The Guild of Music Supervisors held its star-studded 11th annual award ceremony virtually for the first time on Sunday (4/11) evening, celebrating outstanding achievement in the craft of music supervision in film, television, documentaries, games, advertising, and trailers.
Feature winners were Ma Rainey’s Black Bottom , Soul and Promising Young Woman while “Hear My Voice” from The Trial of the Chicago 7 earned distinction as Best Song Written and/or Recorded for a Film.
Among the TV winners were Watchmen in the Drama category, and High Fidelity, Insecure and The Marvelous Mrs. Maisel in a three-way tie atop the TV Comedy or Musical category.
Industry music legend Quincy Jones and the founding president of the Guild of Music Supervisors, Maureen Crowe, crowned the evening as Jones received this year’s Icon Award, and Crowe received the Legacy Award. Music Legend Stevie Wonder gave a heartfelt tribute to Jones to the delight of all the attendees. The celebration continued as Billie Eilish and Finneas O’Connell surprised viewers and presented an award at the ceremony.
Celebrity presenters and those who offered tributes to the honorees for the evening included Debbie Allen, Angela Bassett, Mary J. Blige, Connie Britton, Michael Chiklis, Jacob Collier, Kevin Costner, Bryan Cranston, Clive Davis, Gloria & Emilio Estefan, Tony Hawk, Marin Hinkle, Regina King, Savan Kotecha, Jay Landers, John Legend, Michael Levine, Michael McDonald, Neil Meron, Rickey Minor, Eva Noblezada, Folake Olowofoyeku, Kenny Ortega, Dean Pitchford, Lionel Richie, Tony Shalhoub, Robin Thicke, Diane Warren, and Paul Williams. Andra Day, Celeste, Darius de Haas, and Angelica Garcia performed.
The event was executive produced by Joel C. High, Robin Kaye, and Thomas Golubić. Angelia Bibbs-Sanders produced, while Nick Urbom acted as technical producer. Jessica Milten served as talent producer.
Here’s a complete category-by-category rundown of the evening’s winners:
FILM
Best Music Supervision for Film Budgeted Over $25 Million
Tom MacDougall – Soul
Best Music Supervision for Film Budgeted Under $25 Million
Dawn Sutter Madell – Ma Rainey’s Black Bottom
Best Music Supervision for Film Budgeted Under $10 Million
Susan Jacobs – Promising Young Woman
Best Music Supervision for Film Budgeted Under $5 Million
Dondrea Erauw, Michael Perlmutter – The Cuban
Best Song Written and/or Recorded for a Film
“Hear My Voice” from The Trial of Chicago 7
Writer: Celeste Waite, Daniel Pemberton
Performed By: Celeste
Music Supervisor: Peter Afterman, Alison Litton
TELEVISION
Best Music Supervision – Television Drama
Liza Richardson – Watchmen – Season 1
Best Music Supervision – Television Comedy or Musical
A THREE-WAY TIE:
Manish Raval, Alison Rosenfeld, Tom Wolfe – High Fidelity – Season 1
Kier Lehman – Insecure – Season 4
Robin Urdang – The Marvelous Mrs. Maisel – Season 3
Best Music Supervision – Reality Television
Meryl Ginsberg – The Masked Singer – Season 3
Best Music Supervision – Television Movie
Warren Fischer, Laura Webb, Lindsay Wolfington – To All the Boys: P.S. I Still Love You
Best Song Written and/or Recorded for Television
Title: “The Way It Used to Be”
Songwriters: Trent Reznor, Atticus Ross
Artists: Trent Reznor and Atticus Ross
Program: Watchmen
Episode: #106 “This Extraordinary Being”
Music Supervisor: Liza Richardson
DOCUMENTARIES
Best Music Supervision for a Documentary
Aminé Ramer – Crip Camp
Best Music Supervision in a Docuseries
Rudy Chung – The Last Dance
TRAILERS
Best Music Supervision in a Trailer
Mike Lynn – Judas And The Black Messiah
ADVERTISING
Best Music Supervision in Advertising (Synch)
Andy Hamm – Apple “A Journey Into The Valley Of Fire – Shot on iPhone”
Best Music Supervision in Advertising (Original Music)
Mike Ladman – Hennessy “Maurice And The Black Bear School”
VIDEO GAMES
Best Music Supervision in a Video Game
Eric Kalver – Tony Hawk’s Pro Skater 1+2
SCHROM x Yacht Club and Be Electric Studios Launch Electric XR for Virtual Production
SCHROM x Yacht Club, a full-service live-action, tabletop, and postproduction company, has teamed with Be Electric Studios, a soundstage, equipment rental, and virtual production company, to launch Electric XR, a virtual production collective.
Industry veteran Thomas Rossano will lead the new venture, which provides advanced virtual production solutions across multiple facilities. He brings over 25 years of experience in live-action, tabletop, postproduction and talent curation to enhance Electric XR’s offerings as a resource for brands and agencies, as well as other production companies in need of virtual production solutions. Additionally Rossano continues to serve as EP at XR New York (XR-NY), a role he’s held since December 2022. SCHROM x Yacht Club originally established XR-NY to help provide XR services for third-party rentals. While XR-NY will continue to function independently for SCHROM X Yacht Club, it now operates under the Electric XR umbrella.
Rossano’s expertise spans producing live-action commercials, branded content, interactive and experiential content. In addition to leading Electric XR, he holds responsibilities at SCHROM x Yacht Club which include driving business development, collaborating with sales reps and expanding the company’s creative talent network. Rossano’s career includes serving as an exec producer at Hungry Man for about 11 years, right from that company’s inception. He then went on to become a partner at Station Film where he also had a lengthy tenure. Later he was a partner at PRISM. Then after the pandemic hit, he became a freelance EP for nearly two years, looking into opportunities in virtual production, which led him to XR NY and now Electric XR. Over the years, he has produced high-profile... Read More