A new white paper presenting an industry vision for the future of media creation technology by 2030 has been published. Jointly authored by Motion Pictures Laboratories, Inc. (MovieLabs) and technology leadership teams from Hollywood studios, the paper paints a bold picture of future technology and discusses the need for the industry to work together now on innovative new software, hardware and production workflows to support and enable new ways to create content over the next ten years.
The 2030 Vision paper (available for free download on the MovieLabs website) lays out key principles that will form the foundation of this technological future, with examples and a discussion of the broader implications of each. The key principles envision a future in which:
- 1. All assets are created or ingested straight into the cloud and do not need to be moved.
- 2. Applications come to the media.
- 3. Propagation and distribution of assets is a “publish” function.
- 4. Archives are deep libraries with access policies matching speed, availability and security to the economics of the cloud.
- 5. Preservation of digital assets includes the future means to access and edit them.
- 6. Every individual on a project is identified and verified, and their access permissions are efficiently and consistently managed.
- 7. All media creation happens in a highly secure environment that adapts rapidly to changing threats.
- 8. Individual media elements are referenced, accessed, tracked and interrelated using a universal linking system.
- 9. Media workflows are non-destructive and dynamically created using common interfaces, underlying data formats and metadata.
- 10. Workflows are designed around real-time iteration and feedback.
The publication of the paper will be supported with a panel discussion at the IBC Conference in Amsterdam. The panel, titled “Hollywood’s Vision for the Future of Production in 2030,” will include senior technology leaders from five major Hollywood motion picture studios and will take place on Sunday, September 15 at 2:15pm at the IBC Conference in the Forum room of the RAI Amsterdam Conference Centre.
Richard Berger, CEO of MovieLabs, said: “While the next ten years will bring significant opportunities, there are still major challenges and inherent inefficiencies in our production workflows that threaten to limit our future ability to innovate. We have been working closely with studio technology leaders and strategizing how to integrate new technologies that empower filmmakers to create ever more compelling content with more speed and efficiency. By laying out these principles publicly, we hope to catalyze an industry dialog and fuel innovation, encouraging companies and organizations to help us deliver on these ideas.”
Anthony Guarino, EVP, worldwide technical operations, Paramount Pictures, stated, “The MovieLabs 2030 Vision Paper is the culmination of the technological opportunities emerging today that the major stakeholders in entertainment—particularly movie studios—are committed to making available for mainstream productions over the next decade. Ideally, the white paper becomes a catalyst for all participants in our industry to confidently make the technology development investments needed to underpin the next-generation workflows and guiding principles. Paramount Pictures looks forward to working with production service partners to encourage development efforts that will bring forward solutions that support this vision.”
Sony Pictures CTO Don Eklund, said, “Sony Pictures Entertainment has a deep appreciation for the role that current and future technologies play in content creation. As a subsidiary of a technology focused company, we benefit from the power of Sony R&D and Sony’s product groups. The MovieLabs 2030 document represents the contribution of multiple studios to forecast and embrace the impact that cloud, ML, and a range of hardware and software will have on our industry. We consider this a living document that will evolve over time and provide appreciated insight.”
Michael Wise, SVP and CTO, Universal Pictures, added, “With film production experiencing unprecedented growth, and new innovative forms of storytelling capturing our audiences’ attention, we’re proud to be collaborating across the industry to envision new technological paradigms for our filmmakers so we can efficiently deliver worldwide audiences compelling entertainment.”
Shadi Almassizadeh, VP, motion picture architecture and engineering, Walt Disney Pictures and Television, said, “Disney looks forward to working with the industry to strategically integrate technology developments into the production process over the next ten years.”
Vicky Colf, CTO, Warner Bros. Entertainment Inc., stated, “In today’s entertainment landscape, creativity and technological innovation are inextricably linked. The MovieLabs 2030 vision does the important work of focusing on technology tools and processes which enable content creator artistry and ingenuity, while delivering efficiency, agility, and security to the ever evolving production environment.”
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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