For most of the last century, the Disney ‘toon heroine was as white as, well… Snow White, the studio’s first feature-film superstar, who marked her debut in 1937’s “Snow White and the Seven Dwarfs.”
It would take some 60 years for the Disney artists to begin painting their leading ladies with all the colors of the wind, including the American Indian Pocahontas (1995), the Chinese Mulan (1998) and the Hawaiian Lilo (2002).
Only now, with “The Princess and the Frog,” have Disney animators put a black female front and center. Ironically, the inspiration for the new film came from two Caucasian men: current Pixar-Disney chief John Lasseter and the late Walt Disney himself.
“The story really came from an initial idea of doing an American fairy tale, which hadn’t been done at Disney,” said “Princess” co-director Ron Clements. “And setting it in New Orleans, which is John Lasseter’s favorite city in the world. It was Walt Disney’s favorite city in the world … Out of that, it seemed natural that the heroine would be African-American.”
Discussion of the character’s race had some of the film’s principals bristling. “We walk around being black every day, and nobody talks about it,” noted Anika Noni Rose, who supplies the voice of lead Princess Tiana. “So, I suggest you follow your instinct and let it be nothing to be talked about.”
Yet the “Dreamgirls” actress continued to talk: “The big deal is that it will quietly affirm to young brown-skinned children that they are special in this world,” Rose said. “And I think that it is a bigger deal to those of us who grew up without it and are now adults and have been waiting for it. It’s exciting to us, because we know how important it is to our children to have, to be image affirmed.”
Production was started on “Princess” in March 2006, long before the election of a new American president. “We tried to arrange that,” joked co-director John Musker. “We voted for Obama,” Musker continued. “That was about as much influence as we had on things.”
But the coincidence isn’t lost on some members of the “Princess” cast. “It is historical in the sense now that there is ‘Obama’ and ‘Tiana,'” said veteran character actress Jenifer Lewis, widely known as “the black mother of Hollywood.” ”It is a new day,” she continued. “There is hope. There is change. That is what this movie is going to bring.”
Perhaps, but the directors remind us that making history was never their point.
“It is a universal story,” Musker said. “It is a story of trying to follow your dreams and overcoming obstacles. And I don’t think that necessarily knows a certain color.”
Walt Disney’s “The Princess and the Frog” is now playing in Los Angeles and New York and opens nationwide on Dec. 11.
Ron Cicero and Bo Clancey Launch Production House 34North
Executive producers Ron Cicero and Bo Clancey have teamed to launch 34North. The shop opens with a roster which includes accomplished directors Jan Wentz, Ben Nakamura Whitehouse and Mario Feil, as well as such up-and-coming filmmakers as Glenn Stewart and Chris Fowles.
Nakamura Whitehouse, Feil and Fowles come over from CoMPANY Films, the production company for which Cicero served as an EP for the past nearly five years.
Director Wentz had most recently been with production house Skunk while Stewart now gains his first U.S. representation.
EP Clancey was freelance producing prior to the formation of 34North. He and Cicero have known each other for some 25 years, recently reconnecting on a job directed by Fowles. Cicero said that he and Clancey “want to keep a highly focused roster where talent management can be one on one--where we all share in the directors’ success together.”
Clancey also brings an agency pedigree to the new venture. “I started at Campbell Ewald in accounts, no less,” said Clancey. “I saw firsthand how much work agencies put in before we even see a script. You have to respect that investment. These agency experiences really shaped my approach to production--it’s about empathy, listening between the lines, and ultimately making the process seamless.”
34North represents a meeting point--both literally and creatively. Named after the latitude of Malibu, Calif., where the idea for the company was born, it also embraces the power of storytelling. “34North118West was the first GPS-enabled narrative,” Cicero explained. “That blend of art and technology, to captivate an audience, mirrors what we do here--create compelling work, with talented people, harnessing state-of-the-art... Read More