By Jeff Karoub
DETROIT (AP) --Motown Records founder Berry Gordy Jr. is donating $4 million toward a project to expand a museum housed in the Detroit building where he built his music empire, officials announced Wednesday.
Gordy's gift, which coincides with the company's 60th anniversary, is the largest individual donation to the project officially announced in 2016, the Motown Museum said. It has attracted contributions from individuals, philanthropies and automotive companies, including Gordy's long-ago employer Ford Motor Co. Gordy has long said the auto industry served as the inspiration for what would become an assembly line of record-making.
"I'm excited about the future of Motown Museum and happy to support it," Gordy said in a release. "Not only will the expanded museum entertain and tell the stories of talented and creative people who succeeded against all odds, but it will also inspire and create opportunity for people to explore their dreams the way I did mine. I couldn't be prouder to be a part of that."
Gordy launched Motown in 1959, moved the label to Los Angeles in 1972 and sold it in 1988. His late sister, Esther Gordy Edwards, founded the museum in the former "Hitsville U.S.A." headquarters on West Grand Boulevard in 1985. When Edwards died in 2011, Gordy — who has previously donated properties, artifacts and money to the museum — credited her with turning "the so-called trash left behind … into a phenomenal world-class monument at the spot where Hitsville started."
Museum expansion plans include interactive exhibits, a performance theater, recording studios, an expanded retail area and meeting spaces. Museum officials say they are not releasing fundraising totals.
Robin Terry, Motown Museum CEO and Gordy's grand-niece, said in the release that his donation "advances our vision of making the expanded museum a world class entertainment and educational destination that will ensure the inspiration of Motown lives on for generations to come."
Motown's roster of artists from the Detroit era included The Supremes, the Miracles, Martha and the Vandellas, Marvin Gaye, Stevie Wonder, the Jackson 5, the Four Tops and Temptations.
Review: Writer-Directors Scott Beck and Bryan Wood’s “Heretic”
"Heretic" opens with an unusual table setter: Two young missionaries from The Church of Jesus Christ of Latter-day Saints are discussing condoms and why some are labeled as large even though they're all pretty much a standard size. "What else do we believe because of marketing?" one asks the other.
That line will echo through the movie, a stimulating discussion of religion that emerges from a horror movie wrapper. Despite a second-half slide and feeling unbalanced, this is the rare movie that combines lots of squirting blood and elevated discussion of the ancient Egyptian god Horus.
Our two church members — played fiercely by Sophie Thatcher and Chloe East — are wandering around trying to covert souls when they knock on the door of a sweet-looking cottage. Its owner, Mr. Reed, offers a hearty "Good afternoon!" He welcomes them in, brings them drinks and promises a blueberry pie. He's also interested in learning more about the church. So far, so good.
Mr. Reed is, of course, if you've seen the poster, the baddie and he's played by Hugh Grant, who doesn't go the snarling, dead-eyed Hannibal Lecter route in "Heretic." Grant is the slightly bumbling, bashful and self-mocking character we fell in love with in "Four Weddings and a Funeral," but with a smear of menace. He gradually reveals that he actually knows quite a bit about the Mormon religion — and all religions.
"It's good to be religious," he says jauntily and promises his wife will join them soon, a requirement for the church. Homey touches in his home include a framed "Bless This Mess" needlepoint on a wall, but there are also oddities, like his lights are on a timer and there's metal in the walls and ceilings.
Writer-directors Scott Beck and Bryan Wood — who also... Read More