FilmLA, partner film office for the City and County of Los Angeles and other local jurisdictions, has reported that on-location filming in the fourth quarter of 2021 (October-December) set an all-time quarterly record of 10,780 Shoot Days (SD). This is four percent above the previous three month high of 10,359 SD set in Q4, 2018. It is also an increase over the previous quarter, revealing a brisk pace of production leading into the holiday season.
Despite increased levels of production in much of 2021, by year end the region’s 37,709 Shoot Days finished below the previous peak of 39,627 SD in 2016. This was also below annual totals logged in 2017 (38,284 SD) and 2018 (38,795 SD) but exceeded pre-pandemic year 2019 (36,450 SD) by 3.2 percent. Comparing year-end Q4 with years 2016 through 2019 (the “pre-COVID average”), 2021 Shoot Days were down 1.6 percent.
The rise and fall of COVID-19 infection rates at the beginning of 2021 saw production get off to a soft start. To recap, the post-holiday surge at the end of 2020 had studio production on voluntary hiatus during the first part of 2021. As infection rates began to decline in Greater Los Angeles, Shoot Days increased significantly, reaching 9,791 SD in Q2, before rising higher to 10,179 SD in Q3.
Among the major categories of production, the course of the pandemic has had the greatest impact on local feature film production. Last quarter, only 907 SD were logged for features, down -17.3 percent over the Q4 pre-COVID average. Meanwhile, 2021 ended with a total of 3,406 SD for the category, 19.2 percent below the pre- COVID average.
Select features that filmed locally included four Netflix films: Me Time, Your Place or Mine, The Gray Man and an Untitled Jonah Hill project. Independent films included He Went That Way, Way Down Bundy and Wild Chickens.
The commercials production category fared better, ending the fourth quarter with 1,249 SD. Overall, this was on par with the pre-COVID average for the quarter (at 1,277 SD).
Looking at the year, Commercial production generated 5,319 SD in 2021, compared to the annual pre-COVID average of 5,490 SD, a drop of 3.1 percent.
The “other” category, which mostly includes still photography and student films, but also documentaries, music and industrial videos and miscellaneous permitted events, had a substantial quarter with 3,699 SD from October to December. However, the category’s annual total of 10,424 SD remained 23.7 percent below its pre-COVID average.
The bright spot in regional production continues to be television. In Q4, the TV category posted 4,925 SD, on par with the previous two quarters. For the year, the TV category posted a record 18,560 SD for 2021, besting the previous record of 16,463 SD logged in 2016, by 18 percent. Put another way, approximately one-half of all Shoot Days recorded by FilmLA in 2021–49.2 percent–were generated by scripted or unscripted television production.
Among the subcategories for television, TV dramas in Q4 accounted for 1,294 SD, and a total of 5,610 SD were generated for the year–representing a 23.8 percent increase above the previous annual pre-COVID average. Local dramas that shot this past quarter include All American (The CW), Promised Land (ABC), Snowfall (FX), Euphoria (HBO), Bel Air (Peacock) and The Flight Attendant (HBO Max).
The TV comedies subcategory continued to decline, finishing the quarter down 40.6 percent from the pre-COVID annual averages (1,302 vs. 2,192). Locally filmed TV comedies include Home Economics (ABC), Kenan (NBC), Mr. Mayor (NBC), Chad (TBS), Grace and Frankie (Netflix), and Made for Love (HBO Max).
Finally, the TV reality category continued to break records as networks and streaming platforms look for additional content to fill in their schedules. Shoot Days for TV reality shows generated 9,551 SD in 2021, which is 129.8 percent above the annual pre-COVID average of 4,157.
“This is an encouraging report by most indicators, but how production will fare in 2022 remains uncertain at this time,” said Paul Audley, president of FilmLA. “With the highly contagious Omicron variant driving record COVID-19 cases in Los Angeles County, industry output is also affected. Just as 2021 got off to a slow start, the New Year has filmmakers feeling cautious, with many studios and production companies delaying their return to filming. Our hope is that 2022 follows a similar trajectory as last year–with a slow, responsible start and strong end-of-year finish.”
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More