It was a memorable and merry Christmas in Hollywood as moviegoers shattered box-office records, responding in droves to a diverse array of high-profile releases over the holiday weekend.
The estimated $278 million in weekend box-office revenue broke the previous record of roughly $253 million set in July 2008, the weekend “The Dark Knight” was released.
A diverse group of films drew throngs to the multiplexes: James Cameron’s “Avatar” pushed strongly into its second week while “Sherlock Holmes,” ”Alvin and the Chipmunks: The Squeakquel” and “It’s Complicated” all opened.
“Avatar,” the 3-D epic, topped them all, earning $75 million for 20th Century Fox, according to studio estimates Sunday. Remarkably, that was only a 3 percent drop from its opening weekend total of $77.4 million. (Blockbusters typically drop 30-50 percent in the second weekend.) In its 10 days of release, “Avatar” has made $212 million domestically – and cou ld be on its way to a worldwide gross of over $1 billion.
“This thing is going to be playing and playing, I can tell you that,” said Bert Livingston, 20th Century Fox distribution executive. “There’s a lot of business out there. Everybody’s got good movies out.”
In second was “Sherlock Holmes,” Guy Ritchie’s reboot of the franchise with Robert Downey Jr. starring as Arthur Conan Doyle’s detective. The Warner Bros. film opened with a weekend total of $65.4 million, including a record Christmas Day debut of $24.9 million.
It was a start that seemed sure to pave the way for sequels. Dan Fellman, head of distribution for Warner Bros., called the result “sensational.”
“Alvin and the Chipmunks: The Squeakquel,” which opened Wednesday, took in $50.2 million on the weekend and $77.1 million in its five days of release. The film, also from Fox, earned an impressive $18.8 million on Wednesday alone. The strong start suggested that “Squeakquel” was likely to sur pass its 2007 original, which made $217 million.
Also opening was Nancy Meyer’s “It’s Complicated,” the romantic comedy starring Meryl Streep, Alec Baldwin and Steve Martin. With an audience 72 percent female, the Universal film took in $22.1 million, a solid debut.
The sparkling Christmas weekend results spelled good things for all the films in release in the coming week – one of the most lucrative of the year.
“We all know what next week means to the industry. This is … huge,” said Nikki Rocco, head of distribution for Universal. “Christmas is past us. No more shopping, no more returning. College kids are home. … I’m so optimistic about what the next weekend holds for us.”
Said Livingston: “Starting this Monday, every day is a Saturday.”
Two films with Oscar aspirations also released wide over the weekend: Jason Reitman’s “Up in the Air” (Paramount) and Rob Marshall’s “Nine” (Weinstein Co.).
“Up in the Air,” which has some of the bes t awards momentum, grossed $11.8 million, bringing its cumulative total to $24.5 million – already nearly earning back its production budget.
“For us, this movie was always the movie that we felt was going to be a real focus during the awards season,” said Rob Moore, Paramount vice chairman. “It feels like this should have a long run as awards season continues.”
“Nine,” the adaptation of the Broadway musical (which itself was a riff of Federico Fellini’s classic film “8 1/2”) earned $5.5 million in 1408 theaters.
“It’s an absolutely fitting end to the biggest box office year of all time,” said Paul Dergarabedian, box-office analyst for Hollywood.com. “It’s just been a total roller coaster ride. It’s like audience members are on board.”
2009 still has several days to go, but the year is already a record for domestic ticket sales with more than $10 billion at the box office. That surpassed the $9.7 billion mark of 2007.
While some of the credit ha s to go the recession (movies historically do well in hard times when a trip to the movie theater is a relatively cheap form of entertainment and escapism), there was a feeling Sunday that Hollywood had put forth a better product this Christmas.
“People say it’s the recession,” said Dergarabedian. “It’s the movies – it’s really the movies. It seems like when people aren’t at home, they’re at the movies.”
He added: “You’re going to find a smile on the face of every studio chief out there today.”
Hollywood also seemed to be offering good ol’ spectacle to moviegoers. “Avatar” grossed $8.8 million in IMAX theaters, actually increasing from its opening weekend. IMAX chairman and president Greg Foster said they were operating essentially at capacity.
“There is no context,” said Foster. “It’s so far beyond where we’ve ever been. It’s not eking past a record, it’s shattering it.”
Christmas weekend was also neatly organized around various demographics. T here was science-fiction, romantic comedy, family fare, action-packed thriller and serious awards-contender.
“That’s what fueled this Christmas, the diversity of the films,” said Dergarabedian. “It was like a cinematic buffet line. If you can’t find a movie that you like in the marketplace right now, you don’t like movies.”
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Final figures will be released Monday.
1. “Avatar,” $75 million.
2. “Sherlock Holmes,” $65.4 million.
3. “Alvin and the Chipmunks: The Squeakquel,” $50.2 million.
4. “It’s Complicated,” $22.1 million.
5. “Up in the Air,” $11.8 million.
6. “The Blind Side,” $11.7 million.
7. “The Princess and the Frog,” $8.7 million.
8. “Nine,” $5.5 million.
9. “Did You Hear About the Morgans?” $5 million.
10. “Invictus,” $4.4 million.
Universal Pictures and Focus Features are owned by NBC Universal, a unit of General Electric Co.; Sony Pictures, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount and Paramount Vantage are divisions of Viacom Inc.; Disney’s parent is The Walt Disney Co.; Miramax is a division of The Walt Disney Co.; 20th Century Fox, Fox Searchlight Pictures and Fox Atomic are owned by News Corp.; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a consortium of Providence Equity Partners, Texas Pacific Group, Sony Corp., Comcast Corp., DLJ Merchant Banking Partners and Quadrangle Group; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC Films is owned by Rainbow Media Holdings, a subsidiary of Cablevision Systems Corp.; Rogue Pictures is owned by Relativity Media LLC; Overture Films is a subsidiary of Liberty Media Corp.
