By Gary Gerard Hamilton
NEW YORK (AP) --Madam C.J. Walker may be one of America's most successful "pull yourself up by your own bootstrap" stories, but many have never heard of her. However, that's changing, thanks to the recent release of a Netflix limited series starring Octavia Spencer.
"Self Made: Inspired by the Life of Madam C.J. Walker," which also stars Blair Underwood, Tiffany Haddish, Bill Bellamy and Carmen Ejogo, tells the story of America's first female millionaire, who was also black, at the turn of the 20th century. Her path to riches would be noteworthy in any era, but it's particularly impressive given the discrimination and roadblocks women and blacks had to endure at the time.
"I knew about her since I was a little girl because my mother taught us about her. We were from humble beginnings and Madam was from humble beginnings," said Spencer. "She dictated her path in life, and what an inspirational and aspirational story to use as an example for young people who were from nothing. … She was able to do all of that without having the right to vote or the right to own anything because of her gender and color."
Walker, whose real name was Sarah Breedlove, created and marketed hair products for African American women at the turn of the 20th century. The four-part drama is based on the book "On Her Own Ground" by author and journalist A'Lelia Bundles, Walker's great-great granddaughter. Kasi Lemmons, who helmed last year's "Harriet" film and DeMane Davis both direct two episodes.
Although Bundles says this has been a project "50 years in the making" with many starts and stops, it almost failed this time as well. Spencer says she nearly walked away from the project before basketball superstar LeBron James and his business partner, Maverick Carter, intervened (both are executive producers on the project, along with Spencer).
"There were things that I felt that, in my career, that I needed within my contract," said the Oscar winner. "Sometimes you reach an impasse. And I am always prepared to graciously walk away, especially now, understanding my value as an actress, as a producer, and understanding what will be required of me when I'm on set.
"So I was graciously bowing out and LeBron (James) and Maverick (Carter) advocated for me. And it's terrible that they had to, but they did. And that's what we all need sometimes in the negotiating process. But you also have to be ready to say, 'Thank you for thinking of me.'"
Walker, who died in 1919 at age 51, was not only an extremely successful business woman, but a philanthropist as well. She gave generously to what are now known as Historically Black Colleges and Universities (HBCUs), and fought for anti-lynching laws.
Bundles hopes that her great-great grandmother will serve as an inspiration to those who know about her and those who are just learning of her, and that everyone will dig even deeper into her story.
"What has been meaningful for me in these many years of telling her story is to find the other dimensions: that she was not only a woman who was a pioneer of the modern hair care industry, but who employed thousands of African American women and helped to create generational wealth," Bundles said "She created a hair care company, but she used her money and her influence to make a difference in her community."
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More