERIES
The Great: “You the People,” “Fun,” “Peter and the Wolf”
Production Designer: Francesca di Mottola
ONE-HOUR FANTASY SINGLE-CAMERA SERIES
The Last of Us: “Infected”
Production Designer: John Paino
ONE-HOUR CONTEMPORARY SINGLE-CAMERA SERIES
Succession: “America Decides”
Production Designer: Stephen Carter
TELEVISION MOVIE OR LIMITED SERIES
Beef
Production Designer: Grace Yun
HALF HOUR SINGLE-CAMERA SERIES
Reservation Dogs: “Deer Lady”
Production Designer: Brandon Tonner-Connolly
MULTI-CAMERA SERIES
Frasier: “Moving In”
Production Designer: Glenda Rovello
VARIETY or REALITY SERIES
Squid Game: The Challenge: “War”
Production Designers: Mathieu Weekes, Ben Norman
VARIETY SPECIAL
80th Golden Globe Awards
Production Designer: Brian Stonestreet
COMMERCIALS (tie)
Apple: The New Macbook Pro
Production Designer: François Audouy
and
Booking.com: “Somewhere, Anywhere,” The Musical
Production Designer: Florencia Martin
SHORT FORMAT & MUSIC VIDEO
Taylor Swift: “I Can See You”
Production Designer: Ethan Tobman, Miren Marañón
Damien Chazelle, Miles Teller, J.K. Simmons On The Return Of “Whiplash” To Theaters After 10 Years
Ten years after " Whiplash " took the film world by storm, Damien Chazelle's breakthrough feature is returning to theaters nationwide Friday.
In 2014, "Whiplash" was the ultimate indie movie Cinderella story — a Sundance discovery made by a 20-something that that would go on to become both a box office hit and an awards darling: It won three Oscars, including for J.K. Simmons ' portrayal of a semi-sadistic and ever quotable jazz ensemble instructor; launched Chazelle's directing career into the A-list stratosphere; and established Miles Teller as a next generation movie star. Now, audiences will get another chance to experience it on the big screen.
Chazelle, Teller and Simmons spoke recently about the re-release, their memories of the 20-day shoot (including when Teller accidentally broke his co-star's rib) and making something with staying power. Remarks have been edited for clarity and brevity.
Q: What has it been like watching "Whiplash" settle into the culture in the past decade?
CHAZELLE: It's very cool, a little surreal. It doesn't feel like 10 years. It's fun to have a moment like this to relive it a little bit.
SIMMONS: It's sobering to know that I'm 10 years older. It's kind of shocking and kind of awesome that the movie actually holds up. I just saw it a few days ago in Toronto: That's a good piece of cinema.
TELLER: This is the first time I've ever had a movie re-released. I'm still fairly young into my career, but it's an incredible movie. The one thing that's frustrating for me is that people just yell out at me all the time, " not my tempo." So that's stuck around well.
SIMMONS: Maybe if you get the tempo... Read More