By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --The organization that bestows the Oscars is continuing to lean into its promise to make its ranks more diverse by inviting a record 928 new members representing 59 countries to join including actors Tiffany Haddish, Kumail Nanjiani, Gina Rodriguez and "The Rider" filmmaker Chloe Zhao.
The Academy of Motion Picture Arts and Sciences says Monday that that 49 percent of its invitees are female and 38 percent of are people of color. Should all the invitees accept, the new class would boost its overall membership to be 31 percent female and 16 percent persons of color.
"Hey yo. I'm in The Academy," Pakistani-American Nanjiani, who co-wrote and starred in "The Big Sick," tweeted Monday. His wife and co-writer Emily V. Gordon was also invited to join.
Others celebrated elsewhere, like Haddish, who got the news from Melissa McCarthy on the set of their upcoming film "The Kitchen."
"That super cool," Haddish said in a video capturing the moment.
"So I get to vote?" Haddish added, before exclaiming with laughter: "I'm going to get movies for free?"
The film academy in 2016 pledged to double the number of female and minority ranks of its members by 2020. Then, just 25 percent of its members were female and 8 percent were non-white.
Invitees always range from relative newcomers to industry veterans. Some of the youngest prospective members include 22-year-old "Call Me By Your Name" actor Timothee Chalamet and "Beasts of the Southern Wild's" Quvenzhané Wallis who, at 14, is the youngest invitee this year. Both were Oscar-nominated for their performances.
On the other end of the age spectrum is 84-year-old "Gosford Park" actress Eileen Atkins. Other highly-recognizable invitees include Dave Chappelle, Jada Pinkett Smith, Amy Schumer, Christine Baranski, Sarah Silverman and Kyra Sedgwick. A batch of "The Simpsons" stars were also among the acting invitees, for their various film roles, including Julie Kavner, Hank Azaria, Harry Shearer and Yeardley Smith.
Both blockbuster and indie films are fair game for academy membership every year too. This year is no exception, with invitations extended to persons in front of and behind the camera of films like "Star Wars" (including actress Daisy Ridley) and "Black Panther" (like actor Daniel Kaluuya, designer Ilt Jones and writer Joe Robert Cole) to people like the revered, but very niche Hungarian director Bela Tarr.
Notable music invitees include Kendrick Lamar ("Black Panther"), Melissa Etheridge ("An Inconvenient Truth") and Sufjan Stevens ("Call Me By Your Name").
Ten of the invitees were invited to join multiple branches, including Nanjiani (for writing and acting), Zhao (for directing and writing) and "The Florida Project" director Sean Baker (for directing and writing). They will have to select only one branch.
New members will get a chance to celebrate together at private receptions this fall.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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