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    Moondog Is Plugged In For AT&T

    By SHOOT StaffUpdated:No Comments1399 Views
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    CLIENT

    AT&T Broadband/AT&T Digital Phone Service.

    PRODUCTION CO.

    TAG Pictures, New York.

    David Rosen, director; Ron Fortunato, DP; Jim Golden, executive producer; John Hoffman, producer; Kendra Gelner, head of production. "Instant Family" and "The Race" shot on location in Palisades, N.Y., and "Jacks" shot on location in New York.

    AGENCY

    Wunderman, New York.

    Jules Filicia, VP/creative director; Rosemary Serluca, senior producer; Julia Schluter, senior VP; Corrin Jacobsen, associate creative supervisor/art director, and John Zukowski, associate creative supervisor/copywriter, "Instant Family" and "The Race"; Wayne Schombs, creative supervisor/art director, and Leigh-Ann Wiester, senior copywriter, "Jacks."

    EDITORIAL

    Moondog Edit, New York.

    Billy Senia, editor; Scott Ham, assistant editor; Liz Ludden, executive producer.

    POST/VISUAL EFFECTS

    Coda Visual Effects, New York.

    Paul Agid, online editor/visual effects artist/creative director; Evan Sanyour, executive producer.

    Nice Shoes, New York.

    Scott Burch, colorist, "Instant Family."

    Tape House Editorial Company, New York.

    John Crowley, colorist, "The Race" and "Jacks."

    AUDIO POST

    East Side Mix, New York.

    Todd Hrinda, mixer, "Instant Family" and "The Race."

    Photomag, New York.

    Joe Vagnoni, mixer, "Jacks."

    MUSIC

    Sacred Noise, New York.

    Chuck Lovejoy, composer, "Instant Family" and "The Race"; Aaron Jaffe, composer, "Jacks"; Jeff Rosner, executive producer; Marit Burch, producer.

    THE SPOTS

    Three :30s—"Instant Family," "The Race" and "Jacks"—focus on solutions that can be provided by AT&T Digital Phone Service for growing families and the everyday user.

    Spot broke May 1.

    Category:ScreenWork



    “Beatles ’64” Documentary Captures Intimate Moments From Landmark U.S. Visit

    Thursday, November 28, 2024

    Likely most people have seen iconic footage of the Beatles performing on "The Ed Sullivan Show." But how many have seen Paul McCartney during that same U.S. trip feeding seagulls off his hotel balcony?

    That moment — as well as George Harrison and John Lennon goofing around by exchanging their jackets — are part of the Disney+ documentary "Beatles '64," an intimate look at the English band's first trip to America that uses rare and newly restored footage. It streams Friday.

    "It's so fun to be the fly on the wall in those really intimate moments," says Margaret Bodde, who produced alongside Martin Scorsese. "It's just this incredible gift of time and technology to be able to see it now with the decades of time stripped away so that you really feel like you're there."

    "Beatles '64" leans into footage of the 14-day trip filmed by documentarians Albert and David Maysles, who left behind 11 hours of the Fab Four goofing around in New York's Plaza hotel or traveling. It was restored by Park Road Post in New Zealand.

    "It's beautiful, although it's black and white and it's not widescreen," says director David Tedeschi. "It's like it was shot yesterday and it captures the youth of the four Beatles and the fans."

    The footage is augmented by interviews with the two surviving members of the band and people whose lives were impacted, including some of the women who as teens stood outside their hotel hoping to catch a glimpse of the Beatles.

    "It was like a crazy love," fan Vickie Brenna-Costa recalls in the documentary. "I can't really understand it now. But then, it was natural."

    The film shows the four heartthrobs flirting and dancing at the Peppermint Lounge disco, Harrison noodling with a Woody Guthrie riff on his guitar... Read More

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