Nonfiction Unlimited, the commercial production company that works with accomplished documentary filmmakers, has signed Abby Fuller, who directs for the award-winning Netflix documentary series Chef’s Table created by David Gelb, another Nonfiction roster director. Fuller is the youngest filmmaker and the only woman on the Netflix Original series. The documentary director got her start producing the Emmy Award-winning series True Life for MTV and since then has directed, produced and edited documentaries for: Ron Howard’s Imagine Entertainment, Sundance Channel, MTV, Food Network, Travel Channel, Netflix and National Geographic.
“I’m happy that David introduced her to us,” said Loretta Jeneski, executive producer at Nonfiction Unlimited. “She’s insightful and smart and knows how to weave a beautiful story; for example, her Chef’s Table episode about Ana Ros, the Slovenian chef who’s spent 16 years revolutionizing her country’s food. Abby sets the table for Ana in such a way that you not only smell and taste what the great chef is cooking, but you feel and embrace her down-to-earth personality. Abby brings a fresh face and perspective to Nonfiction and we love that.”
Fuller’s feature documentary Do You Dream In Color? examines the injustices in the education system suffered by blind students. It has won awards at festivals across the nation and was screened at the Metropolitan Museum of Art in NYC. Fuller is currently directing a documentary featuring heroic woman athletes from around the globe. In June 2017 these women will climb Mount Kilimanjaro to set the world record for the highest altitude soccer match ever played in an effort to inspire unprecedented awareness in the fight for gender equality.
With Fuller’s addition, half of the directors at Nonfiction Unlimited are now women. The roster includes Barbara Kopple, Rory Kennedy, Tracy Droz Tragos, Chai Vasarhelyi and Jessica Yu. The 22-year old company is also woman-founded and owned.
“It’s not that I set out to hire women specifically,” said Jeneski. “I was just looking for great directors, and what do you know? Half of them turned out to be women. Interesting what can happen when you aren’t wearing blinders. Great talent is great talent.”
Utah Leaders and Locals Rally To Keep Sundance Film Festival In The State
With the 2025 Sundance Film Festival underway, Utah leaders, locals and longtime attendees are making a final push — one that could include paying millions of dollars — to keep the world-renowned film festival as its directors consider uprooting.
Thousands of festivalgoers affixed bright yellow stickers to their winter coats that read "Keep Sundance in Utah" in a last-ditch effort to convince festival leadership and state officials to keep it in Park City, its home of 41 years.
Gov. Spencer Cox said previously that Utah would not throw as much money at the festival as other states hoping to lure it away. Now his office is urging the Legislature to carve out $3 million for Sundance in the state budget, weeks before the independent film festival is expected to pick a home for the next decade.
It could retain a small presence in picturesque Park City and center itself in nearby Salt Lake City, or move to another finalist — Cincinnati, Ohio, or Boulder, Colorado — beginning in 2027.
"Sundance is Utah, and Utah is Sundance. You can't really separate those two," Cox said. "This is your home, and we desperately hope it will be your home forever."
Last year's festival generated about $132 million for the state of Utah, according to Sundance's 2024 economic impact report.
Festival Director Eugene Hernandez told reporters last week that they had not made a final decision. An announcement is expected this year by early spring.
Colorado is trying to further sweeten its offer. The state is considering legislation giving up to $34 million in tax incentives to film festivals like Sundance through 2036 — on top of the $1.5 million in funds already approved to lure the Utah festival to its neighboring... Read More