Nonfiction Unlimited, the commercial production company that works with accomplished documentary filmmakers, has signed Abby Fuller, who directs for the award-winning Netflix documentary series Chef’s Table created by David Gelb, another Nonfiction roster director. Fuller is the youngest filmmaker and the only woman on the Netflix Original series. The documentary director got her start producing the Emmy Award-winning series True Life for MTV and since then has directed, produced and edited documentaries for: Ron Howard’s Imagine Entertainment, Sundance Channel, MTV, Food Network, Travel Channel, Netflix and National Geographic.
“I’m happy that David introduced her to us,” said Loretta Jeneski, executive producer at Nonfiction Unlimited. “She’s insightful and smart and knows how to weave a beautiful story; for example, her Chef’s Table episode about Ana Ros, the Slovenian chef who’s spent 16 years revolutionizing her country’s food. Abby sets the table for Ana in such a way that you not only smell and taste what the great chef is cooking, but you feel and embrace her down-to-earth personality. Abby brings a fresh face and perspective to Nonfiction and we love that.”
Fuller’s feature documentary Do You Dream In Color? examines the injustices in the education system suffered by blind students. It has won awards at festivals across the nation and was screened at the Metropolitan Museum of Art in NYC. Fuller is currently directing a documentary featuring heroic woman athletes from around the globe. In June 2017 these women will climb Mount Kilimanjaro to set the world record for the highest altitude soccer match ever played in an effort to inspire unprecedented awareness in the fight for gender equality.
With Fuller’s addition, half of the directors at Nonfiction Unlimited are now women. The roster includes Barbara Kopple, Rory Kennedy, Tracy Droz Tragos, Chai Vasarhelyi and Jessica Yu. The 22-year old company is also woman-founded and owned.
“It’s not that I set out to hire women specifically,” said Jeneski. “I was just looking for great directors, and what do you know? Half of them turned out to be women. Interesting what can happen when you aren’t wearing blinders. Great talent is great talent.”
Oscar Winners “I’m Still Here” and “Emilia Pérez” Shed Light On Latin America’s Thousands of People Who’ve Disappeared
If there is a still open wound in Latin America, it is that of the tens of thousands of disappeared people and decadeslong pain that has accumulated in parts of the region such as Mexico and Colombia.
Two visions of the trauma had a central role at the 97th Academy Awards: the Brazilian film "Ainda Estou Aqui" ("I'm Still Here"), which tells the drama of the family of a leftist former congressman who disappeared in 1971 at the height of the military dictatorship; and the musical "Emilia Pérez," about a fictional Mexican drug lord who leaves a life of crime to become a transgender woman and searcher for the disappeared in Mexico.
"We hope that in this way the society will be sensitized," said activist Indira Navarro, who directs the Guerreros Buscadores de Jalisco collective in Mexico and has been searching for her brother, who disappeared in the northern state of Sonora nine years ago.
The Academy Awards' recognition of the films, both of which were nominated in multiple categories, was an unparalleled opportunity to make the problem visible, Navarro said.
"I'm Still Here," by Brazilian Walter Salles, won the Oscar in the category of best international film. "Emilia Pérez," by renowned French director Jacques Audiard, was this year's most-nominated film and won in the categories of best original song and best supporting actress for Zoe Saldaña.
Salles and Audiard's films also had a common denominator of disappearances in Latin America: impunity.
The story behind "I'm Still Here"
"I'm Still Here" was inspired by the book "Ainda Estou Aqui" by Marcelo Rubens Paiva, son of the disappeared former congressman Rubens Paiva. More than five decades after he was taken from his Rio de Janeiro home and... Read More