Higher fees for film production companies choosing to work in some New York City buildings have taken effect with no clear word on whether it will tarnish the city’s popularity as one of Hollywood’s favorite backdrops.
One critic calls the $3,200 price tag for a permit to film at one of the city’s buildings the highest fee in the nation by a municipality.
But the city, which attracts about $5 billion in business each year through the film trade, defends it as a small increase affecting a slim percentage of productions in a place that has long been among the friendliest filming venues in the country.
The city came up with the fee over the summer as it looked to cover more costs related to film productions, according to Marybeth Ihle, a spokeswoman for the Mayor’s Office of Film, Theatre and Broadcasting. The fee took effect Wednesday.
“Private locations can charge $10,000 a day so this is pretty nominal,” she said, adding that the fee affects only about 5 percent of productions that shoot scenes in New York City.
Among the biggest users of the city buildings is the long-running dramatic series “Law & Order,” which films frequently inside courthouses and other city buildings. NBC Universal did not immediately respond to a call for comment on reports that the show might seek to shoot some scenes in other cities.
“This one thing itself is not going to chase productions out of the city,” said John Johnston, executive director of the New York Production Alliance, which represents more than half of the 100,000 people employed in New York by the film, television and commercial production industry.
But he said he spoke out against the fees at a public hearing earlier this year because it sets a dangerous precedent that may cause other city agencies to also impose fees that collectively would cause productions to look elsewhere to film.
Ihle said the city has moved steadily since the 1960s to make it ever more comfortable for filming in the city, including providing free locations to shoot scenes on city streets. She said it does not charge for police officers, permits, or parking and it covers many of the administrative costs associated with filming.
She said productions also receive discounts on purchases at everything from hotels to lumber yards to restaurants along with a 5 percent tax credit and free bus shelter ads when their production is ready to be advertised.
The city has become so friendly that the volume of films produced in the city has risen considerably over the last decade, she said.
Mark Daly, a spokesman for the Department of Citywide Administrative Services, said the city’s buildings are such popular locations for filming that 160 productions used them last year. With that much filming, hundreds of thousands of dollars can be raised with the new fee.
Johnston said the fee was unlikely to scare away producers of movies or television shows but might cause film students, small independent movie producers and those shooting pilots for television series to look elsewhere.
Daly said it did not make sense for the city to vary the cost of the permit depending on the size of the production.
“Administrative costs are the same no matter what the size of production,” he said.
Netflix Series “The Leopard” Spots Classic Italian Novel, Remakes It As A Sumptuous Period Drama
"The Leopard," a new Netflix series, takes the classic Italian novel by Giuseppe Tomasi di Lampedusa and transforms it into a sumptuous period piece showing the struggles of the aristocracy in 19th-century Sicily, during tumultuous social upheavals as their way of life is crumbling around them.
Tom Shankland, who directs four of the eight episodes, had the courage to attempt his own version of what is one of the most popular films in Italian history. The 1963 movie "The Leopard," directed by Luchino Visconti, starring Burt Lancaster, Alain Delon and Claudia Cardinale, won the Palme d'Or in Cannes.
One Italian critic said that it would be the equivalent of a director in the United States taking "Gone with the Wind" and turning it into a series, but Shankland wasn't the least bit intimidated.
He said that he didn't think of anything other than his own passion for the project, which grew out of his love of the book. His father was a university professor of Italian literature in England, and as a child, he loved the book and traveling to Sicily with his family.
The book tells the story of Don Fabrizio Corbera, the Prince of Salina, a tall, handsome, wealthy aristocrat who owns palaces and land across Sicily.
His comfortable world is shaken with the invasion of Sicily in 1860 by Giuseppe Garibaldi, who was to overthrow the Bourbon king in Naples and bring about the Unification of Italy.
The prince's family leads an opulent life in their magnificent palaces with servants and peasants kowtowing to their every need. They spend their time at opulent banquets and lavish balls with their fellow aristocrats.
Shankland has made the series into a visual feast with tables heaped with food, elaborate gardens and sensuous costumes.... Read More