Universal Music Publishing Group (UMPG) announced that Michael Sammis has been appointed president of Universal Publishing Production Music (UPPM), a division of UMPG that creates, produces, and licenses a broad style of music for use in film, television, advertising, broadcast and other media. He succeeds Gary Gross.
Sammis, a 21-year veteran of UMPG, where he most recently served as the company’s CFO and executive VP of operations, will continue to be based in Santa Monica and report to Jody Gerson, chairman and CEO of UMPG.
In making the announcement, Gerson said, “As a senior member of our executive management team, Mike has played a central role in helping transform UMPG into the premiere home for the world’s greatest songwriters. With his experience integrating two of the largest publishing acquisitions in the history of the business and building a finance and administration structure second to none, I can’t think of anyone better to lead our production music business to the next level.”
“Great production music helps drive narrative and creates lasting impressions with audiences. This is what appealed to me about UPPM,” Sammis said. “I’m thrilled to move over to lead our brilliant production music company and help them build toward an even stronger future. I would like to thank Jody and Marc Cimino, UMPG’s chief operating officer, for their faith in me and for giving me this incredible opportunity.”
By owning both the master and the copyright for compositions, UPPM provides clients with efficient and cost-effective licenses and solutions. The company’s production music libraries include Chronic Trax, EVO, FirstCom, Killer Tracks, MasterSource, Network Music, and OneMusic from the U.S.; Galerie, Koka Media and Kosinus from France; Match Music from Sweden; UBM from Germany; RCAL from Italy; Vitamin A from Australia; and Atmosphere Music, Match Music, Bruton and Chappell in the U.K. UPPM has production music library operations throughout the world, including the U.S., U.K., France, Germany, Benelux, Hungary, Italy, Poland, Scandinavia, South Africa, Australia, Spain, Greece, Turkey and Asia.
Utah Leaders and Locals Rally To Keep Sundance Film Festival In The State
With the 2025 Sundance Film Festival underway, Utah leaders, locals and longtime attendees are making a final push — one that could include paying millions of dollars — to keep the world-renowned film festival as its directors consider uprooting.
Thousands of festivalgoers affixed bright yellow stickers to their winter coats that read "Keep Sundance in Utah" in a last-ditch effort to convince festival leadership and state officials to keep it in Park City, its home of 41 years.
Gov. Spencer Cox said previously that Utah would not throw as much money at the festival as other states hoping to lure it away. Now his office is urging the Legislature to carve out $3 million for Sundance in the state budget, weeks before the independent film festival is expected to pick a home for the next decade.
It could retain a small presence in picturesque Park City and center itself in nearby Salt Lake City, or move to another finalist — Cincinnati, Ohio, or Boulder, Colorado — beginning in 2027.
"Sundance is Utah, and Utah is Sundance. You can't really separate those two," Cox said. "This is your home, and we desperately hope it will be your home forever."
Last year's festival generated about $132 million for the state of Utah, according to Sundance's 2024 economic impact report.
Festival Director Eugene Hernandez told reporters last week that they had not made a final decision. An announcement is expected this year by early spring.
Colorado is trying to further sweeten its offer. The state is considering legislation giving up to $34 million in tax incentives to film festivals like Sundance through 2036 — on top of the $1.5 million in funds already approved to lure the Utah festival to its neighboring... Read More