A massive indoor water tank for filmmakers to shoot underwater shots, said to be among only three in North America, will become part of a North Carolina studio that also will soon include the largest sound stage built east of California.
Forced inside by inclement weather, EUE/Screen Gems Ltd. officials held a groundbreaking ceremony Thursday to discuss the stage and the 283,000-gallon tank, which they say already attracts six availability inquiries a month.
By next spring, the studio will be home to a 37,500-square-foot, no-column sound stage, the 10th on the 50-acre lot.
Filmmakers use the indoor tanks to shoot everything from ocean to river scenes.
“The dream stage is really a dream come true for North Carolina,” said Gov. Mike Easley, who directed the show, advising others to turn their gold shovels.
“I do this a lot,” Easley said to Chris Cooney, president of EUE/Screen Gems, and others. “One, two three … action.”
The stage and 60-foot-by-60-foot indoor water tank will “fill a void that the major Hollywood studios and the best international producers and directors have demanded,” said Bill Vassar, executive vice president of the Wilmington studio.
“The … stage will accommodate the almost daily advances in technology for special effects and the countless emerging production platforms,” he said. “Wilmington is on the verge of becoming one of he major film production centers in the world.”
EUE/Screen Gems researched film industry needs for three years before deciding on what the studio calls a dream stage and the tank. The other indoor tanks at Universal and Warner Brothers in Los Angeles are typically reserved for productions by those studios, Vassar said.
He said studio reaction in California last week was positive and that filming is much less expensive in North Carolina than Los Angeles.
Also scheduled for Thursday is the second North Carolina screening of “Nights in Rodanthe,” which stars Richard Gere and Diane Lane. The movie, which involves a surgeon, a separated wife and an approaching hurricane, seems determined to attract storms.
A system that eventually became subtropical storm Andrea interrupted filming in May 2007, and on Thursday, high winds and heavy rain were hitting the coast. Despite the weather, locals packed a screening held Wednesday in Kill Devil Hills, said Carolyn McCormick, managing director of the Outer Banks Visitors Bureau.
Jackie Fearing, 54, of Kitty Hawk, and her husband, Charles, 61, were extras in the movie, appearing during filming of the ferry scene. “Tonight we’ll find out if they cut us or kept us,” Jackie Fearing said. “Even if they did cut us, we’re still excited about seeing it tonight.”
The scene was supposed to involve a sunny day, but a nor’easter was at sea, so the couple spent much of their time waiting for better weather. Finally, the crew set up bright lights to get the look they wanted, she said.
The weather was cold and windy, and the extras spent their day “going back and forth, back and forth” on the ferry between Hatteras and Ocracoke, she said.
Cooney and others used the day to push for film incentives higher than North Carolina’s current 15 percent, and Sen. Julia Boseman, D-New Hanover, said legislators will discuss it when they reconvene in January.
“We really believe that this industry needs a shot in the arm – a bigger facility to house larger-scale productions or we’re going to lose them to the states that have the tax incentives ready to go,” Cooney said in an interview. “And we’ll do our part, and we would just love the state to step up and do its part to be competitive.”
Easley, meanwhile, indicated he’s looking toward a career in film after his second term in office ends in January.
“I’m looking forward to learning more about this industry when I get out of office,” he s aid.
“So if you’ve got a typecast situation for a village idiot or the town drunk like Otis Campbell in Andy Griffith or someone who can wreck a race car, I’m your guy,” he added in a veiled reference to his racing skills.
In 2003, he slammed a stock car into a wall at 120 mph at Lowe’s Motor Speedway near Charlotte; and in 2005, he ran a stock car up a curb and just missed a parked car and a utility pole. He left both accidents unscathed, saying only his ego was hurt.
“Se7en” Turns 30, Gets A Special Restoration From David Fincher For Its Re-Release
For David Fincher, seeing “Se7en” in 4K was an experience he can only describe as harrowing. That or a high school reunion.
“There are definitely moments that you go, ‘What was I thinking?’ Or ‘Why did I let this person have that hairdo’?” Fincher said in a recent interview with The Associated Press.
He’s OK with the film being a product of its time in most respects. But some things just could not stand in high-definition resolution.
“It was a little decrepit, to be honest,” said Fincher. “We needed to resuscitate it. There are things you can see in 4K HDR that you cannot see on a film print.”
Ever the perfectionist, he and a team got to work on a new restoration of the film for its 30th anniversary re-release. This weekend the restored “Se7en” will play on IMAX screens for the first time in the U.S. and Canada, and on Jan. 7, the 4K UHD home video version will be available as well.
The dark crime thriller written by Andrew Kevin Walker and starring Brad Pitt and Morgan Freeman as a pair of detectives looking for a serial killer was somewhat of a career-reviver for Fincher, whose directorial debut “Alien 3” had not gone well. “Se7en” was not a sure thing: It was made for only $34 million (and only got that when Fincher managed to persuade studio execs to give up $3 million more). But it went on to earn more than $327 million, not accounting for inflation, and continues to influence the genre.
Fincher has over the years overseen several restorations of the film (including one for laser disc) but decided this needed to be the last. It’s why he insisted on an 8K scan that they could derive the 4K from. He wanted to ensure that it wouldn’t have to be repeated when screens get more... Read More