By Jake Coyle, Film Writer
NEW YORK (AP) --Tom Cruise sped past Winnie-the-Pooh at the box office to lead all films for the second straight week with an estimated $35 million in ticket sales for "Mission Impossible — Fallout."
The success of Paramount Pictures' sixth, stunt-filled "Mission: Impossible" installment, along with muted enthusiasm for the Walt Disney Co.'s "Christopher Robin," made for a seldom-seen result: A Disney movie debuting in second place.
In a year where the studio has already notched three $1 billion films worldwide ("Black Panther," ''Avengers: Infinity War" and, as of this week, "Incredibles 2"), the more modest Winnie-the-Pooh live-action revival opened with a relatively ho-hum $25 million. As a reminder that "Christopher Robin" was a minor release for Disney, "Black Panther" on Sunday became the third film to ever cross $700 million domestically, a feat only previously accomplished by "Avatar" and "Star Wars: The Force Awakens."
Made for an estimated $75 million, Marc Forster's "Christopher Robin" stars Ewan McGregor as a grown-up Christopher Robin reunited with the beloved characters of the Hundred Acre Wood: Pooh, Tigger, Piglet and the rest (who are rendered digitally but convincingly felt-like). While reviews were mixed, audiences gave it an "A'' CinemaScore.
Cathleen Taff, head of distribution for Disney, said there's room for non-tentpole releases in the Disney slate.
"It's one of our smaller films and it's really focused on character and emotion," said Taff. "We're happy with where it's at and we think it's got some runway being one of the only family options going forward."
Taff confirmed that "Christopher Robin" has been denied a release in China, locking the release out from the world's second largest film market. While China provides no reason for the films it doesn't select for its theaters, government sensors have recently been blocking images of Winnie-the-Pooh after bloggers began using him to parody Chinese president Xi Jinping.
The late-summer success of "Mission: Impossible" — which has made $124.5 million thus far along with $205 million internationally — is helping solidify a comeback summer for Hollywood. The summer box office is up 10.6 percent from last year's record-low season, according to comScore, and year-to-date ticket sales are up 8 percent.
"As we head into what is almost always the slowest month at the summer box office, we have some nice momentum going," said Paul Dergarabedian, senior media analyst for comScore. "With a 10.6 percent increase over the summer last year, we're going to maintain a solid advantage when we get to the end of the month."
Not all the news was great. Comedy continues to struggle at the box office. The R-rated action-comedy "The Spy Who Dumped Me," starring Mila Kunis and Kate McKinnon, debuted in third with $12.4 million for Lionsgate.
And a pair of poorly reviewed releases sputtered in nationwide release. Fox's young-adult dystopian thriller "The Darkest Minds" (19 percent "fresh" on Rotten Tomatoes) opened with $5.7 million on 3,127 screens. And right-wing filmmaker Dinesh D'Souza's "Death of a Nation" (0 percent "fresh" on Rotten Tomatoes) debuted with $2.3 million on 1,032 screens.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday also are included. Final domestic figures will be released Monday.
1. "Mission: Impossible — Fallout," $35 million ($76 million international).
2. "Christopher Robin," $25 million ($4.8 million international).
3. "The Spy Who Dumped Me," $12.4 million.
4. "Mamma Mia! Here We Go Again," $9.1 million ($19.3 million international).
5. "The Equalizer 2," $8.8 million.
6. "Hotel Transylvania 3," $8.8 million ($18 million international).
7. "Ant-Man and the Wasp," $6.2 million ($11.2 million international).
8. "The Darkest Minds," $5.8 million ($4.1 million international).
9. "Incredibles 2," $5 million ($19 million international).
10. "Teen Titans Go! To the Movies," $4.9 million.
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Mission: Impossible — Fallout," $76 million.
2. "Hello Mr. Billionaire," $64.5 million.
3. "Along With the Gods: The Last 49 Days," $37.3 million.
4. "Mamma Mia! Here We Go Again," $19.3 million.
5. "Incredibles 2," $19 million.
6. "Hotel Transylvania 3," $18 million.
7. "Detective Dee: The Four Heavenly Kings," $12.5 million.
8. "Ant-Man and the Wasp," $11.2 million.
9. "The Wind Guardians," $8.8 million.
10. "Skyscraper," $8.2 million.
After 20 Years of Acting, Megan Park Finds Her Groove In The Director’s Chair On “My Old Ass”
Megan Park feels a little bad that her movie is making so many people cry. It's not just a single tear either — more like full body sobs.
She didn't set out to make a tearjerker with "My Old Ass," now streaming on Prime Video. She just wanted to tell a story about a young woman in conversation with her older self. The film is quite funny (the dialogue between 18-year-old and almost 40-year-old Elliott happens because of a mushroom trip that includes a Justin Bieber cover), but it packs an emotional punch, too.
Writing, Park said, is often her way of working through things. When she put pen to paper on "My Old Ass," she was a new mom and staying in her childhood bedroom during the pandemic. One night, she and her whole nuclear family slept under the same roof. She didn't know it then, but it would be the last time, and she started wondering what it would be like to have known that.
In the film, older Elliott ( Aubrey Plaza ) advises younger Elliott ( Maisy Stella ) to not be so eager to leave her provincial town, her younger brothers and her parents and to slow down and appreciate things as they are. She also tells her to stay away from a guy named Chad who she meets the next day and discovers that, unfortunately, he's quite cute.
At 38, Park is just getting started as a filmmaker. Her first, "The Fallout," in which Jenna Ortega plays a teen in the aftermath of a school shooting, had one of those pandemic releases that didn't even feel real. But it did get the attention of Margot Robbie 's production company LuckyChap Entertainment, who reached out to Park to see what other ideas she had brewing.
"They were very instrumental in encouraging me to go with it," Park said. "They're just really even-keeled, good people, which makes... Read More