A seasonal lift across several film production categories arrived too late to satisfy high expectations for 2019, according to new data published by FilmLA. In several key categories–including feature films, TV dramas, TV comedies and web-based TV, on-location production was more robust from October through December than in any of the three quarters prior. Nonetheless, overall production slipped 5 percent in the fourth quarter of 2019, to 9,839 Shoot Days.
The fourth quarter of 2019 came up short against the same period in 2018, FilmLA analysts say, in part because 2018 Q4 was the most productive period recorded by FilmLA in more than 25 years (totaling 10,359 SD in 2018, compared to 9,839 in 2019).
TV comedy production increased 39.4 percent to 548 SD during the fourth quarter. Web-based TV increased 36.0 percent to 423 SD, and TV pilot production increased 33.3 percent to 64 SD for the period. TV drama production declined 9.7 percent to 1,345 SD, due to fewer shows and fewer production days for recurring shows. Several major recurring series like Ballers, Legion, Strange Angel and The Affair ended production over the past two quarters. TV reality production declined 4.4 percent in Q4 to 1,006 SD.
Overall, on-location TV drama production–a mainstay of the LA film economy–finished the entire year 2.7 percent below 2018 levels (at 4,716 SD), but still 3.6 percent ahead of its five-year category average.
“Whenever we publish new permit data, it raises similar questions,” observed FilmLA president Paul Audley. “Is the state incentive working?’ some ask, and ‘What’s happening with runaway production?’ It’s important to remember that California is locked in a permanent competition against global rivals for film and television projects and jobs.”
“The fact is,” Audley added, “California’s film incentive reliably brings LA around 30 percent more TV drama production, and around 13 percent more feature film production than we would have without the program. Entertainment unions are reporting ample work opportunities for local crews. Soundstage occupancy is high. These are all important considerations when evaluating the health of this business.”
A sampling of recent incentivized television projects includes American Horror Story: 1984, Good Girls, Good Trouble, Lucifer, The Orville, Penny Dreadful: City of Angels, The Rookie, This is Us, Untitled Lakers Project, Westworld and Why Women Kill.
Feature film production slipped 2.4 percent to 1,052 SD in the fourth quarter compared to 2018. Nonetheless, Q4 saw Feature film production peak for 2019, as the only quarter in which production did not decline by double digits. The features category is the third largest tracked by FilmLA, in terms of SD volume.
A sampling of recent incentivized feature projects includes: Mainstream and The Little Things.
Commercial production, which is ineligible for incentive support, slipped 7.9 percent in the fourth quarter. The second largest production category tracked by FilmLA, Commercials have struggled throughout 2019 to match 2018’s record yield.
Changes Afoot For Cannes Lions 2025, Including Increasing Festival Access For Underserved Communities
The Cannes Lions International Festival of Creativity is putting plans in motion for its 72nd edition, set to take place from June 16-20, 2025 in Cannes, France. The Festival has announced that it will double funding to provide €2m (some $2,150,000) worth of complimentary passes to underrepresented talent and underserved communities through its Equity, Representation and Accessibility (ERA) Pass, returning for a second year.
Frank Starling, chief DEI officer, Lions, said the increased investment was “crucial to continue to drive progress for both Cannes Lions and the industry.” Starling added, “The ERA pass plays an important role in fostering a global representation of talent within the creative communications industry at Cannes Lions, and to date our funded opportunities have reached creatives in 46 countries globally. With the Festival being the destination for everyone in the business of creativity, we recognize the importance of creating equitable access to it, and this is why we’re prioritizing increased representation from the Global South to support a greater range of voices and perspectives from the region at the Festival.” Applications for the ERA pass are open now and close on December 5, 2025. More details can be found here.
With submissions into the Cannes Lions Awards opening on January 16, 2025, innovations to the Awards have also been announced today. Glass: The Lion for Change celebrates 10 years since its introduction. The Glass Lion was launched to champion work that used creativity to drive a shift towards more positive, progressive and gender-aware communication, and Marian Brannelly, global... Read More