JVC Professional Video, a division of JVCKENWOOD USA Corporation, announced three new additions to its family of 4KCAM cameras. Among other new features, the new GY-HM250U offers integrated graphics and live streaming, while the GY-HM250SP adds sports-specific score overlays. Also new, the GY-HM180U sets a new benchmark for professional compact cameras without built-in streaming or graphics.
Designed for enhanced single-camera production, the GY-HM250U offers lower-third and full-screen titling solutions for recorded or streamed video output without an external CG or production switcher. Lower-third graphic overlays are generated and controlled using a browser-equipped device, such as a tablet or smartphone. JVC also provides a software utility that lets customers upload logos or icons that are displayed in the lower-third of the recorded video.
Full-screen graphics can be advanced manually or presented as a slideshow during extended breaks in the action with user-defined timing. Users can store up to 50 .JPG or .PNG graphics, such as team logos or religious icons, in the camera. Worship facilities, for example, can display scripture readings or lyrics, with the operator manually advancing graphics during the service.
The GY-HM250SP’s score overlays for football, baseball, basketball, hockey, soccer, and volleyball can be placed in various screen positions. Camera operators can update the score using an external Wi-Fi connected smartphone or tablet, or receive real-time scoreboard data automatically when wirelessly connected to a Sportzcast Scorebot that is integrated with the venue’s scoreboard.
Both the GY-HM250U and GY-HM250SP also feature built-in streaming with Wi-Fi and 4G LTE connectivity that provides live access to CDNs like Facebook Live and YouTube. The cameras also work as part of JVC’s S.L.I.M. studio camera system, an affordable approach to multi-camera production that uses the RM‑LP100 remote camera control as a CCU for JVC IP-capable cameras.
Other new features include 4:2:2 recording for 4K/30p and 4K/24p, as well as 4K/60p HDMI output. The new tele macro shooting mode on the GY‑HM250U and GY‑HM250SP provides better focus on close objects than previous models, while the new Zero Config function provides automatic, one-click configuration of the camera when it joins the same LAN as other cameras.
The new GY-HM250U replaces the current GY-HM200U and GY-HM200HW models, while the new GY-HM250SP with integrated sports graphic overlays replaces the GY‑HM200SP. An upgrade to the popular GY-HM170U, the GY-HM180U still outputs live 4K via HDMI, but also adds a 3G-SDI output for connectivity flexibility.
Beyond the upgrades, GY-HM250U, GY-HM250SP, and GY-HM180U retain the professional features valued in the previous 4KCAM models, including a 1/2.3-inch BSI 4K CMOS imager and integrated 12x zoom lens with optical image stabilizer. The cameras record footage in a variety of file formats and frame rates (including up to 120fps slow motion) to economical Class 10 SDHC/SDXC memory cards. Users can record on two cards simultaneously for instant backup or use relay mode for extended recording time. Other features include dual XLR audio inputs, integrated handle with hot shoe, built-in microphone and dedicated shotgun mic mount, and viewfinder and LCD displays.
The GY-HM180U has an MSRP of $1,795, the GY-HM250U has an MSRP of $2,245, and the GY-HM250SP has an MSRP of $2,595. All three models will be available in May.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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