By Jake Coyle, Film Writer
NEW YORK (AP) --Maggie Gyllenhaal’s Elena Ferrante adaptation “The Lost Daughter” won four Gotham Awards including best feature film at the 31st Gotham Awards, the annual New York independent film celebration that serves as a boozy kickoff to Oscar season.
Gyllenhaal won breakthrough director and best screenplay for her directorial debut, and star Olivia Colman shared the award for outstanding lead performance with Frankie Faison, “The Killing of Kenneth Chamberlain,” a drama based on the 2011 police shooting in White Plains, New York. “The Lost Daughter,” a Netflix release, opens in theaters Dec. 17.
As one of the first stops in the long march to the Oscars, Monday evening’s Gothams was the first real attempt since the pandemic began to summon all the season’s usual glitz and pomp. Stars including Kristen Stewart, Tessa Thompson and Dakota Johnson walked the red carpet. Inside the crowded banquet hall, attendees were required to provide proof of vaccination and a negative COVID-19 test. Last year’s Gotham Awards (where “Nomadland” won the top award) was held virtually, with winners accepting awards by Zoom and an online poker platform deployed to digitally sit guests at tables.
This year, even with the recent discovery of the omicron variant spooking a film industry still trying to rebound from the pandemic, the Gothams got back to normal — even while tweaking traditions.
For the first time, the Gothams were presented without gendered acting categories. While the season’s top award shows — the Oscars, the Emmys, the Tonys — haven’t yet embraced such a move, the Gothams are part of a growing number of awards bodies, including the Grammys and the MTV Film and TV Awards, to ditch “best actor” and “best actress.”
Several times during Monday night’s show that was applauded. Ethan Hawke, a co-winner for his performance in the series “The Good Lord Bird,” said he never understood the separate categories in the first place.
“True talent shines through the divisions meant to separate us,” said “Billions” actor Asia Kate Dillon, a presenter, who identifies as nonbinary.
Other borders seemed to disintegrate at the Gothams, once a more narrow celebration of independent film. Among the series winners was Netflix’s “Squid Game,” the pop-culture sensation that has been watched for more than 2 billion hours, according to the streaming service. At the Gothams, speeches have often exalted the hard work and sometimes lesser-seen rewards of indie film.
“CODA,” the celebrated coming-of-age drama about a hearing daughter in a deaf family, won several awards. Troy Kotsur, the veteran deaf actor who plays the film’s fisherman father, won outstanding supporting performance. Emilia Jones, who stars as the daughter, won breakthrough performer. After an award-winning debut at a virtual Sundance Film Festival, the film’s awards hopes had seemed to lag somewhat after a muted streaming debut on Apple TV+ in August. But the Gothams gave “CODA” a boost.
“First off, I’m absolutely handless right now,” Kotsur said through sign language, shaking his hands.
Nominees and winners (except for best film) are chosen by juries for the Gothams. In a few categories, they elected multiple winners — like for outstanding lead performance where Colman and Faison both won from a pool of 10 nominees.
Other winners included Ryusuke Hamaguchi’s intimate epic “Drive My Car” for best international film and Jonas Poher Rasmussen’s “Flee,” an animated film about an Afghanistan migrant’s life, for best documentary.
But the Gothams also trot out a number of tribute awards, some of them going to a handful of filmmakers and performers expected to play starring roles throughout awards season. Those included honors for Jane Campion, director of “The Power of the Dog”;
Stewart for her performance at Princess Diana in “Spencer”; Peter Dinklage for the upcoming “Cyrano”; and the cast of Jeymes Samuel’s Black Western “The Harder They Fall.”
Often, the tribute introductions are as dramatic as the acceptance speeches. “Spencer” director Pablo Larrain, alongside Julianne Moore, told Stewart that she changed his life and called her “a miracle of cinema.”
“I feel so visible to him,” Stewart said.
Dinklage, introduced with exuberance by Hawke (“If he was British, he’d be a knight”), stood aside and went “off-podium” for his speech because, he noted, the lectern was too high for him.
“The podium, not me,” he said. “Although…”
But Dinklage, who plays Cyrano de Bergerac in the film, spoke warmly about his life in movies and his love of “you tribe of weirdos.”
“When it’s good, it’s not precious,” said Dinklage of acting. “It’s work.”
Here’s a category-by-category rundown of Gotham Award winners:
Best Feature
The Lost Daughter Maggie Gyllenhaal, director; Osnat Handelsman Keren, Talia Kleinhendler, Maggie Gyllenhaal, Charles Dorfman, producers (Netflix)
Best Documentary Feature
Flee Jonas Poher Rasmussen, director; Monica Hellström, Signe Byrge Sørensen, Charlotte De La Gournerie, producers (NEON)
Best International Feature
Drive My Car Ryusuke Hamaguchi, director; Teruhisa Yamamoto, producer (Sideshow and Janus Films)
Bingham Ray Breakthrough Director Award
Maggie Gyllenhaal for The Lost Daughter (Netflix)
Best Screenplay
The Lost Daughter, Maggie Gyllenhaal (Netflix)
Outstanding Lead Performance
TIE BETWEEN
Olivia Colman in The Lost Daughter (Netflix)
Frankie Faison in The Killing of Kenneth Chamberlain (Gravitas Ventures)
Outstanding Supporting Performance
Troy Kotsur in CODA (Apple)
Breakthrough Performer
Emilia Jones in CODA (Apple)
TV
Breakthrough Series (Over 40 Minutes)
Squid Game, Kim Ji-yeon, Hwang Dong-hyu, executive producers (Netflix)
Breakthrough Series – Short Format (under 40 minutes)
Reservation Dogs, Sterlin Harjo, Taika Waititi, creators; Taika Waititi, Sterlin Harjo, Garrett Basch, executive producers (FX)
Breakthrough Nonfiction Series
Philly D.A., Ted Passon, Yoni Brook, Nicole Salazar, creators; Dawn Porter, Sally Jo Fifer, Lois Vossen, Ryan Chanatry, Gena Konstantinakos, Jeff Seelbach, Patty Quillin, executive producers (Topic, Independent Lens, PBS)
Outstanding Performance in a New Series
TIE BETWEEN
Ethan Hawke in The Good Lord Bird (Showtime)
Thuso Mbedu in The Underground Railroad (Amazon Studios)
Additionally announced during the ceremony:
The Questlove Gotham EDU Scholarship
Questlove announced the creation of a $150,000 scholarship fund earmarked for HBCU students’ tuition and to allow participation in the Gotham EDU suite of programs and mentor support. The award is supported by iHeartMedia.
Focus Features & JetBlue Student Short Film Showcase
Tessa Thompson announced the winners of the third annual showcase supported by sponsoring partners Focus Features and JetBlue. The program is designed to discover and empower a diverse group of emerging filmmakers and foster multi-platform distribution of their work. Each winner receives a $10,000 grant and have their films shown for twelve months on JetBlue’s seatback entertainment systems under the “Gotham Selects” movie category and on Focus Features digital streaming platforms. Throughout 2022, winning filmmakers will also receive ongoing mentorship and workshopping opportunities from The Gotham. The winning filmmakers and shorts were:
- Evan Bode, Thine Own Self, Syracuse University
- Jorge G. Camarena, Spaceship, American Film Institute
- Akanksha Chawla, Close Ties to Home Country, Columbia College
- Jun Hee Han, Uncle, University of California, Los Angeles
- J. Sean Smith, #Whitina, University of Southern California
Nikki Baker Becomes CEO At Fallon
Fallon has appointed Nikki Baker as its new CEO. Baker, who joined the creative agency in 2018 and has served as co-chief creative officer with Leslie Shaffer since 2021, succeeds Rocky Novak, who has been in the role since 2019.
Baker’s promotion to CEO comes at a time of significant momentum for the agency, including six consecutive years of growth and award-winning work.
Baker’s recent career highlights include creatively leading the Walmart partnership with the Publicis Groupe team and spearheading innovative campaigns such as the award-winning “RomCommerce” 23-episodic series and the internet-breaking Mean Girls campaign, among hundreds of other campaigns together with the brand over the past few years. Together with Shaffer, Baker has also been instrumental in elevating Fallon’s creative output for longstanding clients like Arby’s, Mattress Firm, and Front Door/American Home Shield.
“I’ve always been an admirer of Fallon, even before I joined. The chance to lead the agency is an absolute honor. Fallon is a place like no other with amazing talent and a legacy of building big, innovative, creative ideas,” said Baker. “Rocky has represented the best of Fallon. He’s been a great leader, and I couldn’t be more excited to take the reins and lead the agency through to the next chapter. With creativity at our core, we’re going to be as ambitious as ever, push boundaries, and continue embracing emerging platforms to deliver work that truly resonates in culture.”
Prior to joining Fallon six years ago, Baker held positions as creative director and art director at agencies including DDB and GSD&M, working with major brands such as McDonald’s, Southwest Airlines, and Wrigley. Her work has been recognized by... Read More