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    Music & Sound: SHOOT’s Spring Top 10 Spot Tracks

    By SHOOT StaffUpdated:No Comments1077 Views
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    View the spots and learn more about the companies and people behind the great range of music, sound design and audio post represented in the  selections for this spring’s SHOOT Top 10 Spot Tracks Chart.

    Title

    Music/Sound

    Audio Post

    Agency

    Production

    1

    Nike’s “Breath“

    Elias Arts,  
    bicoastal 
    David Gold, creative director,
    Ann Haugen, executive producer; Kenny Segel, Nate Morgan, composers; Dean Hovey, sound designer.

    Eleven Studios, Santa Monica 
    Jeff Payne, mixer; Mike Franklin, assistant mixer; DJ Fox-Engstrom, executive producer.

    Weiden+Kennedy, Shanghai

    HSI Productions, bicoastal/international Paul Hunter, director

    2

    ESPN’s “The Sound of Speed”

    The Whitehouse,  
    Chicago
    Crandall Miller, sound designer

    audioEngine,  
    New York
    Tom Goldblatt, mixer

    Weiden+Kennedy,
    New York

    Moxie Pictures, bicostal 
    Henry Lu, director

    3

    Lurpak Butter’s “Bread”

    Wave Recording Studios, London 
    Parv Thind, sound designer

    Wave Recording Studios, London 
    Parv Thind, sound designer

    Weiden+Kennedy,
    London

    Partizan, bicoastal/international Antonie Bardao Jacquet, director

    4

    Visa’s “Downtown”

    Machine Head,  
    Venice, Calif.  
    Junkie XL, composer (Original composer of “Downtown”
    was Tony Hatch)
    Lime Studios, Santa Monica
    Rohan Young, sound designer

    Lime Studios,
    Santa Monica
    Rohan Young,
    mixer

    TBWAChiatDay, Los Angeles

    HSI Productions, bicoastal/international Paul Hunter, director

    5

    GE’s “Frog”

    David Horowitz Music Associates (DMHA),  
    New York David Horowitz, composer/arranger Jan Horowitz, executive producer

    Buzz,  
    New York Michael Marinelli, mixer

    BBDO, New York
    Melissa Chester,
    executive music producer

    BUF Compagnie, Paris
    Christophe Dupuis, director

    6

    BP’s “Fuels”

    Beacon Street Studios, Venice, Calif. 
    Andrew Feltenstein, John Nau, composers; Andrea Lavezzoli, producer.

    Lime Studios,
    Santa Monica
    Colin Simkins,
    mixer

    Ogilvy & Mather, New York
    Ariel Prince, music producer

    Mekanism, 
    San Francisco 
    Ian Kovalik, director

    7

    Nestle Drumsticks’ “Rituals”

    Level 2 Music,  
    Melbourne  
    Free Design, composers (based on the 1960s group’s summer tune “Love You”)

    Gusto Music, Melbourne  
    Colin Simkins, mixer

    Publicis Mojo, Melbourne and Sydney

    Good Oil Films, SydneyHamish Rothwell, director(repped stateside by
    TWC, Santa Monica

    8

    Mastercard’s “Elle Phant”

    Musikvergnuegen,  
    Hollywood Walter Werzowa, composer/sound designer; John Luka, composer.

    Howard Schwartz Recording (HSR), New York  
    Steve Rosen, audio mixer.

    McCann Erickson,
    New York

    Moxie Pictures, bicostal/International
    Jim Sheridan, director

    9

    G4TV’s “Goddess of Digital Goodness”

    Emoto,  
    Santa Monica 
    Tony Morales, composer/arranger

    740 Sound Design,  
    Santa Monica
    Eddie Kim, Justin Hopfner,
    sound designers.

    Lime Studios,  
    Santa Monica  
    Mark Meyhaus, mixer

    72andSunny,  
    El Segundo, Calif.

    The Oil Factory, Beverly Hills   
    Tomorrow’s Brightest Minds, directors

    10

    Nabisco 100 Calorie Packs’ “Tango”

    Music For Picture,  
    New York

    RavensWork,  
    Venice, Calif. 
    Eric Ryan, mixer

    DraftFCB,  
    New York

    Biscuit Filmworks,   
    Los Angeles  
    Adam Cameron, director

    Category:Features



    Beyoncé’s Halftime Show Highlighted Netflix’s NFL Debut On Xmas Day

    Wednesday, December 25, 2024

    Beyoncé provided more excitement than either game during Netflix's NFL debut on Christmas Day.

    Riding into her halftime appearance on a white horse, the 32-time Grammy winner rocked her hometown Houston crowd with a nearly 13-minute performance on Wednesday.

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    Patrick Mahomes and Travis Kelce exposed a glitch in Pittsburgh's defense during Kansas City's 29-10 rout in the first game.

    The broadcast itself went off just fine, quickly becoming the second-most popular live title on Netflix to date, according to NFL Media.

    Lamar Jackson and the Ravens led C.J. Stroud and the Texans to 17-2 at halftime before Beyoncé stole the show.

    Mariah Carey opened Wednesday's doubleheader with a taped performance of "All I Want for Christmas is You" and then the two-time defending Super Bowl champion Chiefs trounced the Steelers to clinch the No. 1 seed in the AFC.

    There were no signs of any major streaming issues during the game after Netflix experienced minor blunders at the start of the pregame show. The broadcast opened with roughly 10 seconds of silence because it appeared studio host Kay Adams' microphone wasn't turned on.

    Beyoncé's live performance at NRG Stadium was supposed to be the biggest test for the streaming giant and it seemed to go off without a hitch.

    Mahomes threw for 320 yards and three touchdowns and Kelce had eight catches for 84 yards and one score as the Chiefs (15-1) earned a first-round bye and home-field advantage throughout the AFC playoffs. The... Read More

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