By Jake Coyle, Film Writer
NEW YORK (AP) --Tom Hanks. Tom Cruise. Ben Affleck. None of them have been a match for Tyler Perry's Madea.
In a surprise victory at the weekend box office, Perry's "Boo! A Madea Halloween" toppled another A-lister as Hanks' and Ron Howard's new Dan Brown adaption, "Inferno," went up in flames. Perry's latest movie about his tough-talking grandmother remained No. 1 for the second straight week with an estimated $16.7 million.
That was enough to scare away the third installment of the "Da Vinci Code" franchise. According to studio estimates Sunday, "Inferno" bombed with $15 million, about half of what more bullish predictions anticipated.
Sony Pictures and "Inferno" could take solace in stronger overseas business. In three weeks of international release, the Italy-set film has earned nearly $150 million. The studio also stressed that the $75 million budget for "Inferno" was half that of 2006's "The Da Vinci Code" or 2009's "Angels & Demons."
"Certainly we thought of the film as for the international market. We knew that's where the sweet spot was going to be," said Rory Bruer, domestic distribution chief for Sony. "We got a few bad breaks, the biggest being this historical World Series." (Friday night's Game Three between the Chicago Cubs and the Cleveland Indians drew 19.4 million viewers, a 12-year-best, and Saturday night's Game Four was watched by 15.1 million.)
But the unexpectedly poor performance of "Inferno" was yet another example of an anxious trend in the movie business: More of the same isn't working.
Poorly reviewed and coming seven years after the last Robert Langdon thriller, "Inferno" arrived long after the Dan Brown craze. "Angels & Demons" opened with $46.1 million in 2009. Efforts to adapt the third book in Brown's series, "The Lost Symbol," were scuttled in favor of Brown's fourth installment, "Inferno."
"'Inferno' joins the long list of sequels that didn't measure up to their predecessors this year and in particular this summer when only three of the 14 sequels released outperformed their immediate predecessors at the box office," said Paul Dergarabedian, senior media analyst for comScore.
Hanks has still notched the fall's biggest hit, Clint Eastwood's "Sully." It's been an especially star-studded season, with Tom Cruise in "Jack Reacher: Never Go Back" ($9.6 million in its second week) and Ben Affleck in "The Accountant" ($8.5 million in its third week).
But Perry's long-running character has fared better than each, at least in North America. The Halloween-themed "Boo," released by Lionsgate, has made $52 million in 10 days, making it Perry's biggest hit since 2009's "Madea Goes to Jail."
Next week's big North American opening, Marvel's "Doctor Strange," opened in 33 territories abroad where it kicked things off with $86 million.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
1. "Boo! A Madea Halloween," $16.7 million.
2. "Inferno," $15 million ($29.1 million international).
3. "Jack Reacher: Never Go Back," $9.6 million ($11.6 million international).
4. "The Accountant," $8.5 million ($7.9 million international).
5. "Ouija: Origin of Evil," $7.1 million ($8.3 million international).
6. "The Girl on the Train," $4.3 million ($7 million international).
7. "Miss Peregrine's Home for Peculiar Children," $4 million ($7.5 million international).
8. "Keeping Up With the Joneses," $3.4 million ($1.4 million international).
9. "Storks," $2.8 million ($5.2 million international).
10. "Ae Dil Hai Mushkil," $2.1 million ($10.7 million international).
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Doctor Strange," $86 million.
2. "Trolls," $30 million.
3. "Inferno," $29.1 million.
4. "Jack Reacher: Never Go Back," $11.6 million.
5. "Ae Dil Hai Mushkil," $10.7 million.
6. "Mr. Donkey," $8.7 million.
7. "Ouija: Origin of Evil," $8.3 million.
8. "Mechanic: Resurrection," $8 million.
9. "The Accountant," $7.9 million.
10. "Miss Peregrine's Home for Peculiar Children," $7.5 million.
Google Opens Its Defense In Antitrust Case Alleging Monopoly Over Online Ad Technology
Google opened its defense against allegations that it holds an illegal monopoly on online advertising technology Friday with witness testimony saying the industry is vastly more complex and competitive than portrayed by the federal government.
"The industry has been exceptionally fluid over the last 18 years," said Scott Sheffer, a vice president for global partnerships at Google, the company's first witness at its antitrust trial in federal court in Alexandria.
The Justice Department and a coalition of states contend that Google built and maintained an illegal monopoly over the technology that facilitates the buying and selling of online ads seen by consumers.
Google counters that the government's case improperly focuses on a narrow type of online ads — essentially the rectangular ones that appear on the top and on the right-hand side of a webpage. In its opening statement, Google's lawyers said the Supreme Court has warned judges against taking action when dealing with rapidly emerging technology like what Sheffer described because of the risk of error or unintended consequences.
Google says defining the market so narrowly ignores the competition it faces from social media companies, Amazon, streaming TV providers and others who offer advertisers the means to reach online consumers.
Justice Department lawyers called witnesses to testify for two weeks before resting their case Friday afternoon, detailing the ways that automated ad exchanges conduct auctions in a matter of milliseconds to determine which ads are placed in front of which consumers and how much they cost.
The department contends the auctions are finessed in subtle ways that benefit Google to the exclusion of would-be competitors and in ways that prevent... Read More