John Cooper is the new Sundance kid, calling the shots for his first year as director of Robert Redford’s festival for independent film.
A festival veteran who started with Redford’s Sundance Institute as a volunteer in 1989, Cooper presides over a Sundance Film Festival that is trying a few new things but essentially aims to remain true to its decades-old values.
When he got the job early in 2009, Cooper got hundreds of replies to e-mails he sent out soliciting advice and opinions from Sundance regulars.
“Most all of them were of the same tone. They didn’t have anything specific, like do more of this or less of that. It was please stay on mission,” Cooper said Thursday, as the festival opened for its 11-day run.
“I really felt a responsibility to, and actually permission, to not think about anything but what was core to us, and that is going for excellence and creativity in the films we choose, and nothing else,” he said.
Sundance has made notable changes in Cooper’s first year. Gone is the splashy opening-night tradition of a premiere that’s not competing for festival prizes.
Instead, Sundance went right into the awards contenders, beginning with entries in its dramatic, documentary and short-film competitions, including “Howl,” starring James Franco as poet Allen Ginsberg.
The festival added a program of eight films with tiny budgets of less than $500,000 to ensure a place for such do-it-yourself works amid high-profile Sundance premieres, whose stars this year include Ben Affleck, Katie Holmes, Kevin Kline, Kristen Stewart and other top Hollywood names.
Sundance also is branching out across the country, sending eight festival films and their directors for screenings and chats with audiences in eight cities on Jan. 28.
Among the titles: Affleck’s “The Company Men” will play in Brookline, Mass., Stewart’s “The Runaways” will show in Madison, Wis., and Kline and Holmes’ “The Extra Man” will screen in Nashville, Tenn.
Redford said promoting Cooper to festival director was an easy decision after predecessor Geoff Gilmore departed last year for Tribeca Enterprises, which runs Robert De Niro’s Tribeca Film Festival.
“There are two reasons I’m excited,” Redford said about Cooper. “One is, he gets to be seen for what he is and has been for many years, which is a principal force in this program. Secondly, I like to see people grow and have a chance to expand …
“It was time for us to make a change to keep ourselves fresh. Having John come into that place, it was natural, and you’ll see the results,” Redford said.
Cooper studied stage design in his native California and worked as an actor, singer and dancer in New York City through the 1980s.
After volunteering with Sundance’s filmmaking labs, Cooper then joined the festival, creating its short-film program and later working on its documentary and feature-length selections. He became director of programming in 2003.
“It was just so perfect,” he said. “They said come to this place. I was a California boy, a Sierra Nevada mountains kid, so I saw it as a great opportunity, first to get out of town. Then I got here, and the artists that were there were all so authentic and everyone was giving so much. It was infectious. … They couldn’t get rid of me.”
“A Complete Unknown,” “Wicked,” “Sing Sing,” “Baby Reindeer” Among Guild of Music Supervisors Award Winners
The Guild of Music Supervisors held its 15th annual awards ceremony on Sunday night (2/23) at the Wiltern Theatre in L.A., honoring the best achievements in music supervision and songwriting with feature category winners including “Wicked,” “A Complete Unknown,” “I Saw the TV Glow” and “Sing Sing.” Among the TV category winners were “Baby Reindeer,” “English Teacher” and “Agatha All Along.”
Stephen Schwartz was awarded the Icon Award to celebrate his contributions to the music and film industry. Schwartz performed his song “Beautiful City” on stage from his musical “Godspell.” Music producer and supervisor Bonnie Greenberg took to the stage to accept the Legacy Award for her outstanding career in music supervision. Music supervisor and executive at EA Games Steve Schnur won the most awards for the evening with two wins for his work on video games EA Sports FC 25 and Dragon Age: The Veilguard.
Keeping their promise of live performances from Best Song nominees, Oscar-nominees Abraham Alexander & Adrian Quesada performed their nominated song “Like a Bird” from “Sing Sing,” which took the prize for Best Song Written and/or Recorded for a Film. Danielle Ponder performed her nominated song “Egún” from Apple TV’s “Manhunt,” and the artist Role Model gave a rousing performance of their song “Sally, When The Wine Runs Out” as the Spotlight artist of the evening.
The complete winners list for the 15th Annual Guild of Music Supervisors Awards is as follows.
FILM
Best Music Supervision in Major Budget Films
Maggie Rodford - “Wicked”
Best Music Supervision in Mid-Level Budget Films
Steven Gizicki - “A... Read More