Register

    News From Film Indy, AFCI, “Bloodline” In Florida

    By SHOOTUpdated:No Comments4220 Views
    --

    SABATINE NAMED FILM INDY COMMISSIONER
    In January 2016, Visit Indy, the Central Indiana Community Foundation, and the City of Indianapolis launched a new two-year marketing initiative called Film Indy.  Fast forward to today and they have hired the city’s first film commissioner.  The city’s Film Indy Advisory Board, made up of Central Indiana community leaders, has named Teresa Sabatine as the Film Indy commissioner.

    Sabatine’s role will be to position Indianapolis as a production-friendly city for TV commercials, TV shows, corporate training videos, and movies–in support of driving additional tourism spending by visiting film crews, engaging local production companies, and generating marketing exposure for the city.

    Sabatine leads Film Indy after a career in the marketing and film production industry, most recently serving as the director of business development for People for Urban Progress. Sabatine has also served as a page on the set of David Letterman; assisted producer Michael Bay with production for Transformers 4; worked with the City of Chicago and its Film Office; produced projects for Sony Pictures, Lionsgate, and 20th Century Fox in New York and Los Angeles; and worked in video production for Nike at its world headquarters.
    Major corporations that have recently filmed TV commercials in Indianapolis include: Honda, Papa John’s, Apple, Visa, Reebok, TaylorMade, Delta Faucets, and Subaru. TV shows filmed here include: Travel Channel’s Man vs. Food and Food Network’s Diners, Drive-Ins and Dives.

    DODD TO SPEAK AT CINEPOSIUM
    The Association of Film Commissioners International (AFCI) announced Senator Chris Dodd, chairman and CEO of the Motion Picture Association of America, Inc. (MPAA), as the first confirmed speaker for its annual Cineposium conference scheduled for September 22-24 in Atlanta.  
    Senator Dodd will provide remarks immediately following the opening welcome address at Cineposium on Friday, September 23.  

    The MPAA is the voice and advocate of the motion picture industry in the U.S. and around the world. Its member companies regularly work with AFCI members before and during filming to find the right locations and navigate local laws, including film tax incentives, customs and other local procedures for on-location productions.

    Building Your Business is the focus for this year’s Cineposium and will give attention to Infrastructure–How to Build It, Maintain It, and Manage Crew Development to Meet its Needs.

    BLOODLINE RETURNS TO FLORIDA FOR SEASON 3
    Bloodline, the hit Netflix  series based in the Florida Keys, will return to Florida for season 3 despite the lack of state financial incentives that were available for seasons 1 and 2. 
    According to a recent market research study it was estimated that the season 1 of Bloodline was responsible for generating more than 39,000 incremental overnight household trips to the Florida Keys. The report also states, “as a result, incremental visits produced more than $65 million in travel spending over the seven months after season 1 launched that would not have otherwise occurred. Additionally, viewers of Bloodline are 20% more likely to positively promote the Florida Keys by word of mouth to their friends and family.”

    Tags:AFCIAssociation of Film Commissioners InternationalBloodlineFilm Indy



    Michael Gracey Delves Into The Evolution of “Better Man”

    Friday, December 20, 2024

    Michael Gracey’s feature directorial debut--The Greatest Showman, released in 2017--garnered assorted honors, including a Golden Globe nomination for Best Motion Picture, Musical or Comedy, followed shortly thereafter by an Oscar nod for Best Original Song (“This is Me”). During the making of that film, Gracey got a chance to connect with a real-life showman, British pop superstar Robbie Williams, who lent some musical support and morale boosting to its star, Hugh Jackman.

    Gracey and Williams developed a rapport with one another on The Greatest Showman and kept in touch. They swapped life experiences and Gracey, who clearly knows a worthwhile story when he hears it, became intrigued by Williams--and how entertaining his tales were. Gracey found it remarkable that despite drug and alcohol abuse, Williams vividly remembered so many details of his life.

    Given that Williams had a recording studio at his home, Gracey implored him to commit those memories to audio. With that, a routine was born. Whenever Gracey visited Los Angeles, he’d come to Williams’ home where they’d kibitz in the studio and Williams would talk into the microphone, recollecting different aspects and stages of his life. While the original intent was just to get Williams to share and preserve his story, Gracey began chronologically rearranging these audio clips collected over a year and a half, patching together an a spoken mosaic of William’s life. It was during that process that Gracey realized he had the framework for an engaging narrative film.

    That narrative took a seemingly bizarre turn as Gracey sought a departure from the traditional musical biopic. What struck Gracey was Williams referring to himself repeatedly as “a performing... Read More

    MySHOOT Profiles


    Add A Comment