Denny Clairmont, John Hora, Bob Lambert and Milt Shefter have accepted invitations to join the Science and Technology Council of the Academy of Motion Picture Arts and Sciences, bringing the Council’s 2011–2012 membership roster to 24.
Clairmont, one of the industry’s premier motion picture camera technologists, co-founded Clairmont Camera, a camera rental company that has grown into one of the largest in the world. In 2010 he received the John A. Bonner Medal of Commendation for “outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.” A member of the Academy’s Scientific and Technical Awards Committee since 1993, Clairmont also has served for several years on numerous subcommittees. He has been an Academy member since 2002.
Hora is a cinematographer whose credits include Honey I Blew Up the Kid, Gremlins” and Twilight Zone: The Movie. He has been a member of the Academy’s Cinematographers Branch since 1986.
As a senior executive of The Walt Disney Company for more than 20 years, Lambert has been a leader in the transition to digital technologies in film, television, gaming, social media and emerging consumer media. He initiated the company’s successful collaboration with Pixar and oversaw the development of new digital production processes such as the “CAPS” system for feature animation, which was recognized with a Scientific and Engineering Award in 1991. Lambert has been an Academy member since 1999.
Shefter, a film preservationist and president of Miljoy Enterprises, is best known for the creation, design and management of the extensive Paramount Pictures Asset Protection Program, including construction of state-of-the-art archival facilities worldwide. He was the project lead for the Academy reports The Digital Dilemma and the upcoming Digital Dilemma 2, due out next month. He has been an Academy member since 1989.
The 2011–2012 Council co-chairs are Academy governor Bill Kroyer (Short Films and Feature Animation Branch) and George Joblove, a digital media technology executive and consultant.
The Council’s other 18 members are: Peter W. Anderson, Lisa Zeno Churgin, Elizabeth Cohen, Jonathan Erland, David W. Gray, Douglas Greenfield, Jim Houston, Rob Hummel, Brad Hunt, David Inglish, Randal Kleiser, Tad Marburg, Daryn Okada, Rick Sayre, Garrett Smith and Academy governors Craig Barron, Richard Edlund and Don Hall.
Established in 2003 by the Academy’s Board of Governors, the Science and Technology Council provides a forum for the exchange of information, promotes cooperation among diverse technological interests within the industry, sponsors publications, fosters educational activities and preserves the history of science and technology of motion pictures.
Directing and Editing “Conclave”; Insights From Edward Berger and Nick Emerson
It’s been a bruising election year but this time we’re referring to a ballot box struggle that’s more adult than the one you’d typically first think of in 2024. Rather, on the industry awards front, the election being cited is that of the Pope which takes front and center stage in director Edward Berger’s Conclave (Focus Features), based on the 2016 novel of the same title by Robert Harris. Adapted by screenwriter Peter Straugham, Conclave stars Ralph Fiennes as the cardinal leading the conclave that has convened to select the next Pope. While part political thriller, full of backstabbing and behind-closed-door machinations, Conclave also registers as a thoughtful adult drama dealing with themes such as a crisis of faith, weighing the greater good, and engaging in a struggle that’s as much about spirituality as the attainment of power.
Conclave is Berger’s first feature after his heralded All Quiet on the Western Front, winner of four Oscars in 2023, including for Best International Feature Film. And while Conclave would on the surface seem to be quite a departure from that World War I drama, there’s a shared bond of humanity which courses through both films.
For Berger, the heightened awareness of humanity hit home for him by virtue of where he was--in Rome, primarily at the famed Cinecittà studio--to shoot Conclave, sans any involvement from the Vatican. He recalled waking up in Rome to “soak up” the city. While having his morning espresso, Berger recollected looking out a window and seeing a priest walking about with a cigarette in his mouth, a nun having a cup of coffee, an archbishop carrying a briefcase. It dawned on Berger that these were just people going to... Read More