By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --With no new wide releases, Hollywood basically took the Labor Day weekend off and put an end to what's expected to be the lowest earning summer movie going season since 2006 — the last time the industry saw a sub-$4 billion summer.
Things weren't as apocalyptic as analysts suggested going into the weekend, which had the potential to be the worst since 1992, but that's hardly cause for celebration. While official numbers for the four-day weekend won't be available until Tuesday, studio estimates and projections expect that in total this Labor Day weekend will be the lowest earning since 1998.
"There's no sugar coating the fact that this was a very slow labor day weekend," said Paul Dergarabedian, the senior media analyst for comScore. "This was a fitting end to a rough summer."
Some did make it out to the multiplexes over the holiday weekend, though. According to studio estimates on Sunday, the R-rated actioner "The Hitman's Bodyguard" topped the charts for a third weekend with $10.3 million. The Samuel L. Jackson and Ryan Reynolds pic has earned a total of $54.9 million from North American theaters.
In second place was the horror spinoff "Annabelle: Creation," from Warner Bros., which added $7.3 million, bumping its domestic total to $89 million.
The Weinstein Company took spots three and four, with the crime drama "Wind River" in third with $5.9 million, and the animated family film "Leap!" in fourth with $4.9 million.
However the company's new opener, the long-delayed period romance "Tulip Fever," wilted on release. Playing in 765 locations, the R-rated drama starring Alicia Vikander and Dane DeHaan, earned only $1.2 million.
Steven Soderbergh's "Logan Lucky" rounded out the top five with $4.4 million.
Audiences did have a few unconventional options to choose from this weekend, including a 40th anniversary re-release of Steven Spielberg's sci-fi classic "Close Encounters of the Third Kind" and an IMAX-only run of the pilot episode of Marvel's "Inhumans." Neither made a significant splash, though.
"Close Encounters of the Third Kind" earned $1.8 million from 901 locations, while "Inhumans" took in $1.5 million from 393 North American IMAX screens in advance of its Sept. 29 premiere on ABC.
Still, Dergarbedian notes that both smartly took advantage of a quiet weekend and added money to the bottom line.
And as Hollywood looks to forget the dismal summer of 2017, which will likely cap out with just over $3.8 billion, there is a bright spot on the horizon in the form of a red balloon and a homicidal clown as "It" prepares to break records when it hits theaters next weekend.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Tuesday.
1. "The Hitman's Bodyguard," $10.3 million ($14.2 million international).
2. "Annabelle: Creation," $7.3 million ($15.6 million international).
3. "Wind River," $5.9 million ($850,000 international).
4. "Leap!" $4.9 million.
5. "Logan Lucky," $4.4 million ($1.3 million international).
6. "Dunkirk," $4.1 million ($36.5 million international).
7. "Spider-Man: Homecoming," $3.7 million ($1.6 million international).
8. "The Emoji Movie," $2.5 million ($6.8 million international).
9. "Despicable Me 3," $2.4 million ($9.9 million international).
10. "Girls Trip," $2.3 million ($1.9 million international).
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Dunkirk," $36.5 million.
2. "Annabelle: Creation," $15.6 million.
3. "The Hitman's Bodyguard," $14.2 million.
4. "Valerian and the City of a Thousand Planets," $11.3 million.
5. "Despicable Me 3," $9.9 million.
6. "Silver Soul (Gintama)," $9.5 million.
7. "American Made," $9.1 million.
8. "Wolf Warrior 2," $8.7 million.
9. "Cars 3," $8.6 million.
10. "The Emoji Movie," $6.8 million.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More