For most of the last century, the Disney ‘toon heroine was as white as, well… Snow White, the studio’s first feature-film superstar, who marked her debut in 1937’s “Snow White and the Seven Dwarfs.”
It would take some 60 years for the Disney artists to begin painting their leading ladies with all the colors of the wind, including the American Indian Pocahontas (1995), the Chinese Mulan (1998) and the Hawaiian Lilo (2002).
Only now, with “The Princess and the Frog,” have Disney animators put a black female front and center. Ironically, the inspiration for the new film came from two Caucasian men: current Pixar-Disney chief John Lasseter and the late Walt Disney himself.
“The story really came from an initial idea of doing an American fairy tale, which hadn’t been done at Disney,” said “Princess” co-director Ron Clements. “And setting it in New Orleans, which is John Lasseter’s favorite city in the world. It was Walt Disney’s favorite city in the world … Out of that, it seemed natural that the heroine would be African-American.”
Discussion of the character’s race had some of the film’s principals bristling. “We walk around being black every day, and nobody talks about it,” noted Anika Noni Rose, who supplies the voice of lead Princess Tiana. “So, I suggest you follow your instinct and let it be nothing to be talked about.”
Yet the “Dreamgirls” actress continued to talk: “The big deal is that it will quietly affirm to young brown-skinned children that they are special in this world,” Rose said. “And I think that it is a bigger deal to those of us who grew up without it and are now adults and have been waiting for it. It’s exciting to us, because we know how important it is to our children to have, to be image affirmed.”
Production was started on “Princess” in March 2006, long before the election of a new American president. “We tried to arrange that,” joked co-director John Musker. “We voted for Obama,” Musker continued. “That was about as much influence as we had on things.”
But the coincidence isn’t lost on some members of the “Princess” cast. “It is historical in the sense now that there is ‘Obama’ and ‘Tiana,'” said veteran character actress Jenifer Lewis, widely known as “the black mother of Hollywood.” ”It is a new day,” she continued. “There is hope. There is change. That is what this movie is going to bring.”
Perhaps, but the directors remind us that making history was never their point.
“It is a universal story,” Musker said. “It is a story of trying to follow your dreams and overcoming obstacles. And I don’t think that necessarily knows a certain color.”
Walt Disney’s “The Princess and the Frog” is now playing in Los Angeles and New York and opens nationwide on Dec. 11.
Producers Douglas Wick and Lucy Fisher To Receive Harold Lloyd Award From The Advanced Imaging Society
Producers Douglas Wick and Lucy Fisher will be presented with the 2025 Harold Lloyd Award in recognition of their producing achievement in creating Gladiator II at The Advanced Imaging Society’s (AIS) 15th annual Lumiere Awards luncheon, which takes place Friday, February 7, 2025, at the Beverly Hills Hotel.
Empowering their storytelling with groundbreaking technology and skill, Wick and Fisher have thrilled audiences and driven the film industry forward for three decades. Their steadfast dedication to the highest standards of cinematic excellence have resulted in epic films, including Memoirs of a Geisha, The Great Gatsby, the Stuart Little franchise, the Divergent Series and both Gladiator films. The first Gladiator earned Wick an Academy Award® for Best Picture. In light of their consistent and distinguished contributions over the years, as exemplified by this year’s Gladiator II, the Advanced Imaging Society wished to recognize the team with this year’s esteemed Harold Lloyd Award.
“Doug Wick and Lucy Fisher of Red Wagon Entertainment have revolutionized modern filmmaking with their bold storytelling and ability to elevate large-scale productions to epic levels,” remarked Jim Chabin, AIS president. “Their work has not only captivated audiences but also redefined filmmaking standards, leaving an indelible mark on the art of cinema. At AIS. we deeply admire their visionary contributions and enduring influence on the film industry.”
Suzanne Lloyd, granddaughter of the late, great Harold Lloyd, remarked, “Doug’s artistic vision and Lucy’s dynamic leadership have brought authenticity, beauty and profound emotion to some of our favorite epic films. Together, they are a... Read More