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    Music & Sound: SHOOT’s Top 10 Spot Tracks Chart

    By SHOOT StaffUpdated:No Comments1304 Views
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    View the spots and learn more about the companies and people behind the great range of music, sound design and audio post represented in the  selections for this winter’s SHOOT Top 10 Spot Tracks Chart.

    Title

    Music/Sound

    Audio Post

    Agency

    Production

    1

    Garmin’s “Maposaurus“

    Musikvergnuegen,Hollywood,Calif.
    Walter Werzowa,Jono Brown, Jeff Kollman,
    composers; Pat Weaver, producer;
    Steve Grimmett,performer.
    Pixel Farm Music,Minneapolis
    Ken Chastain, sound designer

    Pixel Farm Music
    Ken Chastain, mixer

    Fallon, Minneapolis
    Michael Elliot-Knight,
    music supervisor

    Smith and Sons Films,
    London
    Ulf Johansson, director

    2

    Wyoming Department of Health’s
    “Slicer”

    Beacon Street Studios, Venice
    Calif.
    Brian Chapman, sound designer;
    John Nau, Andrew Feltenstein,
    composers/sound designers;
    Andrea Lavezzoli, producer

    Eleven,
    Santa Monica
    Jeff Fuller,
    mixer

    Sukle Advertising
    & Design    ,
    Denver

    MJZ,
    bicoastal/international
    Ray Dillman, director

    3

    Nike Brand
    Jordan’s
    “Take Over”

    Mozart’s Requiem: Sequenz-
    Lacrimosa; Andrew Delfs, Anton
    Armstrong, St. Olaf and St. Paul
    Chamber Orchestra, recording
    artists

    Ravenswork,
    Venice, Calif.
    Robert Feist,
    mixer

    Weiden+Kennedy,
    New York

    Anonymous Content,
    bicoastal
    Mark Romanek, director

    4

    Budweiser’s
    “Spot”

    Elias Arts, bicoastal
    Dave Gold, creative director;
    Jimmy Huan, composer; Ann
    Haugen, executive producer;
    Dean Hovey, sound designer
    Dean Martin’s rendition of
    “Ain’t That A Kick In The Head”

    Lime Studios,
    Santa Monica
    Loren Silber,
    mixer

    DDB Chicago

    PYTKA, Venice, Calif.
    Joe Pytka, director/DP

    5

    Bridgestone
    Tires’
    “Art of
    Performance”

    HUM, Santa Monica
    Jeff Koz, creative director;
    Cris Velasco, composer; Debbi
    Landon, executive producer

    Wave Recording Studios, London

    Parv Thind, mixer

    The Richards Group, Dallas

    Believe Media, bicoastal
    Bruno Aveillan, director

    6

    Mountain Dew’s
    “Chuck”

    Groove Addicts, Los Angeles
    Trevor Rabin, composer; Dain Blair, creative director/executive producer; Gerhard Joost, sound mixer.
    Nomad Editing Company, Santa Monica
    Francois Blaignan, sound designer

    Sound Lounge,
    New York
    Tom Jocarone,
    mixer

    BBDO, New York
    Loren Parkins, executive music producer

    Rattling Stick, London
    Daniel Kleinman,
    director

    7

    Intel’s
    “Creativity”

    Electronica band New Young Pony Club’s “Ice Cream”

    750 MPH, London
    Sam Ashwell, mixer

    McCann Erickson,
    New York
    Mike Boris, music producer

    DNA Hollywood
    Pagan    , London
    Vaughn Arnell, director (now with Blink, London, and Furlined, Santa Monica)

    8

    GM Hummer
    H3’s
    “Boldly Go”

    Star Trek main title, written by Alexander Courage and Gene Roddenberry

    Soundtrack Boston
    Mike Secher, mixer

    Modernista!, Boston

    Crossroads Films,
    Los Angeles
    Nick Lewin, director

    9

    Rhode Island Resource Recovery Corp’s
    “Ballad of the Bag”

    Star Trak Studios, Warwick, R.I.
    Jack Rametta,
    composer/arranger/sound designer

    Star Trak Studios,
    Jack Rametta,
    mixer

    RDW Group, Providence, R.I.

    Bent Image Lab,
    Portland, Ore.
    Rob Shaw,
    Randall Walkerlin,
    directors

    10

    Sylvania’s
    “Four Bands”

    Bang Music, New York
    Lyle Greenfield, executive producer; Brian Jones, producer/arranger/supervisor; Sara Russo, project coordinator; Locksley (rock band), The Flanks (neo-folk/bluegrass band),Terrence Simien, Alice Tan Ridley, performers

    Bang Music
    Winston Philip,
    chief engineer

    Garrand,
    Portland, Maine

    Airstream Pictures,
    Gorham, Maine
    Jeff Weiser, director

    Category:Features



    Producers Douglas Wick and Lucy Fisher To Receive Harold Lloyd Award From The Advanced Imaging Society

    Saturday, December 21, 2024

    Producers Douglas Wick and Lucy Fisher will be presented with the 2025 Harold Lloyd Award in recognition of their producing achievement in creating Gladiator II at The Advanced Imaging Society’s (AIS) 15th annual Lumiere Awards luncheon, which takes place Friday, February 7, 2025, at the Beverly Hills Hotel.

    Empowering their storytelling with groundbreaking technology and skill, Wick and Fisher have thrilled audiences and driven the film industry forward for three decades. Their steadfast dedication to the highest standards of cinematic excellence have resulted in epic films, including Memoirs of a Geisha, The Great Gatsby, the Stuart Little franchise, the Divergent Series and both Gladiator films. The first Gladiator earned Wick an Academy Award® for Best Picture. In light of their consistent and distinguished contributions over the years, as exemplified by this year’s Gladiator II, the Advanced Imaging Society wished to recognize the team with this year’s esteemed Harold Lloyd Award.

    “Doug Wick and Lucy Fisher of Red Wagon Entertainment have revolutionized modern filmmaking with their bold storytelling and ability to elevate large-scale productions to epic levels,” remarked Jim Chabin, AIS president. “Their work has not only captivated audiences but also redefined filmmaking standards, leaving an indelible mark on the art of cinema. At AIS. we deeply admire their visionary contributions and enduring influence on the film industry.”

    Suzanne Lloyd, granddaughter of the late, great Harold Lloyd, remarked, “Doug’s artistic vision and Lucy’s dynamic leadership have brought authenticity, beauty and profound emotion to some of our favorite epic films. Together, they are a... Read More

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