By Andrew Dalton
"The Little Mermaid" made moviegoers want to be under the sea on Memorial Day weekend.
Disney's live-action remake of its 1989 animated classic easily outswam the competition, bringing in $95.5 million on 4,320 screens in North America, according to studio estimates Sunday.
And Disney estimates the film starring Halle Bailey as the titular mermaid Ariel and Melissa McCarthy as her sea witch nemesis Ursula will reach $117.5 million by the time the holiday is over. It ranks as the fifth biggest Memorial Day weekend opening ever.
It displaces "Fast X" in the top spot. The 10th installment in the "Fast and Furious" franchise starring Vin Diesel has lagged behind more recent releases in the series, bringing in $23 million domestically for a two-week total of $108 million for Universal Pictures.
In its fourth weekend, Disney and Marvel's " Guardians of the Galaxy Vol. 3 " made an estimated $20 million in North America to take third place. It's now made $299 million domestically.
Fourth went to Universal's "The Super Mario Bros. Movie," which keeps reaching new levels in its eighth weekend. Now available to rent on VOD, it still earned $6.3 million in theatres. Its cumulative total of $559 million makes Mario and Luigi the year's biggest earners so far.
Comics couldn't stand up to Ariel as the week's other new releases sank.
"The Machine," an action comedy starring stand—up comedian Bert Kreischer, finished fifth with $4.9 million domestically. And " About My Father," the broad comedy starring stand-up Sebastian Maniscalco and Robert De Niro, was sixth with $4.3 million.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.
1. "The Little Mermaid," $95.5 million.
2. "Fast X," $23 million.
3. "Guardians of the Galaxy Vol. 3," $20 million.
4. "The Super Mario Bros. Movie," $6.3 million.
5. "The Machine," $4.9 million.
6. "About My Father," $4.3 million.
7. "Kandahar," $2.4 million.
8. "You Hurt My Feelings," 1.4 million.
9. "Evil Dead Rise," $1 million.
10. "Book Club, The Next Chapter," $920, 000.
Andrew Dalton is an AP entertainment writer
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More