Title | Music/Sound | Audio Post | Agency | Production | |
1 | Volkswagen GTI, “Hair” | Beacon Street, Venice, Calif. John Nau and Andrew Feltenstein, composers; Brian Chapman, sound designer | Sound Lounge, New York Philip Loeb, Rob Difondi, Rob Sayers, Glenn Landrum, Keith Reynaud, mixers | Crispin Porter + Bogusky, Miami Bill Meadows, music producer | MJZ, bicoastal Rocky Morton, director |
2 | Cadillac DTS, “Drumline” | HUM Music+Sound Design, Santa Monica Jeff Koz, creative director; Jim Casella, composer; Debbi Landon, executive producer. | Margarita Mix de Santa Monica Jimmy Hite, mixer | Leo Burnett Detroit | HSI Productions, bicoastal Paul Hunter, director |
3 | Dodge Caliber, “Too Tough” | Emoto, Santa Monica Tony Morales, John Adair, composers; Paul Schultz, executive producer. Nomad Editing Company, Santa Monica Francois Blaignan, sound designer | Sound Lounge, New York Tom Jucarone, mixer | BBDO Detroit/New York Loren Parkins, executive music producer | Smuggler, bicoastal Brian Beletic, director |
4 | Juicy Fruit, “Ant” | Stimmung, Santa Monica Cyrus Melchor, composer; Gus Koven, sound designer; Kelly Fuller, executive producer | Hoffman Sound, Chicago Jim Hoffman, mixer | Energy BBDO, Chicago | MJZ, bicoastal Dante Ariola, director |
5 | Burger King, “Buckin’ Chicken” | Beacon Street Studios, Venice John Nau, Andrew Feltenstein, composers; Brian Chapman, sound designer. | POP Sound, Santa Monica Peter Rincon, mixer | Crispin Porter + Bogusky, Miami Bill Meadows, music producer | Hungry Man, bicoastal Bryan Buckley, director |
6 | Virgin Mobile, “Greatest Adult Music” | Moneybacon, New York Paul Malmstrom, composer (also partner/creative director of agency Mother, New York) | audioEngine, New York, Hillary Kew, mixer | Mother, New York | @radical.media, bicoastal Peter Darley Miller, director |
7 | Gibson Guitars, “Empress” | Aardvark Sound, London Oliver Davis, composer/sound designer | Wave, London Parv Thind, mixer | Carmichael Lynch, Minneapolis | Great Guns USA, Venice, Calif. Gurinder Chadha, director |
8 | Volkswagen GTI, “Wrecking Ball” | Wojahn Bros. Music, Santa Monica Roger Wojahn, Scott Wojahn, composers; Marisa Mastroianni Davis, executive producer | Sound Lounge, New York Peter Holcomb, mixer | Crispin Porter + Bogusky, Miami Bill Meadows, music producer | RSA Films, bicoastal Jonas Akerlund, director |
9 | Nike, “Second Generation” | Elias Arts, bicoastal Jonathan Elias, David Wittman, composers; Dave Gold, creative director; Dayna Turcotte, producer | Sound Lounge, New York Tom Jucarone, mixer | Wieden + Kennedy, New York | Smuggler, bicoastal Brian Beletic, director |
10 | Comcast, “Laugh Riot” | Musikvergnuegen, Hollywood Walter Werzowa, composer/sound designer; John Luker, composer; Pat Weaver, producer | One Union Recording Studios, San Francisco Eben Carr, mixer | Goodby Silverstein & Partners, San Francisco | Smuggler, bicoastal Happy, director |
Marlee Matlin Is “Not Alone Anymore” At Sundance, Opens Up In A New Documentary
Marlee Matlin gives an unflinchingly honest account of her experiences as a deaf actor in the funny and revelatory documentary "Marlee Matlin: Not Alone Anymore." The film kicked off the 41st Sundance Film Festival Thursday, as the first major premiere in the Eccles Theater in Park City, Utah.
After the screening audiences in the theater, some wiping tears away, greeted Matlin with a standing ovation when she took the stage.
The film delves into all aspects of her life, personal and professional: Her childhood and how her family handled learning she had become deaf at 18 months; her experience winning the best actress Oscar for her first movie role in "Children of a Lesser God" and her allegedly abusive romantic relationship with her co-star, the late William Hurt, which he denied; and her experiences in an industry not equipped to accommodate deaf actors.
The film was directed by Shoshanna Stern, who also is deaf. Matlin specifically requested that Stern take on the project when American Masters approached her about doing a documentary.
Matlin has written about her experiences before, including her volatile relationship with Hurt and drugs, in a memoir, "I'll Scream Later." But before the #MeToo movement, she felt her allegations were largely dismissed or glossed over.
Interviews from the book's press tour show journalists were more interested in the "amazing sex" she said she had with Hurt than the stories of the alleged physical and verbal abuse. One interviewer asked her why she waited "so long" to come forward with the claims.
The documentary isn't just a portrait of Matlin, but a broader look at deaf culture and how Matlin was thrust into the spotlight at a young age as a de facto spokesperson for all deaf... Read More