Veteran creative director/editor Pat Carpenter has joined NY-based editorial and post boutique Northern Lights. With decades of experience, Carpenter has worked across commercials, broadcast promos, documentaries, music and long form content. Joining Northern Lights from Ripcord Creative, he has lent his talents to a number of top shops in New York City, including Definition 6, Creative Bubble and Unitel. With a history of moonlighting as a drummer in NYC’s punk rock scene, Carpenter’s innate sense of rhythm has led to his natural ease and confidence in editing. His work has garnered numerous industry accolades including a Cannes Silver Lion for his work on Benjamin Moore’s “Talking Wall” out of The Martin Agency, a Gold CLIO for his work on Coca-Cola’s “Happiness Machine” and numerous PromaxBDA Awards for his extensive broadcast work. With a collaborative approach, Carpenter has developed a lineup of repeat clients, including USA, Syfy, Nickelodeon, Pivot and HBO.
NYC born-and-raised Carpenter first found an interest in video production while studying at Saint John’s University, dabbling in all aspects of production before discovering a natural talent for editorial. He got his start at Unitel, working his was up from assistant to editor on a wide range of creative broadcast projects. In 2001, he helped launch Creative Bubble, a soup-to-nuts production shop where Carpenter served as sr. editor and principal. He spent nearly a decade at the creative shop, working on a wide range of projects for top clients such as HBO, USA and MTV. After establishing a turnkey solutions model at Creative Bubble, he went on to spearhead the creative vision for the comprehensive production through post services at Definition 6 and Ripcord Creative, while continuing to edit projects. In this time, he also served as executive producer on the travel/reality game series M.I.A.: The Most Interesting Assistant and the digital tech comedy series The Circuit for the now defunct Mojo Channel. Outside of broadcast and advertising work, Carpenter has also been active in longer form work, cutting the documentary feature Adult Rappers in 2015 that tells the story of ‘working class’ rappers and the struggle to find a balance between making a living and pursuing their art alongside the never-ending saga of age and relevance.
Outside of the edit bay, he continues to play music gigs, recently playing drums at the sold-out Joey Ramone Birthday Bash at Webster Hall alongside L.E.S. legends Mickey Leigh and Andy Shernoff of “The Dictators.” Northern Lights sister production company BODEGA shot a 360 VR film of the event that will be released later this summer.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More