By Jake Coyle, Film Writer
NEW YORK (AP) --The biggest box-office debut of Angelina Jolie's career propelled Disney's twisted fairy tale "Maleficent" to a scary-good $70 million opening.
The PG-rated fantasy beat forecasts to easily top all films over the weekend, according to studio estimates Sunday. Though "Maleficent" was early on considered a risky endeavor for Disney that might turn away family audiences by retelling "Sleeping Beauty" from the villain's perspective, the film emerged as a hit largely because of the draw of Jolie.
Star power has been increasingly elusive in modern Hollywood, where name-brand concepts often rule the box-office. But Jolie, in her first live-action starring role in years, drove interest for "Maleficent" despite lackluster reviews from critics.
"It's a unique thing," said Dave Hollis, head of distribution for Disney. "Her star power transcends borders and genre."
Seth MacFarlane's Western comedy "A Million Ways to Die in the West" was out-gunned by "Maleficent." The R-rated Universal release opened in third place with a tepid $17.1 million despite a starry cast of Liam Neeson, Charlize Theron and Amanda Seyfried. By contrast, MacFarlane's "Ted" (for which he's making a sequel) opened with $54.4 million in 2012.
Last weekend's top film, Fox's big-budget mutant sequel "X-Men: Days of Future Past," dropped to second with $32.6 million. It's a somewhat steep decline for "Days of Future Past," but the film made $95.6 million internationally in its second week, good enough to push its global cumulative total past $500 million already.
But "Maleficent" dominated the marketplace, which has seen female-leading films continually challenge the much-disputed but still prevalent notion that male stars fuel the box office.
"The whole movie kind of rises and sets on her performance," said Paul Dergarabedian, senior analyst for box-office tracker Rentrak. "The concept is the character. The character is completely linked to the person playing that role."
The film was a balancing act for Disney, which is used to churning out brighter tales. Hollis credited the company's marketing department for "walking the fine line" of selling the movie to families (which made up 45 percent of the audience, according to Disney) and suggesting an edginess that would appeal to a broader audience. "Maleficent" earned about $100 million internationally.
"If you go to Disney, the longest lines are for the scariest rides," Dergarabedian said. "We're going to see more of this, where the villains are the new heroes."
Disney has had success reimagining fairy tales in recent years with "Alice in Wonderland" ($116 million in 2010) and "Oz the Great and Powerful" ($79.1 million debut in 2013). "Maleficent" fell short of those releases, but it was made in the same lineage. Robert Stromberg, the production designer for both earlier movies, makes his directorial debut with "Maleficent."
Next weekend will bring a battle between Shailene Woodley in the young adult novel adaptation "The Fault in Our Stars" and Tom Cruise in the sci-fi thriller "Edge of Tomorrow." ''Edge of Tomorrow" got a jump on its North America release, taking in $20 million in 28 countries over the weekend.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Rentrak. Where available, latest international numbers are also included. Final domestic figures will be released on Monday.
1."Maleficent," $70 million, ($100.6 million international).
2."X-Men: Days of Future Past," $32.6 million ($95.6 million international).
3."A Million Ways to Die in the West," $17.1 million ($10.3 million international).
4."Godzilla," $12.2 million ($15 million international).
5."Blended," $8.4 million.
6."Neighbors," $7.7 million ($7.6 million international).
7."The Amazing Spider-Man 2," $3.8 million ($4.1 million international).
8. "Million Dollar Arm," $3.7 million.
9."Chef," $2 million.
10."The Other Woman," $1.4 million.
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Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to Rentrak:
1. "Maleficent," $100.6 million.
2. "X-Men: Days of Future Past," $95.6 million.
3. "Edge of Tomorrow," $20 million.
4. "Overheard 3," $19.5 million.
5. "Godzilla," $15 million.
6. "A Million Ways to Day in the West," $10.3 million.
7. "Neighbors," $7.6 million.
8. "Frozen," $5.8 million.
9. "A Hard Day," $4.8 million.
10. "Qu'est ce qu'on a fait au Bon Dieu?!," $3.6 million.
“Dune: Part Two” and “House of the Dragon” Win 2 HPA Awards Apiece
Dune: Part Two and House of the Dragon each scored two HPA Awards during a gala ceremony at the Television Academyโs Wolf Theatre in North Hollywood, Calif. on Thursday night (11/7). The HPA Awards honor trailblazing talent in the postproduction industry, celebrating standout achievements in color grading, sound, editing, restoration, and visual effects across theatrical features, commercials, and episodics.
Dune: Part Two topped the Outstanding Color Grading--Live Action Theatrical Feature and the Outstanding Sound--Theatrical Feature categories.
House of the Dragonโs two wins were for โThe Red Dragon and the Goldโ episode which scored for Outstanding Visual Effects--Live Action Episode or Series Season, and Outstanding Editing--Episode or Non-Theatrical Feature (Over 30 Minutes). In the latter HPA Creative Category, House of the Dragon tied with the โPart Six: Far,l Far Awayโ episode of Ahsoka.
The HPAโs Judges Award for Creativity and Innovation honored Taylor Swift | The Eras Tour. This recognition celebrates the profound impact on both live and filmed entertainment that defined The Eras Tour, underscoring its exceptional impact on audiences and the industry. The jury issued a statement outlining their choice: โCelebrated as the cultural phenomenon of 2023, Taylor Swift | The Eras Tour set new records in box office sales, tour revenues, and attendance. The tour showcased exceptional artistry and innovation, making a profound impact on both live and filmed entertainment.โ
This year, FotoKem was awarded the Charles S. Swartz Award for its role in supporting filmmakers, studios, cinematographers, and artists across diverse film and media landscapes. Also celebrated... Read More