By Emily Vines
NEW YORK—Visual effects artist Chris Staves and executive producer Justin Lane have partnered to open Massive Industries, a visual effects house in New York. Massive is a division of production company Psyop, New York, which specializes in design and animation.
Both Staves and Lane were formerly with Method, Santa Monica—Staves as a senior flame artist/director and founding member, and Lane as a freelance producer. Both said they wanted to relocate to New York, Lane having grown up on Long Island. He left New York in the late 1990s, when it seemed to him that many shops were downsizing or going out of business.
Their original relocation blueprint involved expanding Method into Gotham, but those plans fell through, Staves related. They continued to explore their options, noticing an improving climate and increasing momentum for visual effects shops in the area. "This New York market actually has a lot of potential," Staves said. "For some reason it’s just seen a slow growth."
The duo interpreted the opening of New York offices for London-headquartered The Mill and Framestore CFC as positive indicators. "I think everyone’s feeling like there’s no reason why this creative, inspiring environment can’t house multiple visual effects houses that can be really successful and keep the work in New York where the agencies are," Lane remarked.
Their current partnership with Psyop arose from Staves’ longstanding friendship with Psyop executive producer Justin Booth-Clibborn. On how the two entities will work together, Lane explained, "[Psyop’s] focus is more design-driven projects and ours is more visual effects, but sometimes visual effects jobs require a design aesthetic … and on the design side there is usually some kind of photo-real integration—so we thought this was a good time to try to combine those two talents and create interesting commercials."
Thus far, the Massive roster, which in addition to Staves and Lane will comprise freelance CG and Flame artists, has done work for clients like America Online and Aquafina, both through BBDO, New York, and three American Stock Exchange commercials ("Net," "Barbell" and "Scale") for DDB New York (Marco Spier, a CG helmer at Psyop, co-directed that package with Staves). "Whenever we collaborate on projects [with Psyop] we just work ourselves into the way they work, which is pretty remarkable," Staves said. "I’ve never actually worked someplace with this level of collaboration and cooperation."
Staves began his career at now defunct 525 Post Production (the company has since been consolidated into R!OT, Santa Monica). He started as a tape operator, eventually moving up to Henry artist and then Flame artist, primarily working on music videos. In ’96, he joined Method.
Lane was a production assistant on films at the outset of his career. He moved into the visual effects arena in ’97, working as an assistant producer at now shuttered Tapehouse Digital Film. During his four-year stint at the shop, he became a producer and left in December ’00. Later, he moved to Los Angeles and joined Method.
Massive is currently housed at Psyop, and its founders plan to have a new space early next year.
Patricia Claire and Xavier Egurbide represent the company through Claire.Alden Partners, New York.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More