By Sandy Cohen, Entertainment Writer
LOS ANGELES (AP) --Davis Guggenheim has made movies about world leaders (Barack Obama, Al Gore) and rock stars (U2, Jimmy Page, Jack White), but it's his new film about a girl and her dad that affected him most.
Of course, Malala Yousafzai is no ordinary girl. Guggenheim spent a year and a half with the Nobel Peace Prize winner and her family to make the documentary "He Named Me Malala," opening Friday. He came away deeply moved.
"She's my favorite," the Oscar-winning documentarian ("An Inconvenient Truth") said. "You're not supposed to have favorites, but she's incredible. I've fallen in love with this family."
Even more than Malala's activism, Guggenheim was inspired by the Yousafzai family dynamic, how they value tradition, education and fun.
"I wanted my family to be more like their family," said the 51-year-old filmmaker, who has three children with wife Elisabeth Shue. "I wanted my family to have this joyous love for each other, this very expressive sense of love."
"He Named Me Malala" is a personal portrait of the teen activist, who was shot in the head by the Taliban in 2012 for advocating for girls' education in Pakistan. She recovered and continued her work globally, addressing the United Nations in 2013 and winning the Nobel Peace Prize last year.
The film centers on Malala's close relationship with her father, Ziauddin Yousafzai, a teacher and public speaker who knew his daughter's gender didn't limit her potential.
"I have two daughters, and my daughters are mysterious to me," Guggenheim said. "I want to know what he did, what she did in that relationship. I want to unpack that relationship somehow."
He learned about Malala's family history of public speaking: Her grandfather was a cleric and her dad has long defended education and liberty in the face of religious extremism. The filmmaker learned about the Pashtun heroine she's is named for: Malalai of Maiwand, a brave young woman who rallied Afghani troops against the British Army in 1880 and was killed for being so outspoken.
He followed Malala and her father as they traveled to Kenya, Nigeria and Jordan to support children's rights. Guggenheim also filmed Malala at home, where she does her homework, teases her brothers and blushes as she looks at pictures of Roger Federer online.
But even after hundreds of interviews and countless hours spent with the Yousafzai family, Guggenheim says 18-year-old Malala is still "a complete mystery to me."
"Clearly, she's a combination of all these wonderful things: her father's dream for her, her mother's intense spirituality," he said. "But also (it's) just who she is."
A world icon and a regular teenage girl, she's Guggenheim's favorite.
"This movie has been my favorite movie because it really has changed my life. It blows me away," he said. "I want what they have. I want to be the father that Zia is. I want my daughters to feel the love that he gives Malala. I want them to feel that love and respect."
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More