Light Iron, which provides innovative postproduction creative services and is part of Panavision’s end-to-end offerings for content creators, has added two post industry veterans to its management team. Andy Kaplan joins as SVP of operations and Peter Lin as director of finance. Both report to Seth Hallen, managing director at Light Iron, and work out of the company’s Los Angeles facility.
Kaplan oversees all of Light Iron’s operations and services, including dailies, offline rentals, and final color. He previously served as VP of picture operations at Picture Shop and Technicolor, and prior to that as head of production at Company 3.
As director of finance, Lin spearheads all of Light Iron’s financial processes and works closely with the Panavision team as a conduit between the two brands. Lin previously held senior finance roles at Company 3 and Deluxe Entertainment Services Group.
Yorick Le Saux Connects With Writer-Director Steve McQueen On “Blitz”
When opportunity knocked, cinematographer Yorick Le Saux, AFC couldn’t answer in the affirmative--though he desperately wanted to. Scheduling conflicts forced him to turn down overtures from director Steve McQueen on a couple of occasions--the first being for a commercial, followed several years later by a query as to the DP’s availability for what turned out to be the acclaimed Small Axe anthology. Thankfully, though, the third time proved to be the charm as McQueen once again reached out to Le Saux and the two wound up collaborating together on Blitz (Apple Original Films). McQueen, a Best Picture Oscar winner for 12 Years a Slave, wrote and directed Blitz, which makes its streaming debut today (11/22) on Apple TV+ after a wide theatrical release. Blitz, short for the Germans’ blitzkrieg bombing of London during World War II, is told largely through the eyes of a nine-year-old boy, George (portrayed by Elliott Heffernan), whose single mom, Rita (Saoirse Ronan), had made the heartaching decision to send him to the countryside with thousands of other schoolchildren to flee the devastating aerial attacks. The prospect of being separated from his mother and grandfather is traumatic for George who at his young age has also felt the sting of prejudice, having been ridiculed about his mixed-race heritage. Le Saux shared that going into Blitz, his only connection to World War II was what he heard about it from his parents and grandparents. But he was eager to work with McQueen and found that upon delving deeper into the subject matter he felt a profound bond to the story, which carries relevance to today. Le Saux said this gave him a sense of purpose to help realize the writer-director’s vision for the... Read More