International creative audio network Squeak E. Clean Studios has promoted Matthew “Cornbread” Compton from senior composer to West Coast creative director. Compton joined Squeak E. Clean Studios in 2021 after spending several years on the touring scene performing with various punk bands. Since joining the team Compton has created original compositions for brands including Carl’s Jr. and Hardee’s, Califia Farms, Little Caesars, Starry by PepsiCo’s inaugural campaign, and “Compton Cowboys” for the Andis Creator Series, as well as agencies including Goodby Silverstein & Partners, McKinney, 72andsunny and VaynerMedia. Along with his branded work, Compton lends the same expertise and well-trained ear to soundtracks he composed for various feature films and television series including Palm Springs (2020), the MacGruber TV series (2010) as well as the feature films MacGruber (2021), Snatched (2017), and Love, Rosie (2017).
Compton said of Squeak E. Clean Studios, “As a long-standing member of this family, as a composer, I can’t wait to continue creating alongside my exceptionally talented colleagues and forging new relationships while strengthening our bonds with our esteemed partners. I look forward to fostering a collaborative and innovative approach while offering exciting ideas to further enhance the creative endeavors and goals of our esteemed clientele.”
Squeak E. Clean Studios’ executive creative producer MG said of Compton, “His work in film and TV inspires awe. Matthew has all the intangibles: a passion for hard work combined with taking the initiative at each turn, as well as massive chops across so many genres of music. Add in the utmost professionalism and you’ve got Cornbread. It’s no wonder he is stepping into a leadership role with our L.A. crew.”
Prior to his work at Squeak E, Clean Studios, Compton found himself composing soundtracks to films and media. He started to collaborate with the musical comedy trio The Lonely Island on tracks for multiple projects including the feature Popstar: Never Stop Stopping, produced by Judd Apatow. Following his excitement for the exploration at the intersection of comedy and pop music, Compton has continued to expand his artistic horizons across a wide range of commercial and entertainment work. Additionally, Compton worked as a writer and performer for the critically acclaimed L.A.-based indie rock band Electric Guest where he wrote and performed with chart-topping bands and artists including Carly Rae Jepsen, Cold War Kids, Portugal The Man, Charlotte Gainsbourg, Cursive, The Pierces, and Joyo Velarde.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
The one rule to follow is that... Read More