Director has helped shape the summer movie dynamic
By Jake Coyle, Film Writer
NEW YORK (AP) --Summer is the season of Michael Bay.
As much as anyone else, Bay — in movies like "Armageddon," ''Pearl Harbor" and "Transformers" — has shaped what the summer movie is: its quick-cutting bombast, its visual-effects flourish, its capacity for mass destruction.
This summer, he'll release "Transformers: Age of Extinction" (June 27), the fourth film in the franchise, with a revamped cast led by Mark Wahlberg. The 49-year-old Bay, who also produces "Teenage Mutant Ninja Turtles" (Aug. 8) later in the season, is well acquainted with the scale of the modern blockbuster.
"I've been doing these movies a long time," said Bay in a recent break from the editing suite. "When all is said and done maybe 3,500 people will have worked on this movie. It's one day at a time. You can't panic. My pep talk to everyone is: This is when the pro (expletive) starts and separates the men from the boys."
"Age of Extinction" subs out the sometimes combative Shia LaBeouf with an older, more established action star in Wahlberg. It's planned as the first of a redesigned "Transformers" trilogy.
Bay and Wahlberg first connected on last year's comic crime caper "Pain & Gain," a relatively low-budget project for Bay and one of his most critically acclaimed films.
Wahlberg has already vowed that "Age of Extinction" will be the biggest movie of the year. While optimistic, it's not out of the question. The last "Transformers" film, 2011's "Dark of the Moon," made more than $1.1 billion worldwide.
"It feels fresher with the cast," says Bay. "It's like when you get the new 'Batman' franchises, things get dressed up in a different way. I think the franchise still has a lot more to offer."
The Paramount Pictures release will also have a leg up on the box office in China. "Age of Extinction" is a co-production with two Chinese film companies. A month of shooting took place there, and several Chinese actors were cast through a televised reality show talent search.
Such is the global natural of the big-budget summer movie, a sprawling operation that takes a unique acuity to assemble.
"I don't write notes," says Bay. "I put the movie in my head."
Oscar and Emmy-Winning Composer Kris Bowers Joins Barking Owl For Advertising, Branded Content
Music, audio post and sonic branding house Barking Owl has taken on exclusive representation of Oscar and Emmy-winning composer Kris Bowers for advertising and branded content.
Bowers’ recent film scores include The Wild Robot and Bob Marley: One Love, alongside acclaimed past works such as The Color Purple (2023), King Richard and Green Book. His contributions to television are equally impressive, with scores for hit series like Bridgerton, When They See Us, Dear White People, and his Daytime Emmy Award-winning score for The Snowy Day.
In addition to his work as a composer, Bowers is a visionary director. He recently took home the Academy Award for Best Documentary Short Subject for his directorial work on The Last Repair Shop. The emotionally touching short film spotlights four of the people responsible for repairing the musical instruments used by students in the Los Angeles Unified School District (LAUSD). The Last Repair Shop reflects the positive influence that musical instruments have on the youngsters who play them, and the adults in the LAUSD free repair service who keep them working and in tune.
Barking Owl CEO Kirkland Alexander Lynch said of Bowers, “His artistry, diversity of style and depth of storytelling bring an unparalleled edge to the work we create for global brands. His presence on our roster reflects our continued commitment to pushing the boundaries of sound and music in advertising.”
Johanna Cranitch, creative director, Barking Owl, added, “Kris first caught my attention when he released his record ‘Heroes + Misfits’ where he fused together his jazz sensibility with a deeply ingrained aptitude for melody, so beautifully.... Read More