By Mesfin Fekadu, Music Writer
NEW YORK (AP) --Neil Portnow will step down as president and CEO of The Recording Academy and the Grammy Awards next year.
The organization announced Thursday that Portnow chose not to "seek an extension on his current contract," which ends next year.
He has led the academy since 2002.
Portnow was criticized at the Grammys this year when he said women need to "step up" when asked about the lack of female winners backstage. Only two female performers won awards during the live telecast.
Portnow later said his words were taken out of context and he now understands the pain his "poor choice of words" has caused. The remarks were criticized by Pink, Sheryl Crow, Katy Perry, India.Arie and others.
"When I had the honor of being selected to lead this great organization in 2002, I vowed that on my watch, for the first time in our history, we would have a thoughtful, well-planned, and collegial transition. With a little more than a year remaining on my current contract, I've decided that this is an appropriate time to deliver on that promise," Portnow said in a statement.
The academy said Portnow made the announcement at the company's semi-annual Board of Trustees meeting last week. Over the next year he will continue to work on a transition plan with the organization.
Before leading the academy, Portnow served on the organization's Board of Trustees. His 16-year run, the longest for a president at the academy, has been met with some criticism. For years the music community felt that the Grammys were out of date, giving out awards to older musicians and acts from the jazz, rock and country music worlds, and continually dismissing rap and R&B musicians, though those genres heavily dominate pop music. Kendrick Lamar, Beyonce, Eminem and Mariah Carey are among the acts who were on track to win top awards like album of the year at the Grammys, but constantly walked away without the big wins.
But the biggest setback for Portnow came this year at the show, where men dominated in nominations. Lorde, the only woman nominated for album of the year, didn't get a chance to perform at the show, which was met with criticism. Three separate letters from music executives demanded a revamp at the academy.
Some of Portnow's highlights over the years include leading the charity MusiCares and helping the Grammys establish online voting.
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More