Director Lesli Linka Glatter was re-elected president of the Directors Guild of America by acclamation by the delegates at the Guild’s National Biennial Convention held Saturday (8/5) at the DGA Theater in Los Angeles.
Additionally, 164 delegates representing more than 19,500 members of the DGA elected a new slate of officers and members of the National Board of Directors.
“I am honored to once again accept the responsibility of serving as president of the Directors Guild of America,” said Glatter. “At this critical time for our industry, I am more committed than ever to our Guild’s mission of protecting the creative and economic rights of our members and working collaboratively both internally and externally on the issues affecting us all. As we embark on the next chapter of our Guild, I’m elated to work alongside an incredibly talented, creative and diverse Board, all of whom generously volunteer their time to advocate for their fellow members and do their part in building an industry where everyone can thrive. As a union, our power comes from our unity — and I am thrilled to say we are as strong and united as ever before. Together, we will continue our shared fight–along with SAG-AFTRA and the WGA–for an industry in which we are all fairly valued and celebrated for the work we do.”
Glatter was first elected president in 2021 and has been on the Guild’s National Board since 2003–previously serving as first vice-president, and before that as fifth VP. She’s been a member of three past Negotiating Committees and as president worked with the 2023 Negotiating Committee to achieve significant gains on wages, global streaming residuals, safety, diversity and television creative rights, building for the future and impacting every category of member in the Guild. Her service as a member or alternate of the Western Directors Council, a member of the Creative Rights Committee, and on the PAC Leadership Council spans two decades. Glatter joined the DGA in 1985.
“It is my privilege and pleasure to re-nominate such an experienced, qualified and tenacious candidate for president,” said Thomas Schlamme, DGA past president. “Over the last two rather intense years, Lesli has distinguished herself as a champion for our members across every category, including in our extremely challenging contract negotiation, and we are all better off for it. She has led with wisdom, an incredible fearlessness and an enormous amount of compassion. We are so fortunate that as a leader, she understands the needs of our membership and pursues them relentlessly–work she will continue in her next term.”
Glatter is a director of film, network, and premium cable television drama, with both pilots and episodes to her credit. Her TV work includes The Morning Show, Homeland, The Newsroom, The Walking Dead, Justified, Ray Donovan, Masters of Sex, True Blood, Mad Men, The Leftovers, The Good Wife, The West Wing, NYPD Blue, ER, Freaks and Geeks and Twin Peaks. Glatter has also directed numerous pilots including Gilmore Girls, Pretty Little Liars and SIX. Her films include Now and Then, The Proposition and State of Emergency.
Glatter has been a producing director for the last 25 years, and is currently the executive producer/director of Zero Day, a Netflix limited series written by Eric Newman and Noah Oppenheim, starring Robert DeNiro, as well as Love and Death, an HBO limited series written by David E. Kelley and starring Elizabeth Olsen and Jesse Plemons. Glatter began her directing career through the American Film Institute’s Directing Workshop for Women, in which her film Tales of Meeting and Parting was nominated for an Oscar. Glatter has been nominated for eight DGA Awards, most recently winning her third DGA Award for directing the Homeland series finale, having won twice before for Mad Men and Homeland. Glatter has received eight Emmy nominations, and a Humanitas Award nomination for State of Emergency.
In addition to her work at the DGA, Glatter is an advisor at the Sundance Institute’s Director’s Lab and has been committed to mentoring for many years and most recently helped develop the successful NBC program, Female Forward. Glatter has received the Caucus Foundation Award, the Dorothy Arzner Directing Award from Women in Film and the Franklin Schaffner Award from the American Film Institute, as well as an Honorary Degree from the American Film Institute.
Prior to her work as a director, Glatter was a modern dance choreographer who worked throughout Europe, Asia and the U.S.
The following officers were elected to serve alongside Glatter: Laura Belsey was elected national vice president and Paris Barclay was re-elected secretary treasurer. Also elected were: first vice-president Todd Holland; second vice-president Ron Howard; third vice-president Gina M. Prince-Bythewood; fourth vice-president Seith Mann; fifth vice-president Millicent Shelton; sixth vice-president Lily Olszewski; and assistant secretary-treasurer Joyce Thomas.
Complete List of 2023-2025 DGA Officers and National Board Members
President
Lesli Linka Glatter
National Vice-President
Laura Belsey
Secretary-Treasurer
Paris Barclay
Assistant Secretary-Treasurer
Joyce Thomas
First Vice-President
Todd Holland
Second Vice-President
Ron Howard
Third Vice-President
Gina M. Prince-Bythewood
Fourth Vice-President
Seith Mann
Fifth Vice-President
Millicent Shelton
Sixth Vice-President
Lily Olszewski
Board Members
Kabir Akhtar
Jon Avnet
Norberto Barba
Valdez Flagg
Courtney Franklin
Nicole Kassell
Christopher Nolan
Joseph P. Reidy
Donald L. Sparks
Steven Spielberg
Glenn P. Weiss
Alternate Board Members
Tessa Blake
Benny Boom
Patricia Cardoso
Hanelle Culpepper
Ava DuVernay
Karen Gaviola
Maggie Greenwald
Phil Lord
Annetta Marion
Lily Mariye
Edward Ornelas
Kimberly A. Peirce
Jason Robert Reitman
Bethany Rooney
Marcos Siega
Alex Stapleton
J. Rupert Thompson
Associate Board Members
Julie Gelfand
Louis J. Guerra
Keven Koster
Glenna Meeks
Shawn Pipkin-West
Second Alternate Board Members
Alanna G.A. Campbell
Mimi (Marian) Deaton
Joe MJ Moore
Chemen A. Ochoa
Lyn Pinezich
Canella Williams-Larrabee
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More