By Larry Neumeister
NEW YORK (AP) --Neil Young sued President Donald Trump's reelection campaign Tuesday for copyright infringement, saying he doesn't want his music used as a theme song for a "divisive un-American campaign of ignorance and hate."
The Grammy-award winning Canadian-born musician filed the lawsuit through his lawyers in Manhattan federal court, seeking up to $150,000 in statutory damages for each infringement.
A message seeking comment was left with a campaign spokesperson.
The legendary singer cited repeated use of two songs: "Rockin' in the Free World" and "Devil's Sidewalk."
The campaign has used the tunes numerous times at rallies and political events, including on June 20 in Tulsa, Oklahoma, the lawsuit said.
Young said he was not suing to "disrespect the rights and opinions of American citizens, who are free to support the candidate of their choosing," the lawsuit said.
"However," it added, "Plaintiff in good conscience cannot allow his music to be used as a 'theme song' for a divisive, un-American campaign of ignorance and hate."
Young first complained about the use of the 1990 single, "Rockin' in the Free World," in June 2015, when the song accompanied Trump's announcement of his presidential campaign, according to the lawsuit.
The campaign's insistence in a statement then that it had obtained permission to use the music only proved that it was aware it needed permission, the lawsuit said.
It said Young has voiced continuous and public objections to the use of the music.
"The campaign has willfully ignored Plaintiff's telling it not to play the Songs and willfully proceeded to play the Songs despite its lack of a license," according to the lawsuit.
New York attorney Ivan Saperstein, who filed the lawsuit on Young's behalf along with attorney Robert S. Besser of Santa Monica, California, declined comment.
On July 3, Young lodged a complaint on the "Neil Young Archives" website, where a copy of Tuesday's lawsuit was also posted, after Trump visited Mount Rushmore for an event.
"I stand in solidarity with the Lakota Sioux & this is NOT ok with me," he said in support of over 100 protesters who forced the closing of a road leading to the landmark.
He complained after "Like a Hurricane" and other songs were played when Trump visited the site.
"Imagine what it feels like to hear 'Rockin' in the Free World' after this President speaks, like it is his theme song," Young said on the website. "I did not write it for that."
Other artists have also complained after their songs were played at Trump's events.
In June, the Rolling Stones threatened to sue after the 1969 classic "You Can't Always Get What You Want" was played at Trump's Oklahoma rally, where critics said the indoor event threatened to spread the coronavirus.
The family of the late rock musician Tom Petty said it had issued a cease-and-desist order after Trump used the song "I Won't Back Down" in Tulsa.
"Trump was in no way authorized to use this song to further a campaign that leaves too many Americans and common sense behind," the statement said.
Associated Press Writer Jonathan Lemire contributed to this story.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More