By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --Several new movies infiltrated theaters nationwide this weekend, from a lighthearted trip to Italy with Jane Fonda, Candice Bergen, Diane Keaton and Mary Steenburgen to a Ben Affleck-fronted detective thriller. The two top spots were once again claimed by Marvel and Mario, however.
In its second weekend, "Guardians of the Galaxy Vol. 3" added $60.5 million from North American theaters, according to studio estimates on Sunday. That's a slim 49% drop from its opening, which is rare for big superhero films that tend to be front-loaded and have big second weekend drops of 60% or more. As the smallest Marvel drop since the beginning of the pandemic, it also answers the " superhero fatigue " question that some floated last weekend. Including $91.9 million from international showings, "Vol. 3" has already grossed over $528.8 million worldwide.
Second place went to "The Super Mario Bros. Movie" with $13 million in its sixth weekend, bringing its domestic grosses just shy of $536 million. Families with younger children have had almost no other options at the theaters since Mario entered the picture, resulting in repeat viewings and its continued dominance at the box office, where it is still playing in 3,800 locations domestically. Globally, it's at $1.2 billion.
With Chris Pratt in the leading positions of chart-topping movies, as Star Lord in "Guardians" and the voice of Mario, debates have ensued about how much of the draw is star power versus brand power.
It was an especially crowded weekend for new movies, opening both wide and limited in all genres and of all qualities.
"The second weekend in May is very notable, traditionally speaking, because it bridges the gap between a big summer kickoff movie ("Guardians 3") and the next big blockbuster ("Fast X")," said Paul Dergarabedian, senior media analyst for Comscore. "Everyone in the business knew Guardians would dominate the weekend but it provided an opportunity for a lot of movies to get out there that hit that sweet spot between two behemoths."
"Book Club: The Next Chapter " fared the best on the charts with $6.5 million from 3,508 locations. The sequel, released by Focus Features on Mother's Day weekend, reunites the cast with director Bill Holderman and his co-writer Erin Simms. Audiences were heavily female (77%), Caucasian (59%) and over 45 (66%) and the hope is that there will be a Mother's Day boost and decent holdover for the $20 million production. Older audiences typically don't rush out on opening weekend. The first film opened to $13.5 million in 2018 and went on to gross over $104 million.
Robert Rodriguez's "Hypnotic," meanwhile, is bombing. The mystery starring Affleck as a detective whose daughter is missing cost a reported $65 million to make. It went into the weekend with poor reviews (32% on Rotten Tomatoes) and limited marketing from distributor Ketchup Entertainment, and earned just $2.4 million from 2,118 locations.
Other mid-level releases failed to make a big splash, including Charlie Day's Hollywood satire "Fool's Paradise," which earned $443,140 from 784 locations, and the anime-inspired "Knights of the Zodiac," which made only $535,000 from 586 theaters.
"BlackBerry," Matt Johnson's well-reviewed portrait about the rise and fall of the beloved smartphone starring Glenn Howerton and Jay Baruchel, got off to a bumpy start with $473,000 from 450 theaters.
Sony Pictures Classics also launched its Yogi Berra documentary "It Ain't Over" in 99 theaters, making $106,000.
Dergarabedian noted that several independent films thrived this weekend with solid per theater averages, including IFC's "Monica" ($26,500 from two theaters) and Bleecker Street's "The Starling Girl" ($27,736 from four theaters).
"If you're a moviegoer, you have a lot to choose from right now," Dergarabedian said.
There was also quite a bit of competition on home screens, from a Michael J. Fox documentary on Apple TV+ to the Jennifer Lopez action pic "The Mother" on Netflix. "Air," which is still in the top 10 after six weekends in theaters, also made its debut on Prime Video.
Things are going to pick up considerably next weekend when "Fast X" enters the summer box office race, followed by the live-action "The Little Mermaid" on May 26.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.
1. "Guardians of the Galaxy Vol. 3," $60.5 million.
2. "The Super Mario Bros. Movie," $13 million.
3. "Book Club: The Next Chapter," $6.5 million.
4. "Evil Dead Rise," $3.7 million.
5. "Are You There God? It's Me, Margaret." $2.5 million.
6. "Hypnotic," $2.4 million.
7. "John Wick: Chapter 4," $1.9 million.
8. "Love Again," $1.6 million.
9. "Air," $875,357.
10. Dungeons & Dragons: Honor Among Thieves," $740,000.
Oscar and Emmy-Winning Composer Kris Bowers Joins Barking Owl For Advertising, Branded Content
Music, audio post and sonic branding house Barking Owl has taken on exclusive representation of Oscar and Emmy-winning composer Kris Bowers for advertising and branded content.
Bowers’ recent film scores include The Wild Robot and Bob Marley: One Love, alongside acclaimed past works such as The Color Purple (2023), King Richard and Green Book. His contributions to television are equally impressive, with scores for hit series like Bridgerton, When They See Us, Dear White People, and his Daytime Emmy Award-winning score for The Snowy Day.
In addition to his work as a composer, Bowers is a visionary director. He recently took home the Academy Award for Best Documentary Short Subject for his directorial work on The Last Repair Shop. The emotionally touching short film spotlights four of the people responsible for repairing the musical instruments used by students in the Los Angeles Unified School District (LAUSD). The Last Repair Shop reflects the positive influence that musical instruments have on the youngsters who play them, and the adults in the LAUSD free repair service who keep them working and in tune.
Barking Owl CEO Kirkland Alexander Lynch said of Bowers, “His artistry, diversity of style and depth of storytelling bring an unparalleled edge to the work we create for global brands. His presence on our roster reflects our continued commitment to pushing the boundaries of sound and music in advertising.”
Johanna Cranitch, creative director, Barking Owl, added, “Kris first caught my attention when he released his record ‘Heroes + Misfits’ where he fused together his jazz sensibility with a deeply ingrained aptitude for melody, so beautifully.... Read More