SABATINE NAMED FILM INDY COMMISSIONER
In January 2016, Visit Indy, the Central Indiana Community Foundation, and the City of Indianapolis launched a new two-year marketing initiative called Film Indy. Fast forward to today and they have hired the city’s first film commissioner. The city’s Film Indy Advisory Board, made up of Central Indiana community leaders, has named Teresa Sabatine as the Film Indy commissioner.
Sabatine’s role will be to position Indianapolis as a production-friendly city for TV commercials, TV shows, corporate training videos, and movies–in support of driving additional tourism spending by visiting film crews, engaging local production companies, and generating marketing exposure for the city.
Sabatine leads Film Indy after a career in the marketing and film production industry, most recently serving as the director of business development for People for Urban Progress. Sabatine has also served as a page on the set of David Letterman; assisted producer Michael Bay with production for Transformers 4; worked with the City of Chicago and its Film Office; produced projects for Sony Pictures, Lionsgate, and 20th Century Fox in New York and Los Angeles; and worked in video production for Nike at its world headquarters.
Major corporations that have recently filmed TV commercials in Indianapolis include: Honda, Papa John’s, Apple, Visa, Reebok, TaylorMade, Delta Faucets, and Subaru. TV shows filmed here include: Travel Channel’s Man vs. Food and Food Network’s Diners, Drive-Ins and Dives.
DODD TO SPEAK AT CINEPOSIUM
The Association of Film Commissioners International (AFCI) announced Senator Chris Dodd, chairman and CEO of the Motion Picture Association of America, Inc. (MPAA), as the first confirmed speaker for its annual Cineposium conference scheduled for September 22-24 in Atlanta.
Senator Dodd will provide remarks immediately following the opening welcome address at Cineposium on Friday, September 23.
The MPAA is the voice and advocate of the motion picture industry in the U.S. and around the world. Its member companies regularly work with AFCI members before and during filming to find the right locations and navigate local laws, including film tax incentives, customs and other local procedures for on-location productions.
Building Your Business is the focus for this year’s Cineposium and will give attention to Infrastructure–How to Build It, Maintain It, and Manage Crew Development to Meet its Needs.
BLOODLINE RETURNS TO FLORIDA FOR SEASON 3
Bloodline, the hit Netflix series based in the Florida Keys, will return to Florida for season 3 despite the lack of state financial incentives that were available for seasons 1 and 2.
According to a recent market research study it was estimated that the season 1 of Bloodline was responsible for generating more than 39,000 incremental overnight household trips to the Florida Keys. The report also states, “as a result, incremental visits produced more than $65 million in travel spending over the seven months after season 1 launched that would not have otherwise occurred. Additionally, viewers of Bloodline are 20% more likely to positively promote the Florida Keys by word of mouth to their friends and family.”
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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