The Visual Effects Society (VES) has named acclaimed producer Victoria Alonso, Marvel Studios' executive VP of physical production, as the next recipient of its Visionary Award in recognition of her enormous contributions to visual arts and filmed entertainment. The award will be presented at the 15th Annual VES Awards on February 7, 2017 at the Beverly Hilton Hotel.
The VES Visionary Award, bestowed by the VES Board of Directors, recognizes an individual who has uniquely and consistently employed the art and science of visual effects to foster imagination and ignite future discoveries by way of artistry, invention and groundbreaking work. VES will honor Alonso for her dedication to the industry and advancement of unforgettable storytelling through visual effects.
Alonso is currently executive producing James Gunn’s Guardians of the Galaxy Vol. 2 and Taika Waititi’s Thor: Ragnarok. In her executive role, she oversees postproduction and visual effects for the studio slate. She executive produced Scott Derrickson’s Doctor Strange, Joe and Anthony Russo’s Captain America: Civil War, Peyton Reed’s Ant-Man, Joss Whedon’s Avengers: Age of Ultron, James Gunn’s Guardians of the Galaxy, Joe and Anthony Russo’s Captain America: The Winter Soldier, Alan Taylor’s Thor: The Dark World, Shane Black’s Iron Man 3, as well as Marvel’s The Avengers for Joss Whedon. She co-produced Iron Man and Iron Man 2 with director Jon Favreau, Kenneth Branagh’s Thor, and Joe Johnston’s Captain America: The First Avenger.
Alonso’s career began at the nascency of the visual effects industry, when she served as a commercial VFX producer. From there, she VFX-produced numerous feature films, working with such directors as Ridley Scott (Kingdom of Heaven), Tim Burton (Big Fish) and Andrew Adamson (Shrek), to name a few.
Over the years, Alonso’s dedication to the industry has been admired and her achievements recognized. Alonso was the keynote speaker at the 2014 Visual Effects Society Summit, where she exemplified her role as an advocate for women in the visual effects industry. In 2015, she was an honoree of the New York Women in Film & Television’s Muse Award for Outstanding Vision and Achievement. This past January she was presented with the Advanced Imaging Society’s Harold Lloyd Award.
“Victoria has elevated visual effects as an integral element of the art and business of moviemaking,” said Mike Chambers, VES Board chair. “She is an amazing creative force and powerhouse producer, whose unique vision has delivered some of the most popular movie franchises of all time. Her leadership in the industry is paving the way for future generations of artists and producers and she has helped redefine the profile of visual effects on a global scale. We are very proud to honor such an exemplary role model with the VES Visionary Award.”
Previous winners of the VES Visionary Award have been Christopher Nolan, Ang Lee, Alfonso Cuarón, J.J. Abrams and Syd Mead.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More