By Mesfin Fekadu, Music Writer
NEW YORK (AP) --Leon Redbone, the blues and jazz artist whose growly voice, Panama hat and cultivated air of mystery made him seem like a character out of the ragtime era or the Depression-era Mississippi Delta, died Thursday. He was 69.
No details about his death were provided.
Redbone's career got a boost in the early 1970s when Bob Dylan met him at the Mariposa Folk Festival in Ontario, Canada, and praised his performance. Dylan said that if he ever started a label, he would have signed Redbone.
"Leon interests me," Dylan said in an interview with Rolling Stone in 1974. "I've heard he's anywhere from 25 to 60, I've been (a foot and a half from him) and I can't tell, but you gotta see him. He does old Jimmie Rodgers, then turns around and does a Robert Johnson."
Dylan wasn't the only one who didn't know Redbone's real age since the performer never directly answered questions about his origin or age. Redbone's publicist confirmed he was born in Cyprus on Aug. 26, 1949, but the Thursday statement announcing his death explained that "Leon Redbone crossed the delta for that beautiful shore at the age of 127. He departed our world with his guitar, his trusty companion Rover, and a simple tip of his hat."
"I don't do anything mysterious on purpose. I'm less than forthcoming, but that doesn't necessarily mean I'm mysterious. It just means I'm not inclined to go there," Redbone was quoted saying in the press release that announced his death.
Redbone retired from performing in 2015 because his health had "been a matter of concern for some time," a spokesman for the singer said at the time, and it was "too challenging for him to continue the full range of professional activities."
He released his debut album, "On the Track," in 1975, and dropped 16 albums throughout his career.
Most often dressed in a white suit with a string tie, wearing glasses and a panama hat, Redbone performed twice on "Saturday Night Live" in its first season (1975-1976) and was a frequent guest on "The Tonight Show Starring Johnny Carson."
He voiced Leon the Snowman in the 2003 Christmas comedy "Elf," starring Will Ferrell, and sang "Baby, It's Cold Outside," a duet with Zooey Deschanel, for the film.
Redbone also sang the theme song for the TV series "Mr. Belvedere" and "Harry and the Hendersons."
A 16-minute documentary about his life aptly titled "Please Don't Talk About Me When I'm Gone" was released last year.
Review: Writer-Directors Scott Beck and Bryan Wood’s “Heretic”
"Heretic" opens with an unusual table setter: Two young missionaries from The Church of Jesus Christ of Latter-day Saints are discussing condoms and why some are labeled as large even though they're all pretty much a standard size. "What else do we believe because of marketing?" one asks the other.
That line will echo through the movie, a stimulating discussion of religion that emerges from a horror movie wrapper. Despite a second-half slide and feeling unbalanced, this is the rare movie that combines lots of squirting blood and elevated discussion of the ancient Egyptian god Horus.
Our two church members — played fiercely by Sophie Thatcher and Chloe East — are wandering around trying to covert souls when they knock on the door of a sweet-looking cottage. Its owner, Mr. Reed, offers a hearty "Good afternoon!" He welcomes them in, brings them drinks and promises a blueberry pie. He's also interested in learning more about the church. So far, so good.
Mr. Reed is, of course, if you've seen the poster, the baddie and he's played by Hugh Grant, who doesn't go the snarling, dead-eyed Hannibal Lecter route in "Heretic." Grant is the slightly bumbling, bashful and self-mocking character we fell in love with in "Four Weddings and a Funeral," but with a smear of menace. He gradually reveals that he actually knows quite a bit about the Mormon religion — and all religions.
"It's good to be religious," he says jauntily and promises his wife will join them soon, a requirement for the church. Homey touches in his home include a framed "Bless This Mess" needlepoint on a wall, but there are also oddities, like his lights are on a timer and there's metal in the walls and ceilings.
Writer-directors Scott Beck and Bryan Wood — who also... Read More