Sara Marandi
The Stepford Wives Teaser
Agency & Production: Imaginary Forces, bicoastal
DP: Harris Savides
Editorial: Giaronomo, New York
Editor: Adam Agard
Affiliation: @radical.media bicoastal/international
How did you get into directing?
Working in motion graphics, I was afforded the chance to direct some of the live-action in my design projects. This helped me segue into pure live-action.
Why do you want to direct commercials?
Design is a pure form of visual communication but it also puts you in a box. I wanted to expand the way a story is delivered – adding depth and emotion. It’s liberating that commercials free you to develop a concept and tell a story. And yet there’s still a discipline to doing it in a concentrated timeframe.
What’s your most recent spot project? Volkswagen in Germany.
Do you have plans to work in other areas–e.g. shorts films or features or TV? Have you ever done any of that in the past? I’d like to have a lot of creative junctures in my life. I think in order to stay interesting as an artist in the future I’d like to develop a short film.
What do you think is the best part about being a director? Being in charge.
What’s the worst part? Being in charge.
Who is (are) your mentor(s)? In the world of design, I worked on teasers and trailers with Peter Frankfurt who introduced me to the storytelling, pacing and meshing design with live-action.
Not counting your own work, what’s your favorite recent ad? Why? David Fincher’s “Speed Chain.” One thing I really appreciate is the combined masculinity and femininity to the spot. Taking a simple concept so far and treating it with such elegance. As a kid, my parents wouldn’t let my buy a lot of popular music so I watched MTV. I would find myself captivated by David’s videos, even before I could articulate what it was that drew me in.