On-location filming in Greater Los Angeles increased 3 percent last quarter to a record-setting 9,795 shoot days (SD), reported FilmL.A., a not-for profit organization that serves as the official film office of the City of Los Angeles, the County of Los Angeles and 20 other area jurisdictions.
From July through September, an increase in television production (up 2.7 percent to 4,423 SD) offset modest declines in on-location feature (down 5 percent to 1,089 SD) and commercials (down 2.6 percent to 1,245 SD) production.
Local on-location TV production continues to be energized up by the California Film & Television Tax Credit Program. Incentive-qualified TV projects filming in Los Angeles last quarter included American Horror Story, Crazy Ex-Girlfriend, I’m Dying Up Here, Pitch, Scream Queens, This is Us, and Westworld. Approximately one fourth of all local TV drama and TV comedy production is incentive-driven.
But it was TV reality and web-based TV that powered last quarter’s growth, with TV reality posting its first increase (up 6.6 percent to 1,342 SD) in six consecutive quarters, and short-form web-based TV reaching a new quarterly high (up 72.2 percent to 651 SD).
“California’s film incentive is now helping to sustain local TV production after seven straight quarters of growth,” noted Paul Audley, president of FilmL.A. “We knew we’d see a leveling off as the program reached full utilization. With the program doing all it can to support filming in California, our focus is on the neighborhoods where filming happens and on managing the activity taking place.”
Overall area feature film production declined (down 5 percent to 1,089 SD), after three straight quarters of growth. Along with other, non-incentivized feature projects, four films retained by the state incentive filmed in Greater Los Angeles last quarter: CHiPS (for pickup shots), Sandy Wexler, Suburbicon and The God Particle.
Commercial production levels slipped for the second straight quarter, dropping 2.6 percent (to 1,245 SD). Year-to-date, the category is still slightly ahead of where it was at this time in 2015.
Woman Walks Ahead In New Mexico
Nick Maniatis, director of the New Mexico Film Office, announced that the independent theatrical feature Woman Walks Ahead which was financed and produced by Black Bicycle Entertainment and Bedford Falls in association with Potboiler, has begun principal photography in Santa Fe, Pecos and Albuquerque, NM.
“We’re honored that the production team chose this area for their project, which carries particular cultural and historic significance,” said Santa Fe County manager Katherine Miller. “We’re especially excited that as we head into fall this maintains the momentum of a tremendous summer of production throughout the entire Santa Fe region and brings millions of dollars and hundreds of jobs to the local economy.”
The production will employ approximately 150 New Mexico crew members, 15 New Mexico principal actors and 1,000 New Mexico background talent.
Michael Greyeyes (The New World), Sam Rockwell (Confessions of a Dangerous Mind), Ciaran Hinds (Silence, Munich), Chaske Spencer (The Twilight Saga, Cinemax’s Banshee) and Bill Camp (The Night Of) have joined the cast of Susanna White’s (Our Kind of Traitor, Generation Kill) Woman Walks Ahead which stars Academy Award nominee Jessica Chastain (The Martian, The Help). Woman Walks Ahead is the story of Catherine Weldon, a portrait painter from 1890’s Brooklyn, who travels to Dakota to paint a portrait of Sitting Bull, and becomes embroiled in the Lakota peoples’ struggle over the rights to their land. The film is based on a script by Oscar nominee Steven Knight (Eastern Promises, Locke).
“Venom: The Last Dance” Tops Box Office For 2nd Straight Weekend
"Venom: The Last Dance" enjoyed another weekend at the top of the box office. The Sony release starring Tom Hardy added $26.1 million in ticket sales, according to studio estimates Sunday. It was a relatively quiet weekend for North American movie theaters leading up to the presidential election. Charts were dominated by big studio holdovers, like "Venom 3," "The Wild Robot" and "Smile 2," while audiences roundly rejected the Tom Hanks, Robin Wright and Robert Zemeckis reunion "Here." Thirty years after "Forrest Gump," "Here" opened to only $5 million from 2,647 locations. "Venom 3" only fell 49% in its second weekend, which is a notably small drop for a superhero film, though it didn't exactly open like one either. In two weeks, the movie has made over $90 million domestically; The first two opened to over $80 million. Globally, the picture is brighter given that it has already crossed the $300 million threshold. Meanwhile, Universal and Illumination's "The Wild Robot" continues to attract moviegoers even six weeks in (and when it's available by video on demand), placing second with $7.6 million. That's up 11% from last weekend. The animated charmer has made over $121 million in North America and $269 million worldwide. "'The Wild Robot' has quietly been this absolute juggernaut for the fall season," said Paul Dergarabedian, the senior media analyst for Comscore. "For that film to see an increase after six weeks is astounding." "Smile 2" landed in third place with $6.8 million, helping to push its worldwide total to $109.7 million. The time-hopping "Here," a graphic novel that was adapted by "Forrest Gump" screenwriter Eric Roth, was financed by Miramax and distributed by Sony's TriStar. With a fixed position camera, it takes audiences through the... Read More