The Television Academy has passed a group of new Primetime Emmy Awards rules which reflect the increasingly varied and expanding television landscape.
The changes include:
Expansion of Final Round Voting
In an effort to increase member participation in the voting process, and to take advantage of the Academy’s extension of online voting to both rounds, all voters eligible to vote in a category’s nominating round are now eligible to vote in that category’s final round, so long as they meet two additional requirements: much like the former Blue Ribbon panel process, voters must watch the required submitted material online and attest to no specific conflicts of interest with the nominees.
Expansion of Nominees for “Comedy” and “Drama” Series Categories
Due to the dramatic increase in series production, the number of nominees for “Comedy” and “Drama” series has been increased from six to seven.
Definition of a “Comedy” and “Drama” Series
To clarify the difference between the “Comedy” and “Drama” series categories, series with episodes of 30 minutes or less are defined as a “Comedy”; those with episodes of more than 30 minutes are presumed to be a “Drama.”
Producers may formally petition a new Academy industry panel to consider their series’ eligibility in the alternative category. This nine-member panel will include five industry leaders appointed by the Television Academy Chairman and four appointees from the Board of Governors. A two-thirds vote of this Industry Panel is required for petition approval.
All programs entering the competition this year will be grouped according to these new definitions.
Definition of “Series” and “Limited Series”
“Mini-Series” will be changed to “Limited Series” and defined as programs of two or more episodes with a total running time of at least 150 program minutes that tell a complete, non-recurring story, and do not have an ongoing storyline and/or main characters in subsequent seasons. “Comedy” and “Drama” Series will continue to be defined as programs with a minimum of six episodes which have an ongoing storyline, theme and main characters presented under the same title and with continuity of production supervision.
Producers may formally petition for review by the aforementioned industry panel to change category eligibility.
Definition of “Guest Actor”
Only performers appearing in less than 50% of a program’s episodes are now eligible to submit in the “Guest Actor” category.
Split of Variety Series category
The Variety Series category is now split – Outstanding Variety Talk, to be awarded during the Primetime Emmy telecast, and Outstanding Variety Sketch, to be included in the Creative Arts Emmy program.
Bruce Rosenblum, chairman of the Television Academy Chairman, stated that “our Board of Governors and senior industry executives have taken meaningful time to address, in a forward thinking manner, many of our existing rules and procedures. Our over 17,000 voting members represents a dramatically changing television industry and we want to continue to make sure we honor their creativity in the most relevant and fair ways possible.
“As our growing membership creates and produces more content for ever-changing platforms, today’s changes in the rules and procedures are vital. We’re sure that in coming years we will continue to evolve our rules as our dynamic industry grows.”
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
The one rule to follow is that... Read More